Re Group Study: Godard, Vent D'est.
Sent from my Sony Xperia™ smartphone
Nicky Hamlyn wrote
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Try IDailies in London but will post. They're very good
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Amir Husak a écrit
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Rachel Reupke made a film in/of a camera obscura, but that's as much as I
know. You could ask at LUX, Nicky
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Simon Payne a écrit
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This is very obscure, but Jigsaw, by Robina Rose, has a long scene in a
children's playground. Wonderful film, deserves to be rediscovered.
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peter snowdon a écrit
>Renoir's Une Partie de campagne (copying his father in this, some might
As far as I know it's named after the football club, for no particular reason.
Letratone was made somewhere in Kent, south east England, but not any more.
They have offices in LeMans: www.letraset.com. The film was made section by
section under an enlarger, from B originals printed through
'stairs' not 'stars'!
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Nicky Hamlyn a écrit
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I suspect Arnulf Rainer is excluded because it's abstract, my assumption being
based on Gidal's critique of Sharits., ie, the viewer can fantasise 'into'
blank colour frames just as much as they can falsely identify with a character
in a movie. Some of Gidal's own films, eg Room Film 1973, use
Gill Eatherley, Samantha Rebello, Sue K.
John Muse a écrit
>I'm looking for structuralist/materialist films by women, whether made in the
>60's and 70's or later. Gidal include Wieland in his anthology; Sailboat is
>lovely, comic, and punchy. And I, against the grain, appreciate
Mulvey and Wollen: Riddles of the Sphinx. 13 consecutive 360 degree pans.
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o...@thenowcorporation.com a écrit
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You could try his gallery, Kate McGarry
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Bryan Wendorf a écrit
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If I 'm not mistaken, the actual eclipse is not visible in Tacita's film. It
was totally overcast that day. Nicky
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Anderwald Grond a écrit
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The 2012 Transit of Venus is combined with the 2004, so it's two films in one
now. Nicky
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Cathy a écrit
>Under - "Any other astronomical event" - Nicky Hamlyn's 'The Transit of Venus'
>http://nickyhamlyn.com/images-4/.
>
>Best
>Cathy
Stan Brakhage: Text of Light. A world in an ashtray.
Some of Jamie Jenkinson's iPhone videos are very glassy:
http://www.jamiejohnjamesjenkinson.com/
John DuCane: Zoom Lapse. Windows.
Michael Snow: Wavelength.
Nicky Hamlyn: Silver Street. Views out of windows and mirrors included.
Nicky
Snow: Wavelength.
Nicky Hamlyn: Silver Street. Views out of windows and mirrors included.
Nicky.
-Original Message-
From: Sheri Wills <s...@sheriwills.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Sent: Wed, 3 Feb 2016 2:19
Subject: [Frame
Margaret Tait: Landmakar: http://www.lux.org.uk/collection/works/land-makar
Nicky.
-Original Message-
From: Anderwald + Grond
To: Experimental Film Discussion List
Sent: Fri, 15 Jan 2016 7:08
Subject: Re: [Frameworks]
Don't know if they've already been mentioned, but one of Kuchar's weather diary
films has him masturbating in a motel shower, and there's also Fred Drummond's
'Shower Proof', a printer loop film made at the LFMC in 1969.
Nicky.
-Original Message-
From: Jamie Cleeland
Sorry for delayed response,
I usually load manually just to be sure both sets of sprocket holes are
securely on the sprocketed rollers and the claw. Point the camera at a white
wall and take a light reading in the usual way,
Nicky.
-Original Message-
From: Chris G
I have done a fair amount of bi-packing acetate neg with polyester print stock,
and polyester with polyester, and it works fine. Occasionally a frame slips,
maybe every 500or 600 feet, but it works well and there's been no damage to the
camera that I can detect,
Nicky.
-Original
Guy Sherwin's 'Eye', 'Maya' and 'Yi Wei' from the Short Film Series,
Nicky.
-Original Message-
From: Jorge Lorenzo Flores Garza
To: Experimental Film Discussion List
Sent: Sat, 31 Oct 2015 22:14
Subject: Re:
Same problem with the Hollis Frampton DVDs. Quiet annoying.
