Hi all,
I am looking for titles of literature on sound design in animation whether
they're articles, essays or books. It would be helpful if they were
accessible in the free world or usual academic libraries' digital
collections.
Best,
Christopher
___
Hi Brecht,
You might want to check and see if you aren’t actually looking for Michael H.
Schamberg who produced and directed several of New Order’s videos (Electronic
featured NO’s Bernard Sumner). Unfortunately he died a few years ago. I’m not
sure if they worked with both Michael Shambergs-
Hi Frameworkers,
I just picked up my Rex 4 from my local camera repair guy for some shutter
issues I was having and didn't notice until I was home that the shutter
isn't properly aligned- when setting the variable shutter it's open when it
should be closed/vice versa. "T" doesn't expose the whole
Hi Pablo,
It might interest you to know that there’s a new group of film-related people
in Germany: http://www.hvcinephilie.de who are basically working towards
developing a greater dynamic in film curation, criticism, festival programming,
public film funds, etc...
Sarah Adam is someone that
Frameworkers,
Does anyone have any info about this little processor? Specifically the CMB A2.
We have one at Analogfilmwerke but no manual, plans or experience with this
thing. We also don’t have a magazine for it, if anyone happens to have an
extra... seems like a nice little machine for
Hi y'all,
I'm traveling to Portland today and was wondering if there are any list
members in the area that could lend me a sturdy tripod for about 5 days to
use with my Eclair ACL. I have a photo head I'll bring with me.
I also need to spool back some 16mm stock that's currently tail-out, so if
Howdy y'all,
Looking for advice on cheap VHS capture devices under $200 US to digitize
some volume of cassettes. Reliability and cost are more of a priority over
quality. I just want to have reference material in a more accessible
format.
So far I've looked into getting a used Grass Valley
Hey Frameworkers,
Just wanted to announce that our new(ish) artist-run community lab in
Hamburg, Germany has a lot coming up!
• November 2nd - 'Develop Yourself', a screening of member works and works
that have been processed with us at B-Movie, Brigittenstraße 5, 20359
Hamburg @ 20:00
facebook:
Frameworkers,
I'm trying to figure out a few things about these print stocks. Does anyone
know which is faster? An older B contact printer I'm using has two
exposure settings, one for the ORWO stock and one for Kodak, I believe both
to only affect the lamp operation voltage, one setting has a
Hey,
It’s poly-base now? Kind of lame. Can’t speak to any of Zach’s questions but I
asked the Kodak rep here in Germany about acquiring this and he didn’t know or
couldn’t find anything out. Does anyone know if Kodak still has any? If so,
does anyone have contact (phone or email please)- I
lprin.com
>>
>>> On Mon, Apr 23, 2018 at 11:54 PM, Jason Halprin <jihalp...@gmail.com> wrote:
>>> For what it's worth, I shoot 7363 rated at ISO 6, and develop as neg in
>>> Dektol 4:1 for 90 sec (spaghetti-bucket method).
>>>
>>> -JH
>&g
Generally when I want to get a broader tonal range with 7363 I process it in a
paper developer like Dektol. I used Sprint paper developer sometimes too. Never
tried this with reversal though. The film is process to completion so you can’t
really overdevelop it. For less contrast you could also
han geography seemed to separate them).
>
> But…there still might be a story to be told….
>
> Best,
>
> Laura
>
>
>
>
>
>
>
>> On Mar 21, 2018, at 6:41 PM, Chris G <spy...@gmail.com> wrote:
>>
>> Hoping someone or some of y
Hoping someone or some of you here might be able to help with a vague
question that's been burning in my head since seeing The Otolith Group's
video installation "The Third Part of the Third Measure" and a panel
discussion on the work/Eastman at the Berlinale last month. Did Eastman and
Tony
In a Lomo tank I've done UN54 as negative with the Adox Rodinal remake in a
1:50 dilution for 10 min development time at 20c. I got this time from the
massive development chart. For the same formula and temp the massive dev chart
says 13' for UN74 at 400 ISO. Not sure if Rodinal would be ideal
Hi Luis,
I don't have any schematics specific to the 104 but I do have some stuff that
he did around that time that are similar circuits. I am traveling right now
without much wifi access but please send me an email and I'll forward those to
you. I would recommend replacing any ICs you can
http://www.thingiverse.com/thing:722187
Paul Dickinson from UI-Chicago posted this to the forum last year and I was
wondering...
