nyone please advise why the following snippet outputs G9.13 instead of
>>> just the G13 chord name?
>>
>>
>> I don't know "why", but this is how you would get just a 13 chord:
>>
>> changes = \chordmode {
>>| g1:11.13 |
>> }
>>
>> You can find the common chord modifiers here:
>>
>> https://lilypond.org/doc/v2.24/Documentation/notation/common-chord-modifiers
--
Pierre-Luc Gauthier
What‽ How in the world could I have not found this for myself… So much shame.
Thank you Timothy :-)
Le jeu. 16 mai 2024, à 10 h 16, Timothy Lanfear a écrit :
>
> On 16/05/2024 14:56, Pierre-Luc Gauthier wrote:
>
> Hello there,
>
> Is it possible to \override the squashedP
ice.squashedPosition = #4
c'
\improvisationOff
c'
}
The ML archive did not provide much help.
--
Pierre-Luc Gauthier
the crap out of the score and move
> on.
My goto is usually to pepper the offending part with \allowPageTurn.s
and check that all 4 editions (letter, letterXL, tablet, tabletXL) are
ok (git commit -vp && git push && ./doItAll and move on).
--
Pierre-Luc Gauthier
quotedCueEvent seems to be
> necessary to get everything included in cues.
>
> quotedCueEventTypes
>
> In particular I'm trying to get some phrasing slurs to appear in cues.
>
> TIA
>
> Paul
>
>
>
>
>
--
*Pierre-Luc Gauthier*
Wow that indentation... here is the file.
Le mer. 8 mai 2024, à 11 h 05, Pierre-Luc Gauthier
a écrit :
>
> \version "2.25.15"
>
> \language "english"
>
> % _taken from the LSR :
> #(define-markup-command (long-curly-bracket layout props arg-height)
so I'll try to deploy it to 15 songs -_-' … (Big rehearsal
tonight 100+ musicians !!! (is excited))
Le mer. 8 mai 2024, à 10 h 19, Pierre-Luc Gauthier
a écrit :
>
> Hello there,
>
> Originaly :
> https://lists.gnu.org/archive/html/lilypond-user/2017-11/msg00303.html
>
>
aff height brace ? The \caesura,
\breathe, etc are effectively taking the required (horizontal) place
in the score. Maybe I can just change the stencil ? I'll try that.
{r2 r4 \breathe c' |}
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
; }
> ...that I do it almost automatically.
Try that in 12/8 :-)
--
Pierre-Luc Gauthier
given music
> argument") isn't likely to work though, since it's not guaranteed that
> the music given is SequentialMusic: What is the last note of a << >>
> expression?
Of course. I said \beforeLast not as \before-the-last-note-please but
rather \beforeEnd. \fromEnd is way clearer.
I've added your snippet and will surely make good use of it !
Thank you very much.
--
Pierre-Luc Gauthier
t;>)\!|
> }
The above example would not work if I add another note :
{
\repeat unfold 8 {e''16 d''} <>\f |
c'1 |
}
The "empty chord" syntax (which probably has a name? (and is not a
chord in my understanding)) pushes the expression to the next event.
So maybe my example is klonky.
--
Pierre-Luc Gauthier
her from the start
?
e.g. :
\beforeLast 16 \!
…
\pænultimus 16 )
\preantepenultimate 16 \!
^ Both above are strictly for laughing usage (provided it could have
such effect).
Should I :
https://gitlab.com/lilypond/lilypond/-/issues/new
and flag as Enhancement ?
--
Pierre-Luc Gauthier
:
> On 2024-04-29 7:50 am, Pierre-Luc Gauthier wrote:
> > Can a markup command introspect its direction ?
> >
> > Is it possible to set in a markup command some conditionals (not paper
> > related) ?
> >
> > \version "2.25.15"
> >
&g
%\if #DOWN
"↑"
%\if #UP
"↓"
}#}))
{b'^\markup \conditionalMrkp b'_\markup \conditionalMrkp}
--
*Pierre-Luc Gauthier*
Sorry about the noise, I misread your post.
