Thomas Weber wrote:
Great, that works! What does ##f actually stand for?
This discussion has a few references:
https://sourceforge.net/p/testlilyissues/issues/4792/
Cheers,
Robin
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Thomas Weber wrote:
But Lilypond insist on keeping the dynamic outside of the staff.
Try
{
\override Staff.DynamicLineSpanner #'outside-staff-priority = ##f
\override Staff.DynamicText #'X-offset = -4
\override Staff.DynamicLineSpanner #'Y-offset = 0
c' \f
}
and have a look at (the
Joel C. Salomon wrote:
In the score to Peter Pan I’ve come across what appears to be an
arpeggio with notes of different lengths.
This corresponds to the example
'Creating arpeggios across notes in different voices'
in NR 1.3.3.
matteo wrote:
> I've thought about hide staff too, but I hoped there were a way
without inserting a new bar in a rather complex structure with many
dependencies…
Take a look at
http://lists.gnu.org/archive/html/lilypond-user/2015-11/msg00387.html
\pauseStaffBL might serve as a starting
BB wrote:
With stringed instruments a playing technique (mainly in Rock, Pop,
Blues, Jazz) to get some acoustic effect is to slide up a string to a
defined fret without a real starting fret.
Have a look at
http://lists.gnu.org/archive/html/lilypond-user/2014-01/msg01191.html
This was
On 23.01.2016 19:39, Chris Yate wrote:
On 23 January 2016 at 18:26, Thomas Morley wrote:
2016-01-23 19:21 GMT+01:00 Chris Yate :
> Does anyone else on this list use Windows, who could reproduce the
problem?
>
> I appreciate that you need a
Mike Solomon wrote:
I’d like to place page numbers to the left and right of the music’s margin
How about duping \fill-line?
evenHeaderMarkup = \markup \fill-line {
\with-dimensions #'(6 . 8) #'(0 . 0)
\fromproperty #'page:page-number-string
\fromproperty #'header:title
Noeck wrote:
This puts the clef after the bar line. However, there is not enough
space between the bar line and the clef.
This looks like an old weakness.
The BarLine rework left it much the same.
Cheers,
Robin
\version "2.19.32"
forcedClef = { \set Staff.forceClef = ##t \clef bass }
{
Luca Danieli wrote:
I followed this explanation to break a
glissandohttp://lsr.di.unimi.it/LSR/Search?q=break
but in this code it is not able to break the glissando between two chords.
Do you mean LSR940?
http://lsr.di.unimi.it/LSR/Item?id=940
As it says there, you must also apply
>
Robert Blackstone wrote:
How can I shift the lyrics of the second part vertically
> so that it is centered with respect to the first part
LSR503 shows one way of doing this:
http://lsr.di.unimi.it/LSR/Item?id=503
I use Y-offset instead of extra-offset
Cheers,
Robin
David Kastrup wrote:
Of course, the `let' is spurious. You can just use thumbBracketSettings
directly instead of settings.
The 'let' is my plodding anti-cryptic:
a small step with a locally relevant name, and a slot for comment
Probably as of 2.14 or something.
Written with 2.12 early
David Kastrup wrote:
See issue 4671: probably as of version 2.19.33, convert-ly should be
able to do this by itself. Another possibility is to not use
ly:music-function-extract at all but rather write
#{ \whateveritwas ... #}
here. That should be fairly convertible.
OK. I had to pay a
Marc Hohl wrote:
Now I need a midi file that contains the "normal" notes only:
Skips would be quiet too.
notesToSkips =
#(define-music-function (music) (ly:music?)
(skip-of-length music))
Cheers,
Robin
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David Kastrup wrote:
In general, those variables seem to be defined only within titling
material.
http://lists.gnu.org/archive/html/lilypond-user/2008-05/msg00426.html
Cheers,
Robin
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alamire wrote:
In the MWE below, I would like the flat in the root name to appear identical
to the flat in the "m7b5" chord. I do *not* want to continue using the text
markup font via unicode.
