At 13:46 23/07/2014 +0200, Karol Majewski wrote:
And how to divide this:
c4 c8 c8~ c4 c4
or
c4 c8 c4. c4
Elaine Gould says (on pp.166-7) "Note-values sustained across a beat
or half-beat must expose the beat structure of the bar", "Only very
straightforward rhythms may be written across the beat or half-bar",
and "In 4/4 it is the third (not the fourth) beat that should be
exposed". She gives as an example:
c8 c4.~ c8 c4 c8
and says "and not"
c8 c2 c4 c8
So she'd certainly pick your first option.
I trust this helps.
Brian Barker
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