Maybe a custom drum style table could be a more elegant solution.
https://lilypond.org/doc/v2.25/Documentation/notation/custom-percussion-staves
Le ven. 19 avr. 2024, à 09 h 05, Pierre-Luc Gauthier
a écrit :
>
> Remove all the double backs
ion"
> > > >\time 4/4
> > > >R1 |
> > > >r2 s2\f |
> > > >R1 |
> > > >r2 s2 |
> > > > }
> > > >
> > > > percussions = \new Voice \relative {
> > > ><<
> > > > \cymbals
> > > >\\
> > > > \tamTam
> > > >\\
> > > > \bassDrum
> > > >>>
> > > > }
> > > >
> > > > \new Staff
> > > > <<
> > > >\pause
> > > >\percussions
> > > > %%
> > > >
> > > > But as you can see (output attached, percussion2.pdf) the three notes
> > > > aren't aligned on the same stem, only two of them are.
> > > >
> > > > I tried \partCombine, it works nicely with two parts, but if there's a
> > > > way to combine three or more I didn't find it.
> > > >
> > > > Any help is much appreciated.
> > >
> > > Just remove the "\\" in your definition of percussions:
> > >
> > > percussions = \new Voice \relative {
> > ><<
> > > \cymbals
> > > \tamTam
> > > \bassDrum
> > >>>
> > > }
> > > In that way, all three lines of music will belong to the same Voice.
> > >
> > > When you use the construct << ... \\ ... >>, you explicitly ask LilyPond
> > > to create separate voices with separate stems, for the different lines
> > > of music, which is not what you want in this particular situation.
> > >
> > > /Mats
> > >
--
Pierre-Luc Gauthier
tary, yet still so
critical to understand the "back-end" (whatever that means) of
LilyPond.
Thank you Aaron for this solution / explanation.
Greetings
--
Pierre-Luc Gauthier
avr. 2024, à 15 h 36, Thomas Morley a
écrit :
> Am Sa., 13. Apr. 2024 um 20:59 Uhr schrieb Pierre-Luc Gauthier
> :
> >
> > Hello there,
> >
> > Quite an easy one I'm sure but I tried many combinations to no avail.
> >
> > I have this symbol that I wish t
'aVariable anAList))
}
How can I make this symbol into music without defining it before the alist ?
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
though but I
understand it !)
> \quoteDuring "oboeI" \quoteDuring "fluteII" \quoteDuring "fluteI"
> \quoteDuring "piccolo" { s4 }
Now that is awesome (and would have fit my needs) but redefining the
function seems a bit cleaner.
Thank you so much Aaron, this will be quite useful.
Greetings to you all !
--
Pierre-Luc Gauthier
o" "fluteI" "fluteII" "oboeI") {s4}
I thought maybe the \quoteDuring command could accept lists but I have
not managed to get it to work... :-(
Thanks for any pointers
--
Pierre-Luc Gauthier
a/pints some day. :)
>
> Cheers,
> Kieren.
> __
>
> My work day may look different than your work day. Please do not feel
> obligated to read or respond to this email outside of your normal working
> hours.
>
>
--
Pierre-Luc Gauthier
a/pints some day. :)
>
> Cheers,
> Kieren.
> __
>
> My work day may look different than your work day. Please do not feel
> obligated to read or respond to this email outside of your normal working
> hours.
>
>
--
Pierre-Luc Gauthier
}
\new Lyrics \lyricsto "ossia" {
\set alignBelowContext = "ossia"
Lo -- rem ip -- sum do -- lor sit a -- met
}
>>
}
>>
--
Pierre-Luc Gauthier
t. And it's not unreasonable to assume that many of
> those interested in using the kind of workflow LilyPond offers would
> pass as "old-school" and have a leaning towards old-school devices,
> regardless of what biological age their ID might pronounce.
>
> So in my book, offering support for GM2 _and_ other instrument/patch
> schemes beyond GM1 would be more of a priority over going MIDI 2.0.