You will find LilyPond's flat and sharp glyphs listed in
Peter Berlau wrote:
I found a ugly solution
with
\stopStaffs % generates 2 invisible staffs
s1
s1
\startStaff
for this i have to add on same place in the
\chords also 2
s1
s1
to adjust chords to the remaining bars
In this case you already have a structure amenable to splitting:
- 34 bars
On 05.11.2015 21:58, Thomas Morley wrote:
2015-11-05 16:18 GMT+01:00 Urs Liska :
...
Is there *any* tool around that offers more than a notepad application
but doesn't try to be an IDE?
...
I mostly use jEdit.
Me too.
IDE-wise, I feel safer with minimalist homegrown,
On 05.10.2015 11:23, Urs Liska wrote:
Am 05.10.2015 um 11:18 schrieb Federico Bruni:
>> ...
"Custom protocol handlers aren't supported by Adobe Reader X and later
for security reasons."
https://forums.adobe.com/message/5593888#5593888
Is this definitive?
My last _abandoned_ attempt at
On 05.10.2015 11:23, Urs Liska wrote:
Am 05.10.2015 um 11:18 schrieb Federico Bruni:
>> ...
"Custom protocol handlers aren't supported by Adobe Reader X and later
for security reasons."
https://forums.adobe.com/message/5593888#5593888
Is this definitive?
My last _abandoned_ attempt at
Urs Liska wrote:
How can I overlay letters in lyrics? I want to print two "D"s that
overlap, one left-top, the other bottom-right. The default symbol for a
double dominant.
maybe:
\markup \combine \translate #(cons 0.3 -0.3) "D" \translate #(cons -0.3
0.3) "D"
and, not just by itself:
Keith OHara wrote:
C is done by converting the textedit fields to the command for your
editor. Instead of LilyPond's Scheme, I use a DOS script:
Just a note to avoid confusing Thomas at this early stage:
Keith's 'C' is the scripting glue I mentioned.
So what the editor has to do would then
Thomas WillNot wrote:
I looked for settings in Acrobat Reader and found none.
Please let me know if this functionality is possible in Microsoft Windows.
It is possible (without resorting to Frescobaldi).
But there doesn't seem to be a standard way to set it up.
The most direct
Ian Rashkin wrote:
Maybe i'm going about this the wrong way...
One way would be to wait until something comes of issue 3752.
Until then, \repeat only offers you volta, with brackets included.
As it seems to be a fairly simple structure,
I would avoid \repeat and instead assemble sections
Ian Rashkin wrote offlist:
here, I'm attaching the full ly file.
[..]
I'll check out issue 3752, but if you see any easy way for me to go the
variable route, I would prefer that for sure.
Thanks for your help!
The attached untitled_refactored.ly is a cursory demo of what I meant.
I also
Dominic wrote:
At the moment I have to laboriously override the Stem.length-fraction on an
individual basis, depending on how many slashes there are, which is not
ideal.
Any ideas?
I had this problem recently and worked around it with
hoist = % for moving StemTremolo beams further from
Malte Meyn wrote:
But I already have an idea how to improve this
This discussion of a similar (outdated?) attempt might be useful:
http://www.lilypondforum.de/index.php?topic=415.msg2425;topicseen#msg2425
Cheers,
Robin
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Malte Meyn wrote:
But unfortunately it doesn’t work properly in 2.19.24 (and 2.18.2)
Yes, I think stems were reworked a lot around 2.16?
Here is that override approach with a duration condition:
%%
\version 2.18.0
#(define (stem-stretch stem-tremolo-grob)
(let ((flag-count
Robert Schmaus wrote:
Maybe that's what you're looking for ...
Or, more directly: page-count
to be found further down in the same section.
Cheers,
Robin
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Nathan Ho wrote:
% And, of course, the slur's too short vertically
Adjust 0.3 to taste:
\override Staff.Arpeggio #'positions = #(lambda (grob)
(interval-widen (ly:arpeggio::calc-positions grob) 0.3))
Cheers,
Robin
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rsfjr wrote:
It keeps throwing an error message
Well, tell us some more ...
- what message
- with what lilypond version
But preferably, send a small .ly file which has this problem.
Cheers,
Robin
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Peter Heisen wrote:
Is there a way to globally change the color of an entire printed score
without having to change every color property of every possible grob?