Does anyone have experience with using this 3D model replacement for the
lower spindle screw on a Lomo UPB-1A? I'm in the middle of a workshop and
unfortunately a
Hi all,
I'm trying to see if anyone knows how to acquire a print of Hutton's film 'At
Sea, in Berlin, Lenin Portrait'. I can only find a few records of it online
but it's not one that Canyon or Arsenal hold, so I'm assuming it's one of
the prints he had personally.
Thanks,
Christopher
Hi Xavi,
Looks like quite a project! Can you share any details on the LED and lens
you're using in the projector? Are you using it as a replacement for the bulb
or as an alternative solution for a transfer machine? I'm working on something
similar at the moment and would be interested in
Hi all,
I'm looking for a super 8 gate for a JK optical printer. If anyone has
one/has leads on one please contact me off-list.
Thanks,
Christopher
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Again, I had decent success doing this with two acetate films. To bring
this topic back up, I was wondering if anyone had done this with tape
splices on the source film? Again, I'm using a JK animation motor on 50hz,
so it's pretty darn slow (my shutter speed is appx 1/2) and I would say
gentle. I
Hey Morgan,
Yes, flashing can compensate for underexposure and lack of shadow details
https://en.wikipedia.org/wiki/Flashing_%28cinematography%29
There's also a good explanation of the process in the book Film Technology
in Post Production. Might not be worth the effort this time, but something
Hi,
D-76 as a reversal developer for *222 will probably be too low in contrast.
One method you may want to look into is using the stock solution
(non-diluted) and processing at a higher temperature to yield greater
contrast. Generally speaking higher concentrations of B developers = more
Hi Frameworks,
I am looking for the perfect lab somewhere in central/western Europe. Arri
in Munich closed/is closing. I need B neg + work prints now,
answer/release prints with optical soundtracks of low duration and quantity
in the coming months. I want a 'short' turnaround (< two weeks) for
Thanks Nicky and Rob for your input!
Well, I mixed up which bases are camera vs. print, but I will say that I've
had a moderate amount of success.
I ran 2x~30 ft of Kodak 7363 (Hi con) bi-packed in my Rex 4 on my JK, using
the same exposure table as I did for cinex tests. Emulsion to emulsion.
That's reassuring Nicky! I'll be ready to shoot tomorrow after I shoot and
process the first pass of my mattes, any tips on loading?
Thanks,
Chris
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FrameWorks@jonasmekasfilms.com
://www.google.com.pr/search?tbo=p=bks=isbn:1136055533
>>>
>>> the nypl used to have it.... years ago.
>>>
>>> it cites this article---
>>>
>>> '' bipacking with a bolex'', American Cinematographer, March 1964,p.140
>>> Day,W. Percy
Hi all,
I was wondering if it was especially idiotic to bi-pack two acetate-base
stocks (in this case both Kodak Hi-Con) in a Bolex for mattes while running
it slowly with an animation motor.
Thanks!
Chris
___
FrameWorks mailing list
Hi Zach,
I started implementing Matt's mcopy on my JK somewhere around the beginning
of the year. It's a really nice system. It took me a while to work out some
of my own kinks and apply his ideas to a slight varied setup. I've only
seen excerpts from Break the Machine, but I was really excited
Hi Frameworkers,
I have an Angénieux 10x12B 16mm standard mount Arri lens for sale. This is
the 12-120mm f/2.2 zoom. It comes with front and rear caps along with a
Tiffen Photar series Nr. 9 +4 close-up filter. Cosmetically okay, functions
well. It was just serviced in July. Adapters can be found
Hi Amanda,
It's for 16mm, so it'd most likely interfere with the mirror on your BL 4
and not afford you enough coverage.