Nicky.
-Original Message-
From: Adam Hyman
To: Experimental Film Discussion List
; JANA DEBUS
Sent: Fri, 9
Thanks
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Esperanza Collado a écrit
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Great, thanks, I have a vague memory of buying from them before,
Nicky.
-Original Message-
From: Pip Chodorov
To: Experimental Film Discussion List
Sent: Sat, 19 Sep 2015 15:20
Subject: Re: [Frameworks] 16mm spools and
Can anyone recommend a source of 16mm spools and cans, preferably plastic,
800' and 1200' ideally, either in the UK or elsewhere. It's becoming rather
hard to find them
Thanks,
Nicky.
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Don't know if ti's already been mentioned but Pedro Costa's 'Where does your
secret smile lie?', film of Straub / Hullet editing Sicilia! on a Steenbeck, is
relevant,
Nicky.
-Original Message-
From: Francisco Torres
To: Experimental Film Discussion List
You could try asking Jon Wozencroft, who runs the Touch label, which has issued
CDs by him: j...@touchmusic.org.uk,
Nicky.
-Original Message-
From: Adam Hyman
To: Experimental Film Discussion List
It's all here:
https://fds.duke.edu/db/aas/MFAEDA/faculty/david.gatten
Nicky.
-Original Message-
From: Kate Ewald katherine.ew...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Sun, 30 Aug 2015 13:09
Subject: Re: [Frameworks] Gatten
David is not at Duke anymore, so that
Vicky Smith's films are rotoscoped scratch films on clear celluloid, later with
addition of body fluids. They are beautiful.
Nicky.
-Original Message-
From: Tess Takahashi tess.takaha...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tue,
Hi Tess,
Vicky's email below. She also just completed her PhD, which is on 'Full-Body
Film',
Best wishes,
Nicky.
vsmi...@students.ucreative.ac.uk
-Original Message-
From: Tess Takahashi tess.takaha...@gmail.com
To: Experimental Film Discussion List
The Sound of Music.
Nicky.
-Original Message-
From: Amanda Christie ama...@amandadawnchristie.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 6 Aug 2015 17:37
Subject: [Frameworks] films about solfege
Hello hive mind,
I'm looking for
I got nice results using Dektol with Agfa ST8 sound film. Nicky
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Scott Dorsey a écrit
Dektol is a very, very fast-working developer and very grainy. It is
intended for paper and print materials, not for film. It may be possible
to use
Deliverance.
Moi, PIerre Riviere.
Nicky.
-Original Message-
From: John Matturri jmatt...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, 13 Jul 2015 16:56
Subject: Re: [Frameworks] countryside film
La terra trema
On Jul 13, 2015 11:54
Have you seen Lis Rhodes' film Light Music (1975)?
Nicky.
-Original Message-
From: _blank bl...@null66913.net
To: frameworks@jonasmekasfilms.com
Sent: Fri, 19 Jun 2015 14:32
Subject: [Frameworks] Image data to sound data
Hi everybody,
Some days ago I performed an experiment
Specifically in relation to the diagetic / non-diagetic, the farmyard piano
scene from Godard's Weekend,
Nicky.
-Original Message-
From: lagonaboba lagonab...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, 15 Jun 2015 16:08
Subject:
Sometimes called a 'Sting' in the UK,
Nicky.
-Original Message-
From: Gene Youngblood ato...@comcast.net
To: Frameworks Listserv frameworks@jonasmekasfilms.com
Sent: Sat, 13 Jun 2015 5:37
Subject: Re: [Frameworks] TV jargon
Thanks, all, for your kind responses.
On Jun 12,
The Klopfenstein is the one I was trying to remember. The LFMC had a print of
it long ago. Might be worth asking LUX,
Nicky.
-Original Message-
From: Christopher Ball cbifi...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 14 May 2015
Helga Fanderl: Night and Wind
Emily Richardson: Block, Nocturne
Chris Welsby: Drift
Peter Gidal: Room Film 1973, Close UP
The LFMC used to have a beautiful BW film shot in cities at night by someone
like Wim Wenders cinematographer, but that's all I can remember.