>
> --
> David Kastrup
--
Pierre-Luc Gauthier
vented in
(maybe) a graceful way ?
Is the base code to blame ?
I hope 2024 brings you everything you need.
--
*Pierre-Luc Gauthier*
gt;
> Hello again list,
>
> Is it possible to configure the bar number engraver so that in addition to
> its regular behaviour, whatever that may be defined as*, it will also print a
> bar number after a multi-measure rest?
>
> Thank you.
>
>
> * I usually go with
> \set Score.barNumberVisibility = #(modulo-bar-number-visible 4 1)
> because I detest counting bars up from the start of the system.
>
--
Pierre-Luc Gauthier
ow for a developer to investigate the problem.
>
> Thanks,
> Jean
>
>
--
*Pierre-Luc Gauthier*
d the
MIDI (though point and click did not refresh).
And now it's not crashing at all anymore...
Le mer. 15 nov. 2023, à 14 h 42, Pierre-Luc Gauthier <
p.luc.gauth...@gmail.com> a écrit :
> Hello there,
>
> absolute vs relative directory core dumps.
>
> $ pwd
> /home/pl/
it down
whilst working on the arrangement itself. I will report anything new.
All my includes are relative e.g. \include "layout.ily"
--
Pierre-Luc Gauthier
\with {
} <<
\new Staff \with {
shortInstrumentName = "Tacet"
} \tacet
\new Staff \with {
instrumentName = "A"
shortInstrumentName = "A"
} \musicA
\new Staff \with {
shortInstrumentName = "B"
} \musicB
>>
Thanks for any pointers
--
*Pierre-Luc Gauthier*
ng on here as the \acciaccatura
is about 20 bars before the glitch and only in the partCombined part to
which this bug is obviously related. Added to my \partCombine caveat list
:-)
--
*Pierre-Luc Gauthier*
> \fill-line { "This page intentionally left blank" }
> }
>
> #(set-default-paper-size "a6")
>
> \layout {
> \context {
> \Staff
> \consists "Page_turn_engraver"
> }
> }
>
> \bookpart {
> {
> a b c d R1
> \repeat unfold 30 {a4 b c d}
> }
> }
>
>
>
--
Pierre-Luc Gauthier
t;-processMePlease-".
Any thoughts on the subject ?
--
Pierre-Luc Gauthier
st.
--
Pierre-Luc Gauthier
\startTrillSpan d''
<>\stopTrillSpan
}
partB = {
\once \override TrillSpanner.stencil = ##f
\pitchedTrill
gs'16\prall
\startTrillSpan a'
<>\stopTrillSpan
}
<<
\new Staff \partA
\new Staff \partB
\new Staff <<
\partA
\partB
>>
>>
--
Pierre-Luc Gauthier
w Devnull = "2" \music
\new Lyrics \lyricsto "2" \words
>>
Maybe I could just Hide the staff completely. I've never done that
before... I'll give it a try.
--
Pierre-Luc Gauthier
<< % said null part
\new NullVoice = "2" \music
\new Lyrics \lyricsto "2" \words
>>
>>
Le mar. 29 août 2023, à 17 h 33, Carl Sorensen
a écrit :
>
>
>
> On Tue, Aug 29, 2023 at 3:12 PM Pierre-Luc Gauthier
> wrote:
>>
>> Hi
= \lyricmode { a b c }
<<
\new Staff \new Voice = "1" \music
\new Lyrics \lyricsto "1" \words
\new Devnull = "2" \music
\new Lyrics \lyricsto "2" \words
>>
Am-I using it correctly ?
Thanks for any pointers
--
Pierre-Luc Gauthier
;>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
>>
\score {
\scoreContent
\layout {}
}
\score {
<<
\structureMidi
\scoreC
w Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
\new Voice << \music \structure >>
>>
\layout {}
\midi {}
}
Le mer. 23 août 2023, à 10 h 10, Pierre-Luc Gauthier
a écrit :
&g
of that part {c d e}.