Thanks,
Chris
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https://mailman-mail5.webfaction.com/listinfo/frameworks
Hi Zach,
First off thank you for your detailed and inspiring response! It helps to
know about the shutter. If you have time to answer them, I have several
questions and would greatly appreciate your feedback either here or
off-list to help me further conceptualize my project. I must to say that I
Francisco,
The flatbed scanner process I am most familiar with is Wolfgang Kurz's
software CineToVidPro http://wkurz.com/ His software seems to do a decent
job at composing the frames. In spit of being a java-based program I
believe this only works on Windows-based machines and seems like a very
Frameworkers,
I am looking into mirrorless digital cameras for capturing individual still
frames on a JK optical printer to then be compiled into video output. I
realize that there is information out there on past implementations of
DSLRs and mirrorless cameras used for digital transfers but I
Hi Meg,
To add on to what Bernd, Diana and Roger have said I would recommend
renting/buying a projector in Germany if possible. To add on to the other
responses you need a step up/down converter with a significantly higher power
rating like this one:
borrow :)
Thanks,
Chris
On Thu, Aug 13, 2015 at 1:38 PM, Chris G spy...@gmail.com wrote:
Frameworkers,
I am moving to Hamburg this week and am seeking analog resources for
super 8, 16mm and still photography in Hamburg/Northern Germany- if
anything still exists. I am specifically seeking labs
Frameworkers,
I am moving to Hamburg this week and am seeking analog resources for
super 8, 16mm and still photography in Hamburg/Northern Germany- if
anything still exists. I am specifically seeking labs, editing facilities
or individuals with a 16mm flatbed/rewinds/hot splicer, community
, May 2, 2015 at 10:11 PM, Chris G spy...@gmail.com wrote:
Dearest frameworkers,
I am looking for information regarding processing times/winds for G3-style
tanks. I am going through some later today I am not finding a whole lot of
specific info out there. I am mostly processing Fomapan 100 D8
Dearest frameworkers,
I am looking for information regarding processing times/winds for G3-style
tanks. I am going through some later today I am not finding a whole lot of
specific info out there. I am mostly processing Fomapan 100 D8 and OWRO
UN54 in 100' (30m) batches in a G3 tank.
I'm using
Hi Frameworkers,
I have one more Singer/Graflex 16mm projector for sale, model 1500/1501 in
working condition - $50.
I also have two Neumade slide cabinets. They are black and in nice shape,
other than missing two machine screws for the handles. Should be easy to
replace those at any hardware
Hi Frameworkers,
I've have several Singer Graflex 16mm projectors in working condition. All
have been tested with film. They are not beautiful, but they work. Standard
250W lamp and 50mm lens. Early 70's model 1015. Replacement bulbs are cheap
when you need them.
I'm selling the projectors for
Hi all,
I'm trying to find an e-mail address for the Boston-area filmmaker Matt
McWilliams, any help (off-list) would be greatly appreciated.
Thanks,
Christopher
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BlackMagic discontinued support for FC/FCP in Media Express several releases
ago (over a year). You can try and download an older version (check the release
notes for supported programs) from BlackMagic, but it may tell you just to
download the current version and not allow you to run the
New York-area frameworkers,
I went to pick up an order at the Kodak NYC office (inside Panavision at
150 Varick) today and received some bad news from Kathy. Apparently they
are closing the NYC office and will stop taking orders there on November
3rd. Future orders will ship from Rochester. I'm
Hi Robert,
Thank you for sending this information to the list. One HUGE question for me is
how will Pac Lab handle all of the prepaid processing transfer they sold with
Ektachrome S8 and 16mm? Theoretically they have a sizeable amount of these
since they were selling Ekatchrome only with
http://motion.kodak.com/motion/uploadedFiles/PCN070114_Q.pdf
7363 is already out of stock (at least in US/Canada). Unfortunately I
didn't see Mark Toscano's warning two weeks ago or see the August
discontinuation notice until a few hours ago. I just spoke with a
salesperson to put in an order
Hi Erin,
7363 is orthochromatic and is process until completion, so you can't *really*
overprocess it. It is extremely forgiving in terms of time and temperature. I'd
recommend processing under a safelight so you can watch the process. Using a
paper developer such as Dektol will afford you a
Hi Tenzin,
The only point the public is technically allowed to access is from a rest area
almost exactly 10 miles east of Wendover on interstate 80. This is a popular
site, but one can walk out a good distance (or possibly forever) from the rest
area. Unfortunately the better view in my humble
Hi all,
Sorry if this type of solicitation is not allowed on the list, but I have
two projectors that I do not need that I am seeking trade.
What I have:
- Bolex 18-5 REGULAR 8mm Projector (can run at 18fps, 5fps reverse)
Seems to be in good order with all belts operating, the lamp works and
Hi all,
I am wondering if anyone has experience/advice/formulas for processing E6
as BW reversal. I have some Ektachrome 160 (EM-26, so remjet) super 8
(expired in '97) that I'd like to experiment with. I haven't been able to
find too much information and I've only processed BW negative and
If you're in NYC you can purchase it directly from Kodak at their office inside
of Panavision (go in, fill out a form, pay and get it in 20-30 minutes).
On Sep 14, 2013, at 14:30, Stefan Grabowski ste...@radonlake.com wrote:
Hi Sophie,
If you'll be in New York , you can buy 100' rolls of 16mm
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