Re: [Frameworks] 360 degrees

2016-02-24 Thread Gene Youngblood 
Thanks again, all, for these suggestions. It seems the subject is of interest 
to Frameworkers. We saw Peter Greenaway’s “Eisenstein in Guanajuato” today. 
It’s a mess overall, but it does have some very inventive circular camera 
moves, all the more interesting for the way they’re edited. One scene 
alternates rapidly between 360-degree dollies and pans in one space, something 
I hadn’t seen before.


> On Feb 24, 2016, at 10:04 AM, Salise Hughes  wrote:
> 
> It's been a while since I've seen Fassbender's Whity, but I remember an 
> inverted 380 tracking shot focused on the exchange of cash, the moment love 
> turned to commerce. 
> 
> On Tue, Feb 23, 2016 at 10:13 PM, salise.hug...@gmail.com 
>   > wrote:
> Fassbender's Whity (1971).
> 
> - Reply message -
> From: "Hardin, Ted" >
> To: "Experimental Film Discussion List"  >
> Subject: [Frameworks] 360 degrees
> Date: Tue, Feb 23, 2016 8:27 pm
> 
> 
> Rainer Werner Fassbinder’s fondness for this technique was on display at the 
> Martin Gropius Bau in Berlin last year.  Here’s a list of films that were 
> displayed:  “Another room in Fassbinder – JETZT is dedicated to one of 
> Fassbinder’s favoured formal techniques: the 360 degree tracking shot. Scenes 
> from Rio das Mortes (1970), World on a Wire(1973), Martha (1973), Chinese 
> Roulette (1976), Berlin Alexanderplatz (1979/80), and Querelle (1982) play on 
> a loop on a hanging screen.”
> 
> ‘Chinese Roulette’ has my favorite 720 degree tracking shot through glass 
> shelves.
> 
> The write up:  
> http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/ 
>  
> 
> ‘Martha’  clip: https://www.youtube.com/watch?v=8z0tVsI-63g 
> 
> 
> Ted Hardin
> Columbia College Chicago
> 
>> On Feb 23, 2016, at 8:10 PM, Fred Camper > > wrote:
>> 
>> A handheld 360 movement around two young men kissing in an obvious homage to 
>> the "Vertigo" kiss appears in Warren Sonbert's first film, "Amphetamine."
>> 
>> Fred Camper
>> Chicago
>> 
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>> 
> 
> 
> 
> 
> -- 
> Salise Hughes
> Artist, Filmmaker, Armchair Anthropologist
> 
> http://salisehughes.blogspot.com 
> https://vimeo.com/user1421998 
> 
> 
> 
> 
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Re: [Frameworks] Lis Rhodes? Dynamo Dresden fan? + synch?

2016-02-24 Thread John Muse 
Thanks, Nicky!  I would love to know a little more about "no particular 
reason."  It could be the alliteration.  It could be the ridiculousness of 
these two words.  I could be something about power and the bombing of Dresden.  
Or a nod to Lye whose titles, e.g., Free Radicals, are evocative and pithy.  
Yes, I'm reaching!  

Thanks for confirming my thoughts about the synch!

j

On Feb 24, 2016, at 5:23 PM, Nicky Hamlyn  wrote:

> As far as I know it's named after the football club, for no particular 
> reason. Letratone was made somewhere in Kent, south east England,  but not 
> any more. They have offices in LeMans: www.letraset.com. The film was made 
> section by section under an enlarger, from B originals printed through 
> colour filters and yes, obviously the sound would be finally printed 26 
> frames ahead, to put it in sync.
> 
> Nicky.
> 
> 
> 
>  John Muse a écrit 
> 
> Can anyone motivate the title of Lis Rhodes' Dynamo Dresden?  Or is she a fan 
> of https://en.wikipedia.org/wiki/Dynamo_Dresden ?
> 
> I was hoping that either the Letratone or the clear leader was manufactured 
> in Dresden.
> 
> And she claims that the optical track and the visual track are the same, but 
> it looks like (and sounds like) she offset the optical track (26 frames 
> ahead) so that there would visual and acoustic synch, even though she 
> fabricated the optical track and the visual track in one go.  If you go to 
> http://www.tate.org.uk/whats-on/tate-modern-tanks/display/lis-rhodes-light-music
>  and scroll down to the video, you'll see at 51" prints of the film strip.  
> Right?  Wrong?
> 
> j/PrM
> 
> *
> 
> john muse
> visiting assistant professor of independent college programs
> haverford college
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
> 
> *
> 
> 
> 
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j/PrM

*

john muse
visiting assistant professor of independent college programs
haverford college
http://www.finleymuse.com
http://www.haverford.edu/faculty/jmuse
http://haverford.academia.edu/JohnMuse

*



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Re: [Frameworks] Lis Rhodes? Dynamo Dresden fan? + synch?

2016-02-24 Thread Nicky Hamlyn 
As far as I know it's named after the football club, for no particular reason. 
Letratone was made somewhere in Kent, south east England,  but not any more. 
They have offices in LeMans: www.letraset.com. The film was made section by 
section under an enlarger, from B originals printed through colour filters 
and yes, obviously the sound would be finally printed 26 frames ahead, to put 
it in sync.

Nicky.