I think the problem is that the \changeTempo function is getting
applied and re-applied at every single part (37ish parts).
Le mer. 23 août 2023, à 09 h 59, Pierre-Luc Gauthier
a écrit :
>
> Not quite there yet.
> Now I get :
>
> warnin
Not quite there yet.
Now I get :
warning: the property 'tempoWholesPerMinute' must be of type 'positive
moment with no grace part', ignoring invalid value '#'
Le mer. 23 août 2023, à 09 h 45, David Kastrup a écrit :
>
> Pierre-Luc Gauthier writes:
>
> > And what do you know :
&
culate anyway. closing.
> > > No MWE for now but will provide if needed.
> > Can you think of a case where it wouldn't be needed?
> Silly me :-)
So, \tempoChange works as expected.
Sorry for the noise.
Thanks David !
--
Pierre-Luc Gauthier
\tempoChange 8 64/128 0 {
s2. |
}
}
\score {
\new Voice << \music \structure >>
\layout {}
\midi {}
}
But, as you could expect, it works flawlessly (Thus the need for a MnWE).
Scaling down this sketchy-arachnid code (full symphonic+chorus) of
mine will take some time though, but, I _will_ survive.
--
Pierre-Luc Gauthier
:
- working correctly
- Hanging forever after [8][16][24][32][40][48][56]…
- Or (with 2.25.8) :
MIDI output to `output.mid'...[1]1213296 floating point
exception (core dumped)
> it has worked for at least a year or so here.
No MWE for now but will provide if needed.
--
Pierre-Luc Gauthier
al bookpart markup that would
(could) add a blank (or similar) page at page-number 0 *only* when the
music starts on the left page ?
--
Pierre-Luc Gauthier
to be 2 ?
The classic "Left intentionally blank" page, created especially for
those of us getting ptsd panic attacks at the thought of eventually
negotiating yet again with this horrible printer interface for it to
"do it correctly".
Thanks,
--
Pierre-Luc Gauthier
ou, so, much !
I understand from your code that this opens up the door to an
arbitrary number of pages, say, a 3 page bloc. 'Could be fun !
--
Pierre-Luc Gauthier
ding from a tablet are reading one page at the time and they
could benefit from this brain pause while triggering the page turn
with e.g. a Bluetooth pedal.
Thanks for any pointers :-)
--
Pierre-Luc Gauthier
This is what i have made so far
>
> Looks very interesting. Is there any public website I can follow for
> that project?
> --
> Karlin High
> Missouri, USA
>
--
Pierre-Luc Gauthier
y very awkward and barely
functioning part system.
> #@(ly:music-property parts 'elements)
^ Thanks, I'll keep this one in my tool box.
--
Pierre-Luc Gauthier
)
#{\new StaffGroup <<
%#(for-each (lambda (part) part) parts)
#(car parts)
#(car (cdr parts))
#(car (cdr (cdr parts)))
#(car (cdr (cdr (cdr parts
>>#})
\group \parts
--
*Pierre-Luc Gauthier*
>(list (cons 'piccolo
> (list (list 'fullName "Piccolo")
> (list 'transposition #{ bf' #})
>
> Cheers,
> Valentin
>
> Am Donnerstag, 15. Juni 2023, 18:45:43 CEST schrieb Pierre-Luc Gauthier:
> > I've attached my notqui
And indeed I tried (brute force) all the quoting permutations… except
yours Jean.
Thank you very much. I will re-thoroughly read the manual ! :-)
Le jeu. 15 juin 2023, à 12 h 46, Jean Abou Samra a écrit :
>
> Le jeudi 15 juin 2023 à 12:25 -0400, Pierre-Luc Gauthier a
I've attached my notquite-MWE.
Le jeu. 15 juin 2023, à 12 h 35, Pierre-Luc Gauthier
a écrit :
>
> So sorry, you have to remove the c''% at the end… 'should have made that
> clear.
