Having checked with the usual suspects, I'm at a loss to explain the discrepancy between the version of (nostalgia) on the 2012 Criterion disk and the version described by a few folks, one being Shari Segal, who in a 2005 essay entitled From the Private to the Public" writes:
> Each voice-over begins fifteen to twenty seconds after the new photograph > appears, precisely the amount of time permitted before the photograph’s > destruction visibly begins. This doesn't describe the voice-over to image relationship I see in the 2012 disk. The voice-overs begin before the new image arrives, not 20 seconds after. Is she wrong? Or did she see a different film? Clues? And I apologize if the answer is obvious. j/PrM ************************************************* john muse visiting assistant professor of independent college programs haverford college http://www.finleymuse.com http://www.haverford.edu/faculty/jmuse http://haverford.academia.edu/JohnMuse ************************************************* _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
