Here is an alternative approach, putting the g' and f' quavers in the
voice that continues through the parallel music section but adjusting
their appearance to have down stems.
\version "2.19.81"
{
\new Staff {
\time 2/4
\voiceOne 4\( 4 4
<<
{
Something like this perhaps. You can tune the slur shape better than my
rough example.
===
\version "2.19.81"
{
\time 2/4
\clef treble
<<
{
\voiceOne
\shape #'((0 . 0.5) (0 . 0.5) (4 . 1) (3 . -3)) Slur
4^( |
a') |
}
\new
Sorry Brian, it's late and I am dreaming. You cant start a slur on a spacer
rest, Apologies.
Andrew
On 10 February 2018 at 00:54, Andrew Bernard
wrote:
>
> You could also put spacer rests in the voice to start the slur on, but
> that is also a hack.
>
>
>
Hi Brian,
The way I do this is to shape the slur so that it extends past the A. This
is fake out, but you can use \shape to do it, or the more flexible \shapeII
function in the openlilylib library. Although this approach is a bit of a
kludge, it ends up faster than artificially putting the first
I am just learning LilyPond, and to practice I’m engraving Dvořák’s Humoresque
No. 1 in E-flat Minor, which is in 2/4 time.
I’m stuck on the top staff in the attached image (measures 70 and 71).
It seems that there are three voices in the last beat of the second measure.
The phrasing slur