>
> Le jeu. 15 juin 2023, à 12 h 33, Valentin Petzel a écrit
> :
> >
> > Hell
t; Cheers,
> Valentin
>
>
> Am Donnerstag, 15. Juni 2023, 18:25:37 CEST schrieb Pierre-Luc Gauthier:
> > What am-I doing wrong here… ☹
> >
> > \version "2.25.6"
> >
> > \language "english"
> >
> > #(
way for that pitch to be
sent as a correct ly:pitch? ¿
Thanks for any pointers.
--
Pierre-Luc Gauthier
is :
https://aur.archlinux.org/packages/lilypond-git#comment-915688
Le lun. 10 avr. 2023, à 08 h 58, Pierre-Luc Gauthier
a écrit :
>
> > How did you install your self-compiled LilyPond? I would expect make
> > install to install into /usr/local/bin/, not into /usr/bin/.
>
> I'm on ArchLin
For what it's worth,
I compile LilyPond on ArchLinux pretty much every other day :
pikaur -S lilypond-git --rebuild
I've change this line (33?) in the PKGBUILD to point to my local repository :
source=(lilypond::git+file:///my/very/own/repo/lilypond-git)
HTH,
--
Pierre-Luc Gauthier
Le mar
Closer to what I would want but still :
\new DrumStaff \with {
} {
\context DrumVoice = "1" {
\override NoteHead.color = "red"
}
\context DrumVoice = "2" {
\override NoteHead.color = "green"
}
\repeat unfold 2 \grooveI |
\repeat un
I don't see where it
> shows that the
> voices are connected somehow (most probable I just missed it when reading
> over it).
> Can you explain further? (maybe reference some lines or what to look at)
>
> Best wishes
> Lukas
>
>
> --- Original Message ---
>
f <<
\new Voice = "1" { \voiceOne … }
\new Voice = "2" { \voiceTwo \relative … }
>>
--
Pierre-Luc Gauthier
> > practically unusable. Or that there was some trick to maybe have
>> > Frescobaldi tell me the "position" of the note (meant as numbers of quarter
>> > or eight notes from the beginning).
>>
>> Here is a primitive include file for you to play around with.
>>
>> When hovering with the mouse
>> - over a notehead
>> - over a barline (inside a staff)
>> it shows such a position as (an inconvenient) fraction.
>>
>>
>> Cheers,
>> Robin
--
Pierre-Luc Gauthier
> How did you install your self-compiled LilyPond? I would expect make install
> to install into /usr/local/bin/, not into /usr/bin/.
I'm on ArchLinux and I tweak the lilypond-git aur package to pull from
my own local repository.
https://aur.archlinux.org/packages/lilypond-git
--
Pier
tation/en/changes.tely
^ is what I do to find such information.
--
Pierre-Luc Gauthier
on d36bb95 ! This is awesome !
--
Pierre-Luc Gauthier
percussion.ly:*:*: warning: Ignoring non-music expression
> \m 8 \m r4
> \m
>
> actual output (midi)
>
> (I hear no percussion at all)
>
--
Pierre-Luc Gauthier
e_height
> and not just the page number + whether it's the last page. However, even
> if the gauge has to be retained for the sake of that, having the right
> stencils already after page breaking instead of using these
> "delay-stencil-evaluation" stencils would already be simpler.
>
> Best,
> Jean
>
--
Pierre-Luc Gauthier
a life of its own.
Le jeu. 18 août 2022, à 17 h 39, Jean Abou Samra a écrit :
>
> Le 18/08/2022 à 21:30, Pierre-Luc Gauthier a écrit :
> > I also read "git log -p" on a daily basis.
>
>
> Just curious: are you really reading `git log -p` *on the LilyPond
hords-mode
https://lists.gnu.org/archive/html/lilypond-user/
FWIW
--
Pierre-Luc Gauthier
ically totally irrelevant).
Hope it helps
--
Pierre-Luc Gauthier
Hi Kenneth,
{1\p\< <>\!}
Or :
{\clef bass e,1\p\< <>\!}
Hope this helps.