Start here
http://lsr.di.unimi.it/LSR/Item?id=443
Cheers,
Robin
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Stephen MacNeil wrote:
the overlay on the lsr will do this
That would be Absolute positioning of markup elements
http://lsr.di.unimi.it/LSR/Item?id=628
Then to position millimetre-wise, you need something like
%%
Pierre G. wrote:
I wonder if there is a way to position precisely a text markup
One way to insert vertical millimetres is
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00035.html
This may not be the current method, but it still works e.g.
\markup \mm-feed #27
in order to
William Marchant wrote:
How can I control the length of the [bottom] line
Have a look at answers in a similar thread last July:
http://lists.gnu.org/archive/html/lilypond-user/2014-07/msg00341.html
http://lists.gnu.org/archive/html/lilypond-user/2014-07/msg00371.html
Cheers,
Robin
Michael Rivers wrote:
I just engraved a piece for which the standard solutions given in this thread
worked especially badly. There were many 8th notes alternating with 8th
rests (which should be merged by Lilypond, but can't be automatically), so
switching back and forth between a polyphonic
MING TSANG wrote:
The arpeggio did not show on the score.
If you insist on it showing (for this _single_ note),
try applying the workaround given for issue 794
https://code.google.com/p/lilypond/issues/detail?id=794
Result shown for 2.18.2.
Cheers,
Robin
My contribution of two days ago hasn't turned up on the list (yet),
so here goes again:
Here is a variant of Pierre's proposal:
\transpose c c' {
%d ees16 ~
{
\once \override NoteColumn #'ignore-collision = ##t
\once \hideNotes d ees ~ 16
\once \override
David Sumbler wrote:
But why doesn't '\tweak Script.font-size' work?
The note g and the tenuto belong together musicwise,
but in the input stream they are two separate items.
Your tweak command is applied to the note g.
{ \tweak font-size #6 g-- }
will change the notehead's font size.
But
Peter Crighton wrote:
But I would like to be able to use the function [...]
so it doesn’t only affect the next note,
but a sequence of notes enclosed in { … }:
The source file music-functions.scm defines
music-map
which you can use for this:
bgr = #(define-music-function (parser
Peter Crighton wrote:
I don’t know why the \bgr function causes it.
Any ideas?
...
Are there other places to learn about Scheme in LilyPond
than the Scheme tutorial?
Welcome to Scheme in LilyPond.
This example shows that knowing Scheme isn't enough.
You have to cooperate with Lilypond,
Son_V wrote:
I had two choices: to make it in a
single page but really crowded
or to make it in two pages.
I choose another way;
I divided it in SA and TB voices.
I don't quite understand, unless your first choice
would have been to use one staff for each voice,
i.e. 4 staves in total.
But
Jay Vara wrote:
If I define lilyA, lilyB, lilyC to be strings containing lilypond commands,
and I have set xyz = lilyA, is there a way to execute xyz?
Does this work?
#(ly:parser-include-string parser #'xyz)
Maybe this thread is relevant:
Jay Vara wrote:
Wow, that works!
This also seems to do what you want:
xyz = #(eval-string abc)
Cheers,
Robin
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Jay Vara wrote:
In the following program, I set xyz to the variable abc using scheme
string-symbol as well as the usual \abc.
Instead of giving the same value for xyz, the first one sets it to string
abc and the second sets it to value of abc.
Maybe you are reading out the symbol name (which
Phil Holmes wrote:
The difficulty would be allowing for varying staff spacing
Cross-staff arpeggios will do this for you. See
http://lists.gnu.org/archive/html/lilypond-user/2010-02/msg00659.html
That was for version 2.12.
With 2.18 you still need to cater for the closing bracket
Federico Bruni wrote:
If you compile the following example, the systems are not horizontally
centered.
Bug or I'm missing something?
\version 2.19.13
\layout {
line-width = 160\mm
I presume line-width is a \paper variable which
is only effective in a \paper block.
Phil Holmes wrote:
we only get two threes: the initial one is missing. Is there a better way
of providing the 3 mark, or an override I'm missing?
This is like
http://lists.gnu.org/archive/html/lilypond-user/2014-02/msg00059.html
Cheers,
Robin
Phil Holmes wrote:
I don't _think_ it's the same.
