Yes, thank you. That is what I was asking.
We just had a great discussion about this at a panel of
programmers/directors at Experiments in Cinema.
In the US, there generally is not much government money on any level to
support film festivals, let alone their prizes. Thus, to compare a European
Adam,
Are you asking where the money for our awards comes from? Mostly from the city
of Poznan. Also from the Polish Film Institute and other public institutions.
Best,
Marcin
From: FrameWorks On Behalf Of Adam
Hyman
Sent: Tuesday, April 30, 2019 11:38 PM
To: Experimental Film Discussion List
Paid for by whom?
Best,
Adam
From: FrameWorks on behalf of
Marcin Gizycki
Reply-To: "Experimental Film Discussion List
"
Date: Tuesday, April 30, 2019 at 5:43 PM
To: "Experimental Film Discussion List "
Subject: Re: [Frameworks] Film Festival Blues
Ok., Tim,
I understand. One
Wow Scott thank you. That was super informative! And fascinating.
So, just for the fun of it let me ask, what happens if you process
kodachrome in C41 chemistry? Anything? Mud?
I'm just starting out doing my own processing and I cannot get enough of
the chemistry.
Thanks again!
On Tue, Apr 30,
Ok., Tim,
I understand. One correction to my previous email. The Grand Prix at Animator
equals $15,000.
Best,
Marcin
From: FrameWorks On Behalf Of
Dimitrije Martinovic
Sent: Tuesday, April 30, 2019 8:39 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Film Festival Blues
I
I agree with you, DIY-start your own screenings, I would love to
collaborator with anyone interested in trying this one.
On Tue, Apr 30, 2019 at 8:06 PM Tim Halloran wrote:
> Marcin, why did you assume I was being sarcastic? I was quite serious.
> Just saying we should stop crying about it and
Oh, you could probably get a K-14 line running. Dwayne's Photo had one
running a few years ago and still has the analytic chemist on staff
although they don't have some of the other people on the line.
The problem with K-14, which is also the wonderful thing about it, is
that the dyes are not
There have been some experiments along these lines, but the process is quite complicated and Eastman Kodak no longer supplies the chemistry. Wiki spells out the basic K-14 steps here: https://en.wikipedia.org/wiki/K-14_process-Original Message-
From: Colin Brant
Sent: Apr 30, 2019 7:03
Marcin, why did you assume I was being sarcastic? I was quite serious. Just
saying we should stop crying about it and reimagine the whole festival
paradigm. DIY.
Tim
Sent from my iPhone
On Apr 30, 2019, at 4:37 PM, Marcin Gizycki
mailto:mgizy...@hotmail.com>> wrote:
Tim, sarcasm is not
I would be curious to hear from anyone able to cast light on *why*
Kodachrome can't be processed as intended. After years of hearing the
simple "no" I'd be interested to know the more complicated, chemical
reason. Anybody?
*Ektachrome* -- as far as I know, the new formulation is only available in
Tim, sarcasm is not necessary here. I started such a festival long time ago:
Animator in Poznan, Poland. We do not charge any fee and the Grad Prix equals
$1500 thousand dollars.
Yours,
Marcin
From: FrameWorks On Behalf Of Chris
Lange
Sent: Tuesday, April 30, 2019 7:27 PM
To: Experimental
Maybe they should provide more money to the festival film viewers / jury to do
a fully honest and cognizant job of selecting. That’s important work, which
for some festivals sometimes seems like a bit of a bs configuration. Though,
it is the festival viewer / critic that spends the sometimes
As others have stated, Kodachrome may not be the best option, but the new
Ektachrome would certainly be viable and give you something in the realm of
what you’re looking for.
Brian Wilson
Sent from my iPhone
> On Apr 30, 2019, at 4:51 PM, Jon Behrens wrote:
>
> I would alike to help, but
Start your own filmmaker-friendly festivals.
Tim
Sent from my iPad
On Apr 30, 2019, at 3:20 PM, Marcin Gizycki
mailto:mgizy...@hotmail.com>> wrote:
I am bothered more by the fact that festivals charge a lot of money not giving
much in exchange. Most of them simply exploits filmmakers.
