Re: Line break ruin's tie

[Ivan Kuznetsov]

Andrew Bernard  wrote:
>
> Only very quickly sketched, and rather deficient, but a more 'normal' voice
> arrangement system, and the tie to the f sharp is clear.

When I compiled your snippet, the exact same issue was present:
the tie to the F-sharp is not clear at all. It _still_
looks like a slur to the D.  I attach a png
of what your snippet looks like.


Yes, I am away of the:

\new Voice = "first" {}
\new Voice = "second" {}

construct, in the context of my entire composition I feel
my way is clearer, and your coding the voices differently
did not change the problem of the tie looking like a slur.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Line break ruin's tie

[Ivan Kuznetsov]

Andrew Bernard  wrote:
>
> Why don't you just create the three voices and notate inside
> each one continuously?

Because this music constantly goes back and
forth between homophonic chords and contrapuntal voices.
This is one of the few places in the 150_ measures
that the music goes to three voices though.

> keeping it simple like this makes work a whole lot
> easier I find.

In the context of the entire composition, this snippet
is not overly complex.

And we still do not have an answer to my issue.

___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Line break ruin's tie

[Andrew Bernard]

Hi Ivan

Only very quickly sketched, and rather deficient, but a more 'normal' voice
arrangement system, and the tie to the f sharp is clear. You can adjust
this a thousand ways, and you could turn off the accidental at the new line
too if you want [with \override Accidental.hide-tied-accidental-after-break
= ##t]. I leave it as an exercise for you to play with the note alignments.
It depends on whether you are notating this as proper polyphony or in a
more free style, with the three notes of the chord lines up vertically - up
to you. SOoory I don't have time today to produce something nicer for you,
but you get the picture.

Andrew



\version "2.19.80"
\language "english"

\score {

  \new Staff = "guitar"
  {
\clef "treble_8"
\time 2/4

<<
  \new Voice = "first"
  {
\voiceOne
b4\rest
cs'4~

\break
cs'2
  }
  \new Voice = "second"
  {
\voiceTwo
s4
cs'8 fs8 _~
fs2
  }
  \new Voice = "third"
  {
\voiceFour
s2
d2
  }
>>
  }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Line break ruin's tie

[Andrew Bernard]

Hi Ivan,

You have a set of voices for one bar, and then another set for the next
bar. Somewhat strange. Why don't you just create the three voices and
notate inside each one continuously? keeping it simple like this makes work
a whole lot easier I find.

Andrew
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user

Line break ruin's tie

[Ivan Kuznetsov]

The two measure snippet of code appended below
creates the notation that I want.  The Fsharp
of measure 1 is very clearly tied to the Fsharp
of measure 2.


However, when I use these two measures in my
actual score, lilypond happens to puts a line
break between those two measures, and the
notation is ruined.  The tie between the two Fsharps
now _looks_ like a slur from Fsharp to D
and the second Fsharp _looks_ as though it is
to be  struck again at the beginning of measure 2.

Has anyone ideas on how to correct this, that is,
get the Fsharp tie to look like a tie between the
two Fsharps, even over a line break?

Thank you very much for your help.


\version "2.19.80"
\language "english"

\score {


   \new Staff = "guitar"
   {
 \clef "treble_8"

  \time 2/4
  r4

   <<
   { \voiceOne cs'4~ }
   \context Voice = "vtwo" { \voiceTwo cs'8 fs8~ }
   >>

  % \break %% << TRY PUTTING A BREAK HERE

  |
   <<
   { \voiceOne cs'2 }
   \context Voice = "vtwo" { \voiceTwo \stemUp fs2 }
   \context Voice = "vthree" { \voiceThree \stemDown \tieDown d2 }
   >>

   \oneVoice


  |
   }

}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user