I meant just the break-visibility aspect:
adding only
\once \override BreathingSign.break-visibility = #all-visible
gets you the initial 3 showing.
But then the placement will probably not satisfy you;
you have to start wrestling with
-
On 23.08.2014 18:34, Robin Bannister wrote:
you have to start wrestling with
- breathing sign placement in break-align-orders
This can get very unwieldly,
which always makes the deprecated custos trick very tempting.
See the (by now unfamiliar)
http://lists.gnu.org/archive/html/lilypond
MarcM wrote:
I am wondering if this is an expected behavior or something is wrong my
computer and/or printer (HP Officejet Pro).
.
.
.
When i print with the default settings the margins are truncated and the
only half of the title of the piece is printed.
Does your printer maybe have an
Charles Marshall wrote:
How can the length of a ragged last line be adjusted? With
ragged-last-line = ##t , the line is too short to look good; with = ##f
, it's right-justified and too long.
Quick and nasty: at the end, append (in any voice)
\stopStaff s16*40
and adjust the 40 to suit.
Thomas Ruedas wrote:
[...]
the second a fatal error,
[...]
I guess that is due to compatibility issues,
because the hacks seem to be several years old
But the thumbBracket code still works; see the recent
http://lists.gnu.org/archive/html/lilypond-user/2014-04/msg00520.html
Just one of
Zack wrote:
I'm hoping [...] someone in the musical typesetting world
will know its name and can point me to how to recreate it
Well, I don't know its name but I chose a private one once,
slightly unlikely so as to avoid conflict with the real name.
Search the user archives for my
Martin Tarenskeen wrote:
look like Cm % % %
where the % is not really a percentage sign
How about the following?
\version 2.18.0
simile = \markup { \bold \fontsize #1 \char ##x066A } % arabic
simileCN = \once \override ChordNames.ChordName #'text
On 15.02.2014 20:28, Pierre Perol-Schneider wrote:
Wrong type (expecting pair): ()
Any idea ?
Well, you can get a bit further by wrapping the single
notes in angle brackets, putting them inside an
EventChord like they used to be (implicitly).
But this workaround is no good for rests,
so you
On 14.02.2014 20:05, Pierre Perol-Schneider wrote:
[...] ask him how
he would see his snippet upgraded ?
http://lsr.dsi.unimi.it/LSR/Item?id=651
If you are referring to the horizontal distortion,
this is cured by prefixing the extra-spacing-width
override with Staff..
Cheers,
Robin
On 14.02.2014 18:46, Pierre Perol-Schneider wrote:
I cannot find where the problem comes from.
Me neither; convert-ly doesn't rearrange anything.
If you move the cue voice down past the other
(anonymous) voice, then \lyricsto can find it.
But surely you shouldn't have to do that?
Cheers,
Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not visible.
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Cheers,
Robin
Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
Cheers,
Robin
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Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
Cheers,
Robin
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Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not visible.
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Cheers,
Robin
On 19.01.2014 13:51, Speldosa wrote:
I want a file that is mixed so that the soprano part isthe loudest,
for the altos I want the alto part to be the loudest, and so on.
I don't understand your problem,
but I do this without volume adjustments,
based on several midi scores along the lines of:
Annette Kusma wrote:
Is this a bug or am I missing something?
The example you supplied did not run without errors.
You didn't mention these errors, so my impression is that
you are missing the error reports contained in the log file.
Lilypond specifically mentions having trouble with
Ben Beeson wrote:
I'd like to do this without splitting the notes
into a left and right score in a ly file if possible.
That's probably the best way (easiest to maintain),
provided you can force them to stay in sync vertically.
For a cheap hack, have a look at LSR502
Emil Salim wrote:
How do I add the descant line on top of the SATB
The score block currently contains just a ChoirStaff context.
You need to add a new Staff context which runs simultaneously.
So wrap the ChoirStaff block in a pair of double angle brackets
and insert the new Staff at the
EdBeesleywrote:
temporary fix very welcome
You can move force the vertical position like this:
\override StemTremolo #'Y-offset = #-2
Cheers,
Robin
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Steve Noland wrote:
I am having problems with some of the jazz chordnames engraving correctly.