 John Muse a écrit 

>Can anyone motivate the title of Lis Rhodes' Dynamo Dresden?  Or is she a fan 
>of https://en.wikipedia.org/wiki/Dynamo_Dresden ?
>
>I was hoping that either the Letratone or the clear leader was manufactured in 
>Dresden.
>
>And she claims that the optical track and the visual track are the same, but 
>it looks like (and sounds like) she offset the optical track (26 frames ahead) 
>so that there would visual and acoustic synch, even though she fabricated the 
>optical track and the visual track in one go.  If you go to 
>http://www.tate.org.uk/whats-on/tate-modern-tanks/display/lis-rhodes-light-music
> and scroll down to the video, you'll see at 51" prints of the film strip.  
>Right?  Wrong?
>
>j/PrM
>
>*
>
>john muse
>visiting assistant professor of independent college programs
>haverford college
>http://www.finleymuse.com
>http://www.haverford.edu/faculty/jmuse
>http://haverford.academia.edu/JohnMuse
>
>*
>
>
>
>___
>FrameWorks mailing list
>FrameWorks@jonasmekasfilms.com
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[Frameworks] Lis Rhodes? Dynamo Dresden fan? + synch?

2016-02-24 Thread John Muse 
Can anyone motivate the title of Lis Rhodes' Dynamo Dresden?  Or is she a fan 
of https://en.wikipedia.org/wiki/Dynamo_Dresden ?

I was hoping that either the Letratone or the clear leader was manufactured in 
Dresden.

And she claims that the optical track and the visual track are the same, but it 
looks like (and sounds like) she offset the optical track (26 frames ahead) so 
that there would visual and acoustic synch, even though she fabricated the 
optical track and the visual track in one go.  If you go to 
http://www.tate.org.uk/whats-on/tate-modern-tanks/display/lis-rhodes-light-music
 and scroll down to the video, you'll see at 51" prints of the film strip.  
Right?  Wrong?

j/PrM

*

john muse
visiting assistant professor of independent college programs
haverford college
http://www.finleymuse.com
http://www.haverford.edu/faculty/jmuse
http://haverford.academia.edu/JohnMuse

*



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Re: [Frameworks] 360 degrees

2016-02-24 Thread Salise Hughes 
It's been a while since I've seen Fassbender's Whity, but I remember an
inverted 380 tracking shot focused on the exchange of cash, the moment love
turned to commerce.

On Tue, Feb 23, 2016 at 10:13 PM, salise.hug...@gmail.com <
salise.hug...@gmail.com> wrote:

> Fassbender's Whity (1971).
>
> - Reply message -
> From: "Hardin, Ted" 
> To: "Experimental Film Discussion List" 
> Subject: [Frameworks] 360 degrees
> Date: Tue, Feb 23, 2016 8:27 pm
>
>
> Rainer Werner Fassbinder’s fondness for this technique was on display at
> the Martin Gropius Bau in Berlin last year.  Here’s a list of films that
> were displayed:  “Another room in *Fassbinder – JETZT* is dedicated to
> one of Fassbinder’s favoured formal techniques: the 360 degree tracking
> shot. Scenes from *Rio das Mortes* (1970), *World on a Wire* (1973), *Martha
> *(1973), *Chinese Roulette* (1976), * Berlin Alexanderplatz* (1979/80),
> and *Querelle* (1982) play on a loop on a hanging screen.”
>
> ‘Chinese Roulette’ has my favorite 720 degree tracking shot through glass
> shelves.
>
> The write up:
> http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/
>
>
> ‘Martha’  clip: https://www.youtube.com/watch?v=8z0tVsI-63g
>
> Ted Hardin
> Columbia College Chicago
>
> On Feb 23, 2016, at 8:10 PM, Fred Camper  wrote:
>
> A handheld 360 movement around two young men kissing in an obvious homage
> to the "Vertigo" kiss appears in Warren Sonbert's first film, "Amphetamine."
>
> Fred Camper
> Chicago
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>


-- 
Salise Hughes
Artist, Filmmaker, Armchair Anthropologist

http://salisehughes.blogspot.com
https://vimeo.com/user1421998
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[Frameworks] -*°*- Directors Lounge Screening - The Spaces Between Cities - Thurs. 25 Febr 2016 -*°*-

2016-02-24 Thread Klaus W. Eisenlohr 

Directors Lounge Screening:

The Spaces Between Cities
-*°*- A project including many FRAMEWKORKS filmmakers!! -*°*-
Thursday, 25. February 2016
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Directors Lounge Screening presents a 
collaborative project of twenty independent, 
experimental filmmakers: The Spaces Between 
Cities. Presented by Berlin Filmmaker Insa 
Langhorst.


Last year, Salise Hughes founder of EXcinema, 
Seattle, commissioned an exceptional project to 
bring together filmmakers, resulting in twenty 
films by international experimental filmmakers 
spread across four continents which were then 
combined as one feature length road film. The 
Spaces Between Cities is a collaboration made in 
the form of an exquisite corpse. Each film 
connects randomly to the next by way of a series 
of prompts creating a continuous road trip, or 
journey that will connect these different parts 
of the world.


Filmmakers: Amy Bassin, Mark Blickley, Stephen 
Broomer , Charles Chadwick, Pip Chodorov, 
Konstantinos-Antonios Goutos, Pablo Molina 
Guerrero, Salise Hughes, Douglas Katelus, Anna 
Kipervaser, Kate Lain, Insa Langhorst, Jesse 
Malmed, Milan Milosavlijevic, Reed O'Beirne, Arto 
Polus, Ben Popp, Blanca Rego, Margaret Rorison, 
Dustin Zemel, Robert Zverina



Artist Link:
http://excinemaseattle.blogspot.de/2015/12/the-spaces-between-cities.html
Links:
Directors Lounge
http://www.directorslounge.net
Richfilm
http://www.richfilm.de/currentUpload/
Z-Bar
http://www.z-bar.de

--

Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany



email:  kl...@richfilm.de
and film production:http://www.richfilm.de


phone:  int.- 49 - 30 - 3409 5343 (BERLIN)___
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