Re: filmscanners: open and control

2001-06-07 Thread TREVITHO
In a message dated 3/6/01 10:39:50 am, [EMAIL PROTECTED] writes: Dear Brian But Daquerre's process was a technological dead-end that really had no future and so there was little call to get round it. It was expensive (it used a plate coated in metallic silver), it could only be looked at

Re: filmscanners: open and control

2001-06-06 Thread TREVITHO
In a message dated 6/6/01 6:26:37 pm, [EMAIL PROTECTED] writes: In most of the world artistic copyright now extends to 70 years after the death of the author. The copyright can be sold or transferred to another person or a company, or passed to the authors descendants but it still only

Re: filmscanners: open and control

2001-06-05 Thread TREVITHO
In a message dated 3/6/01 1:38:14 am, [EMAIL PROTECTED] writes: So, is Eastman Kodak supposed to be the ideal model for control? If you'd bought their stock in 1920 (or whenever you first could buy stock), you'd be rich now. On the other hand, if you'd bought their cameras, you'd only have

Re: filmscanners: open and control

2001-06-03 Thread TREVITHO
In a message dated 3/6/01 1:50:27 pm, [EMAIL PROTECTED] writes: I thought I read long ago that there was a patent taken out in England a short time before the French government bought the rights to the process and it was the patent that stopped the English using the process. Was it the

filmscanners: open and control

2001-06-02 Thread TREVITHO
In a message dated 2/6/01 4:05:12 pm, [EMAIL PROTECTED] writes: The Open advocates seem to favor freedom (in a product/market sense), and strongly believe that growth and innovation is greater this way than with the Control people's way. They also seem to be less aware of, or concerned

Re: filmscanners: which space?

2001-05-27 Thread TREVITHO
Dear Karl As CMYK is a much reduced colour space compared to RGB I would have thought that made it exactly the case. The true test would be to make multiple conversions from RGB to CMYK and back and see if quality suffered, which of course it does. The real test would be to make the

Re: FW: filmscanners: What is 4,000 scanner quality like in practice.

2001-05-25 Thread TREVITHO
In a message dated 25/5/01 1:37:27 am, [EMAIL PROTECTED] writes: Please forgive the group newbie, but is that $7.50 us for a drum scan and is it considered pricey??? HOLY *#!%!!! I pay $28-$40/scan!!! Am I being taken for a ride? Please if anyone can suggest a less expensive vendor please do

Re: filmscanners: ICG not CGI

2001-05-25 Thread TREVITHO
In a message dated 25/5/01 7:07:44 pm, [EMAIL PROTECTED] writes: Bob, I think you mean an ICG drum scanner, (at least it is them who have the internal oil drum with no taping), and its actually $35,000. (UK £26,000 new) good machine, as is the Heidelberg Primescan/Tango. Paul Dear

Re: filmscanners: What is 4,000 scanner quality like in practice.

2001-05-24 Thread TREVITHO
Dear Lalle Converting to dollar sums for universal simplicity. UK prices for system time vary between $75 - $125. Apparently New York is slightly cheaper than even the UK provinces. If I get a 120 scanner I will also need a Computer to plug it into, a table to put it on and by many

Re: filmscanners: OT: photographing on the street

2001-05-23 Thread TREVITHO
In a message dated 21/5/01 5:05:05 am, [EMAIL PROTECTED] writes: This area of law is not my area of expertise - I am a corporate lawyer. I know enough to be wary. I do some street photography and do not get model releases. I have always wondered what a model release is anyway. If I were

Re: filmscanners: drum scanning services

2001-05-23 Thread TREVITHO
In a message dated 23/5/01 1:37:56 am, [EMAIL PROTECTED] writes: I think you are right, and they are saying some very strange things. Whenever I come across drum operators (in the context of magazine repro), they go to great lengths (4 or 5 words) to explain that my puny 4,000ppi scans are

Re: filmscanners: which space?

2001-05-23 Thread TREVITHO
In a message dated 22/5/01 3:05:24 am, [EMAIL PROTECTED] writes: We don't disagree - I work primarily in LAB and CMYK myself, for both web and print, but then convert to RGB for final contrast adjustments and to send to the printer. Dear Maris To the best of my knowledge RGB to CMYK is a

Re: filmscanners: drum scanning services

2001-05-23 Thread TREVITHO
In a message dated 22/5/01 8:01:41 pm, [EMAIL PROTECTED] writes: Every drum scanning bureaux here (central London) seems to think asking for a file this big is ridiculous. One suggests 80Mb as a maximum another 120Mb. Why? Nobody can explain to me why I would want a small file and have

Re: filmscanners: repro wars (was drum scanning services)

2001-05-23 Thread TREVITHO
In a message dated 23/5/01 2:24:45 pm, [EMAIL PROTECTED] writes: Bob, I know what you say makes perfect sense - the 150-180LPI screen needs no more than ~300dpi at repro size. But the run-ins I have had with these guys suggest that they regard 12,000ppi as necessary, because that's what

filmscanners: What is 4,000 scanner quality like in practice.

2001-05-23 Thread TREVITHO
In a message dated 23/5/01 9:28:55 am, [EMAIL PROTECTED] writes: If you ever want to use your scanner for other purposes (full res scanning etc., full quality), then you are better off with another more expensive scanner with ICE or FARE (dust removal algorithms), Apparently some