Specifically, a Dm7(b5) chord (D minor 7, flat 5) ...
Check out this recent thread:
http://lists.gnu.org/archive/html/lilypond-user/2013-08/msg00568.html
Cheers,
Robin
MING TSANG wrote:
works fine except I have undesired background image
Here is a black white version.
Cheers,
Robin
black.eps
Description: PostScript document
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Werner LEMBERG wrote:
However, I want a fixed space between \markup and \score
that doesn't get stretched.
How about mm-feed?
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00057.html
Cheers,
Robin
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Werner LEMBERG wrote:
\markup \mm-feed #10 % -- here I want a fixed space of, say, 10mm
Ok, maybe I get it;
mm-feed gives you a fixed space (which you could use)
but is followed by flexible space (which you don't want).
Would it be acceptable to clobber the flexible space by adding
Peter Bjuhr wrote:
My starting point was that this could be achieved by using some kind of
alternative arpeggio, but so far this has not been a successful approach.
Here is a rough sketch of such an approach,
without considering collisions and other subtleties.
It has its own arrowdir
Derek Klinge wrote:
Exactly, how do I write a chordname exception for a Half Diminished 7th?
Here's one way (2.16):
%%
flatadj = \markup { \translate #'(0.2 . 0.2) \fontsize #-1 \flat }
chExceptionMusic =
{
c ees ges bes1-\markup
{ m \super \concat {7 \hspace #0.3 \flatadj
Adam Spiers-5 wrote
How can I put text *after* a staff?
I.e. directly to the right of the final barline?
And here is another way:
\version 2.16.2
{
\repeat unfold 44 R1
\bar |.
% after final barline:
\stopStaff
\once \override TextScript #'Y-offset = #-0.5
s1^text at the right
Robert Honoré wrote:
I am attempting a complete cleanup ...
This would include deleting the font cache,
or rather: _all_ lilypond font caches.
I had a mix-up with these caches (on XP)
with somewhat similar symptoms.
Check out the thread ending in
Jean-Charles Malahieude wrote:
Could anyone help me finish this BWV246 project?
Well, I don't know anything about figured bass
but it seems that Lilypond's square brackets are
not intended to be spread apart.
add_brackets is called eventwise, and at each call
initialises its local
Mark Polesky wrote:
1) How do I get the right vertical edges of the volta
spanners to print when I've overridden the bar type at those
moments? They only seem to print when there's a repeat bar
in the staff.
Welcome back!
I have an amusing workaround for this particular case,
but this
Jim Long wrote:
I was looking for the counterpart to bendAfter
This might do what you want:
http://lists.gnu.org/archive/html/lilypond-user/2009-06/msg00137.html
Cheers,
Robin
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Rustik wrote:
Tell me please only how can I make right-aligned bracket «]» by \arpeggio
command.
Have a look at
http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00725.html
Cheers,
Robin
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luis jure wrote:
... chords with some non-standard notation
...
i'd be very grateful for any pointers.
This an old annoyance [1].
You could try using my besideCN and replaceCN.
See stencilCN.ly for recent code and a demo.
Make sure you update it to your lilypond version. [2]
Two
Is there a way of adjusting the vertical spacing within a header block?
See also
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00035.html
Cheers,
Robin
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Reinhold Kainhofer wrote:
The example had both \larger and \smaller in the same markup.
Maybe a copy/paste typo?
http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=commitdiff;h=07f53dbc18c8a8903fc8796029faa3ec3c0e707f
Cheers,
Robin
___
Mike wrote:
Is it known, with or without a workaround?
This is a well-known bug. See
http://lilypond.org/doc/v2.14/Documentation/notation/special-rhythmic-concerns#Known-issues-and-warnings-50
Cheers,
Robin
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Gerry Prosser wrote:
Removing the dollars certainly seems to work - thank you!
Hopefully someone cleverer than us will be along shortly to explain why ...
It was David Kastrup's work which makes it possible to remove the dollars.
And please note that any dollars you remove should of course
diekunstderfuge wrote:
this has only worked for the final bar line at the end of the second system.