Marcin
I am bothered more by the fact that festivals charge a lot of money not giving
much in exchange. Most of them simply exploits filmmakers.
Marcin
From: FrameWorks On Behalf Of
o...@thenowcorporation.com
Sent: Tuesday, April 30, 2019 5:52 PM
To: Experimental Film Discussion List
Subject: Re:
Kodachrome cannot be processed to a color image any longer. Not K-14, not
K-12, no way, no how.
You can process it to a B image but what you get is poorer quality than
what you'd get if you'd just shot B film.
However, there is now a usable 16mm Ektachrome stock if you like that
reversal look.
I would alike to help, but I think finding Kodachrome might be a stretch, but
not impossible , does it have to be Kodachrome?
Jon
Sent from my iPhone
On Apr 30, 2019, at 2:45 PM, Ed Inman
mailto:edin...@earthlink.net>> wrote:
Kodachrome has some silver content so it can be processed as black
festival scams.
Owen
> On Apr 30, 2019, at 5:31 PM, Mark Street wrote:
>
> There's not good way to hear "we didn't take your film". But the breathless
> intro "We got 5 million entries!..." has always irritated me.
>
> Mark Street
> www.markstreetfilms.com
>
>> On Tue, Apr 30, 2019
Kodachrome has some silver content so it can be processed as black & white. I used to do this to Super 8 Kodachrome films in the 70s using a standard b/w reversal formula. The only person I'm aware of who claims to be able to process it in color is Kelly-Shane Fuller of Piratelogy Studios but only
Dear All,
My former teacher and friend Barbara Hammer asked me to finish a film for
her; she gave me the material before she died. She asked 4 of us to do so;
I'm turning my attention to the project now.
I had a crazy idea of shooting some Kodachrome. Any way to purchase this
outdated stock?
There's not good way to hear "we didn't take your film". But the
breathless intro "We got 5 million entries!..." has always irritated
me.
Mark Street
www.markstreetfilms.com
On Tue, Apr 30, 2019 at 5:11 PM Dominic Angerame
wrote:
> Every film festival is telling me that they have
Jon, Yes that does help. Thank you for the quick response. Kirsten
On Tue, Apr 30, 2019 at 2:04 PM Jon Behrens wrote:
> Hi Kirsten
> The application is for one filmmaker, that can use it for what ever they
> choose
> It is a 3 hour session at LightPress
>
> Hope that helps
> Jon
>
> Sent from
Hi Kirsten
The application is for one filmmaker, that can use it for what ever they choose
It is a 3 hour session at LightPress
Hope that helps
Jon
Sent from my iPhone
On Apr 30, 2019, at 9:47 AM, kirstenl
mailto:kirstene...@gmail.com>> wrote:
Jon,
Thank you for sharing this exciting
https://archive.org/details/OLDSCHOOLNOISE
Enjoy,
Jaime
Sent from my iPad___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
Hi Pablo,
It might interest you to know that there’s a new group of film-related people
in Germany: http://www.hvcinephilie.de who are basically working towards
developing a greater dynamic in film curation, criticism, festival programming,
public film funds, etc...
Sarah Adam is someone that
Jon,
Thank you for sharing this exciting opportunity. I am working with a
filmmaker to help her revive a couple of her legacy titles that originated
on film back in the 1980s. She has two films (a print & interpolative, I
believe) that need scanning. Does the lightpress grant allow for more than
Hi all
In Unzalab/Milan we are looking for a
super8 and a 16mm Film Developing Machine.
Is There anyone can help us?
Thanks
Francesco
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
Hi Albert,
I have one more for you: *Minotaur *(1998) by Daniel Sousa,
https://vimeo.com/44050358
Best of luck!
-Alex
On Tue, Apr 30, 2019 at 6:42 AM Albert Alcoz wrote:
> Thank you very much for all for the valuable information i have received
> concerning labyrinths and experimental film.
Thank you very much for all for the valuable information i have received
concerning labyrinths and experimental film.
I will check all those links with time in order to write an essay about the
ideas behind this connection.
All the best,
Albert
29 matches
Mail list logo