Le lun. 20 sept. 2021, à 19 h 58, Kenneth Wolcott
a écrit :
>
> HI;
>
> dynamic "p" followed by hairpin crescendo on the same level, how?
>
> See attached screenshot.
>
> Thanks,
> Ken Wolcott
--
Pierre-Luc Gauthier
e notes using \cueDuring of parts that themselves contain quoted
> material.
>
> /Mats
>
>
>
> ___
> bug-lilypond mailing list
> bug-lilypond@gnu.org
> https://lists.gnu.org/mailman/listinfo/bug-lilypond
>
--
*Pierre-Luc Gauthier*
___
bug-lilypond mailing list
bug-lilypond@gnu.org
https://lists.gnu.org/mailman/listinfo/bug-lilypond
ics = {
s1*32 |
s1\< <>\! |
}
\addQuote "hornDynamics" \hornDynamics
Does that make things clearer for you ?
Quotes can be quite funky.
--
Pierre-Luc Gauthier
Le sam. 10 avr. 2021 à 14:13, N Trocado a écrit :
>
> What's wrong with the snippet bellow? It doesn't print the cu
Le dim. 20 sept. 2020 à 16:56, Pierre-Luc Gauthier
a écrit :
>
> Hi there,
>
> When I compile :
>
> test = {}
> \addQuote "test" \test
>
> I get :
>
> GNU LilyPond 2.21.7
> Processing `test.ly'
> Parsing...
> Interpreting music.../usr/share/l
7/scm/part-combiner.scm:956:30: Wrong type
(expecting pair): #f
Can anyone corroborate ?
--
Pierre-Luc Gauthier
___
bug-lilypond mailing list
bug-lilypond@gnu.org
https://lists.gnu.org/mailman/listinfo/bug-lilypond
Voilà qui est fait Valentin. :-)
C'est juste que -user et -devel sont déjà beaucoup pour ma très humble
capacité de suivi.
Le dim. 19 avr. 2020 à 10:47, Valentin Villenave
a écrit :
>
> On 4/17/20, Pierre-Luc Gauthier wrote:
> > Sorry for necro-following-through so late in the iss
ll I never suspected it had any relation to page breaking
(turning).
Thanks also to David and Thomas for your hints and replies.
Le ven. 28 févr. 2020 à 18:15, Han-Wen Nienhuys a écrit :
>
> On Fri, Feb 28, 2020 at 8:46 PM Pierre-Luc Gauthier
> wrote:
> > > The Page_t
turn_engraver interprets \bar "||"
> especially, allowing a page turn. This triggers a problem in the page
> breaking code, because the start of the score is treated separately.
I see. Very interesting !
I did looked around lily/page-turn-page-breaking.cc but did not get a
grip on how it actually works.
--
Pierre-Luc Gauthier
will never be a pause that is
> > suitable for turning. With the default, the part fits on 2 pages,
> > though.
The bass does plays continuously, but that is not a problem on other
songs I have that do use the Page-turn-engraver. Still, a segmentation
fault seems a little hard
s a part rather
> than the full score?
Yes indeed, I do not use the page-turn-breaking for conductor scores :-)
> You can send it by private mail.
I'll prepare and send asap.
> As a workaround, you could use a different page breaking strategy, of course.
Yes, for sure.
--
Pierre-Luc Gauthier
ess.
--
Pierre-Luc Gauthier
,dr;
LilyPond core dumps it seems in the ly:page-turn-breaking algorithm.
Following is my post on the lilypond-bug mailing list from this February first.
Le sam. 1 févr. 2020 à 09:46, Pierre-Luc Gauthier
a écrit :
> So, this problem comes up once in awhile but, I do not know why, its
&g
ong ones
Transposed notes for a Bf clarinet are not the wrong notes.
I guess my point is : guitar, piccolo and basse are no different to me
than clarinets, horns, english horns, etc.
I now feel a weight have been lifted from my shoulders.
--
Pierre-Luc Gauthier
neither guitar with
\clef "treble_8".