You have modifed the mensurstrich global to do dashed,
and it has done its final barline at the end of bar 3 and bar7.
Is this something you want?
The spacers in the mensurstrich global
Gagi Petrovic wrote:
somehow the \hspace command gets ignored
It looks to me more like a baseline-skip problem
e.g. its override is corrupted or ineffective.
Note that commands like \fontsize reset baseline-skip.
Cheers,
Robin
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Klaus Föhl worte:
the bracket should be after the notes and not in front of them.
When you want that to happen you should precede the chord with
\once \override Arpeggio #'direction = #RIGHT
When you have got it on the other side you will see that
it is still looking to the right and so
Frank Steinmetzger wrote:
Could you give me a nudge, please?
Have a look at this old thread :
http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00176.html
Cheers,
Robin
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MING TSANG wrote:
In both cases the output is the same.
Did you see the warning produced by this snippet?
margins do not fit with line-width, setting default values
There may be other problems, but I think yout current problem is that
you haven't foreseen any width for the binding-offset.
Nick Payne:
Is it possible to get a dashed double barline?
I don't think that there is anything set up for this.
One way to do it is to ask for a double portion.
You can test barDoubled.ly for authenticity
by comparing \barDoubled | with \bar ||.
Cheers,
Robin\version 2.15.25
Thomas Morley wrote:
how about the code below? Is there something wrong with it?
(Tested with 2.14.2 and 2.15.24)
I thought Neil was implying it would stop working.
I see it works with 2.15.29 too.
But the result seems pretty halfbaked to me;
what additional information is the player
what Francisco wanted [?]
http://lists.gnu.org/archive/html/lilypond-es/2012-02/jpgGbKXsMUjKS.jpg
Cheers,
Robin
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Francisco Vila wrote:
Perhaps http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00705.html
is of some use here?
Thanks, I think yes, but I obtain Scheme errors.
Maybe you can make do with the (cheap imitation) slash
provided towards the end of the same thread?
See simile.ly
Marek Klein wrote:
Is this a bug report?
One view:
This is about a bug in the making, not yet available in an unstable version.
So CG says you should relay this to dev (to which I am not subscribed).
Another view:
Ian's empty-markup patch passed the reg tests.
This in itself is a
In http://code.google.com/p/lilypond/issues/detail?id=2026#c32
Ian Hulin wrote:
This is fixed if we move the definition of the \null markup to the
before the empty-markup declaration and change empty-markup to
(define-public (empty-markup)
make-null-markup))
...
It's built the docs
Paolo Prete wrote:
is it possible to place a breathing sign at a specified position?
I can do that for a rest, in this way:
\override Rest #'staff-position = #-12
In your example
- replace Rest #'staff-position with BreathingSign #'Y-offset
- use only half the value
Cheers,
Robin
Zbyněk Burget wrote:
How do I make a definition that increase size of both characters?
Instead of \magnify #2 use \scale #'(2 . 2).
The scale command was introduced between 2.12 and 2.14.
See http://lilypond.org/doc/v2.14/Documentation/notation/graphic
Cheers,
Robin
Svetlana wrote:
It works like a charm.
But please note that in LSR377 the line after
% Trick to print it after barlines and signatures:
should read
[ ... ] #'break-align-symbol = #'custos
as in
http://lists.gnu.org/archive/html/lilypond-user/2008-01/msg00580.html
Cheers,
Robin
In http://lists.gnu.org/archive/html/bug-lilypond/2011-04/msg00148.html
Phil Holmes wrote:
to my eye it looks OK.
If there is still a problem, could you be explicit about what it is?
See http://lists.gnu.org/archive/html/lilypond-user/2012-01/msg00183.html
To make the problem _visible_,
Try replacing the current LSR377 demo code as in the attachment.
This file (visible.ly) includes a linebreak+leftBracket combination,
and thus exercises the custos trick.
When the break alignment override is corrected the bracket at the
start of the second line moves to the right of the key
gajatko wrote:
in future I will also need numbers like 9,11,13 etc.
Check out LSR 756
http://lsr.dsi.unimi.it/LSR/Item?id=756
and some context
http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00138.html
Cheers,
Robin
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