[Sursound] lecturer (assistant) professor position in immersive sound at King's College London

2024-05-01 Thread Zoran Cvetkovic
Dear Colleagues
we are hiring a lecturer (assistant professor) in immersive sound or broader 
signal processing.
The advert can be found at this link:

<https://www.jobs.ac.uk/job/DHJ406/lecturer-in-engineering>
[jobs_ac_uk-logo-with-strapline.jpg]
Lecturer in Engineering at King's College 
London<https://www.jobs.ac.uk/job/DHJ406/lecturer-in-engineering>
jobs.ac.uk<https://www.jobs.ac.uk/job/DHJ406/lecturer-in-engineering>


The deadline for applications is 26 May.

   With best wishes
  Zoran

Zoran Cvetkovic
Professor of Signal Processing
Department of Engineering, S1.27
King’s College London
Strand, London, WC2R 2LS, UK
Phone: +44 (0) 20 7848 1073
Office Hours: 1-2pm Tuesday

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[Sursound] Call: Europe's Eighth Student 3D Audio Production Competition, Oct./Nov. 2024, Virtual Event(s)

2024-05-01 Thread Matthias Frank

Dear colleagues & friends,

We happily announce the call for Europe's Eighth Student 3D Audio 
Production Competition S3DAPC, and IEM Graz will host the event in 
cooperation with vdt (German tonmeisters) and sounding future via live 
internet stream, globally distributed academic live breakout venues, to 
award, honour, and present the final ranks of the finalists in a public 
ceremony around the beginning of November, complemented by on-demand 
browser playback via Cat3DA (see 
https://tonmeister.org/en/rubrics/3d-audio-competition/2023/ for last 
year's finalists).
Also this year, the Austrian ORF Ö1 radio station and its contemporary 
music festival ORF musikprotokoll will be our partners to host a 
pre-final public presentation (Oct. 3th, 2024) of the category 1 
finalists at Dom im Berg, Graz.


We encourage all students who deal with spatial music, spatial 
recording, or who are interested in spatial-ized sound to participate by 
submitting short works to the Eighth Student 3D Audio Production 
Competition for one of the three categories:

(1) contemporary / computer music (11min),
(2) audio drama / documentary / soundscapes (4min),
(3) music recording / studio production (4min).

The format requirements for preparing a submission and exemplary tools 
to check are given here https://iaem.at/ambisonics/s3dapc/2024 and of 
course you can get in touch if there are questions: 


The submission portal
https://easychair.org/conferences/?conf=s3dapc2024
is open until June 30th 2024.

An international jury will assess the submissions concerning the 
creative and technical quality, providing feedback to all the 
participants of the competition. Based on the resulting ranking, the 
finalists will be selected for presentation at our (virtual) award 
ceremony in November 2024. Moreover, finalist works for category (1) 
will be presented at musikprotokoll festival of the Austrian 
contemporary/classic radio program (ORF OE1) on October 3th, 2024. The 
finalists will be notified and requested to (virtually) attend the 
meeting to receive their award, the jury’s comments, and say a few words 
about their submissions.


The nominated submissions will be made available via the Cat3DA player 
at tonmeister.org for head-tracked binaural playback on demand, and we 
will air a live video stream of the S3DAPC finals over the internet. The 
S3DAPC finals with the awards ceremony will be the platform to present 
and celebrate the nominees and their submissions.


We encourage institutions with loudspeaker facilities and space for this 
celebration to organize live breakout sessions. These are connected via 
stereo live stream for the speech parts of the event, but local 
listeners enjoy 5th-order playback of the submissions on loudspeakers.


Best regards,
Matthias Franz
Franz Zotter


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