In my non transposing conductor scores though I explicitely use
"bass_8" for basses and "treble_8" for guitars.
--
Pierre-Luc Gauthier
;
> You are aware that guitar notes written in treble clef sound an octave
> lower than written? "Correct" guitar notes are written using \clef
> "treble_8" though a lot of notes abound not bothering spelling out the
> octavation.
>
> But LilyPond does care abou
two years
might that be of interest.
The problem have most of the time resolved itself randomly(seems to
me) by the time of publication.
Le sam. 1 févr. 2020 à 11:05, David Kastrup a écrit :
>
> Pierre-Luc Gauthier writes:
>
> > Sorry about that.
> >
> > g++ --verbo
-cet=auto
gdc_include_dir=/usr/include/dlang/gdc
Thread model: posix
gcc version 9.2.0 (GCC)
I hope this helps
Le sam. 1 févr. 2020 à 10:56, David Kastrup a écrit :
>
> Pierre-Luc Gauthier writes:
>
> > Thanks Thomas,
> >
> >> May I ask which OS you use, 32 or 64 bit ?
. 2020 um 15:46 Uhr schrieb Pierre-Luc Gauthier
> :
> >
> > Hi there,
> >
> > So, this problem comes up once in awhile but, I do not know why, its
> > now recurrent on multiple projects now.
> > All my orchestral projects compile about 96 PDF all using the
&g
ck -ddelete-intermediate-files
-dembed-source-code --pdf -o ./upload/ ./parts-book-template.ily
I'm sure there is a way to create a MWE but I've never manage to do
so. It's sort of a "once in a specific while" kind of problem.
How can I help this bug along?
--
s for your help
--
Pierre-Luc Gauthier
\version "2.21.0"
\partCombine
{
c'1 |
\partCombineChords
\pitchedTrill
a''2
\startTrillSpan bes''
a''2\stopTrillSpan |
\partCombineAutomatic
c'1 |
}
{
c'1 |
\pitchedTrill
c'''2
\startTrillSpan des'''
c'''2\stopTrillSpan |
c'1 |
}
t; material of the preceding bookpart to fill the whole of its last
> > page, so provided the sections of your score are not too short, the
> > layout will be fine. Otherwise, you might want to group several short
> > sections into one bookpart with a common running header.
> >
&g
only access text fields from top-level
\header blocks (which apply to all scores in the book)."
Is there a way to get around this limitation?
Thanks for any pointers
Here is a MWE
--
Pierre-Luc Gauthier
\version "2.21.0"
\header {
piece = \markup \typewriter \italic \bold &quo
ot exist.
And :
quoting = \quoteDuring "quoted" \transpose c' c'' {s1}
does not work.
Any hints?
Thanks for any pointers.
--
Pierre-Luc Gauthier
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alking about some multiple staff parts that are also
concerned with this issue).
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roup {\set Score.currentBarNumber = #300 \bar "" 1 1}
Le sam. 3 nov. 2018 à 06:16, Federico Bruni a écrit :
>
> Hi Pierre-Luc
>
> Known bug, see;
> https://sourceforge.net/p/testlilyissues/issues/2313/
>
>
> Il giorno gio 1 nov 2018 alle 18:0
\override StaffGroup.SystemStartBracket.collapse-height = #1
}
\new StaffGroup {\set Score.currentBarNumber = #300 \bar "" 4}
Of course I could raise the BarNumber.padding but that would be a work
around *and* would apply to all BarNumbers.
Thanks
--
Pierre-Luc Gauthier
\version "2.21.0"
\layout {
me layer. Try adding
> \override BarNumber.layer = 200
> to StaffGroup-context.
>
> Cheers,
> Harm
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affGroup \music
>>
\layout {
\override Score.BarNumber.self-alignment-X = #CENTER
\override Score.BarNumber.whiteout = #4
\context {
\Score
\remove "Bar_number_engraver"
}
\context {
\StaffGroup
\consists "Bar_number_engraver
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