Nicky.
-Original
Don't most labs with a website also have a real address? Try here:
http://www.cinelab.co.uk/
They process Super 8 neg and they have an address. They're in Slough, west of
London, about 25 minutes by train. I don't think there's anywhere else in the
UK,
Nicky.
-Original
Have a look on this page:
http://www.cinelab.co.uk/services/film-processing/
Nicky.
-Original Message-
From: Bernd Lützeler fi...@gmx.de
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Fri, 8 May 2015 4:15
Subject: Re: [Frameworks] London Super-8 Lab
You seem to contradict yourself: you say 'whenever I see' etc, but then ask
'what are some (of these films)'? If you know you've seen some, how come you
can't identify them?
Nicky.
-Original Message-
From: Chris Freeman christopherbriggsfree...@gmail.com
To:
such a shame.
On Tue, Apr 7, 2015 at 9:16 AM, Nicholas Kovats nkov...@gmail.com wrote:
Indeed. But I should have read more carefully. The auction notice was from last
year. I wonder how it was parceled out?
On Monday, April 6, 2015, Nicky Hamlyn nicky.ham...@talktalk.net wrote:
Ironic, considering
Ironic, considering the first thing Deluxe did after buying Soho Film Lab in
London was to cease 16mm printing. That's what precipitated Tacita Dean's save
film campaign. Nicky.
Nicholas Kovats wrote
The auction title says it all. Over 1032 individual lots and starts on
June 3. Sad
Anything by Patrick Keiller, some of Kevin Jerome Everson's work, though don't
know it all to make accurate suggestions, William Raban's recent work over the
last twenty years,
Nicky.
-Original Message-
From: Margaret Rorison margaret.b.rori...@gmail.com
To:
There are 413 miles between Edinburgh and London. They are even in different
countries, as recent events have highlighted!
Nicky.
-Original Message-
From: herb shellenberger htsh...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tue, 31 Mar
Jean Renoir said the same thing in different words in 1961 here:
http://www.youtube.com/results?search_query=jean+renoir+parle+de+son+art
Nicky.
-Original Message-
From: Ken Paul Rosenthal kenpaulrosent...@hotmail.com
To: Frameworks Postings frameworks@jonasmekasfilms.com
Sent:
I showed Wavelength yesterday to first year Fine Art students. It's a very
tough introduction to a/g film, a real plunge into the deep end. It really
annoys and baffles some, but enthuses others, but it always stimulates debate
in a way that few other films can. For these reasons and others,
And Cathy Rogers, who's too modest to mention herself.
Nicky.
Cathy Rogers wrote
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Don't remove the lens. Just point the camera at an evenly-lit white wall, take
an incident light reading as if you were filming the wall (which you are in a
way) and then expose in the normal way, using the aperture on the lens to
adjust the exposure.
Nicky.
-Original
As far as the UK is concerned you don't need permission to reproduce a frame
from a film, as long as you don't ask. Some organisations, like the Warhol
Foundation, pursue everyone for anything, however small, but it's unlikely in
this case, I would have thought. This is based on my own
Lis Rhodes: Light Music for two projectors facing each other. It's very intense!
Nicky.
-Original Message-
From: Amanda Christie ama...@amandadawnchristie.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Wed, 11 Feb 2015 13:00
Subject: Re:
Lots of Lumiere films,
Nicky.
-Original Message-
From: Benjamin Léon benj.l...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Sat, 7 Feb 2015 10:54
Subject: Re: [Frameworks] Single-shot fixed camera landscape/cityscape films
You could find
What does that mean? I have work at Niagara! Can anyone shed light on this?
Nicky.
-Original Message-
From: Jorge Lorenzo Flores Garza jorgelore...@hotmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tue, 3 Feb 2015 16:56
Subject: Re:
Not sure if anyone has already mentioned Scott MacDonald: The Garden in the
Machine.
Nicky.
-Original Message-
From: Dave Tetzlaff djte...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Sat, 31 Jan 2015 6:25
Subject: Re: [Frameworks] Books
Hi Graham, would be great if you could service my Elfs. I need them for early
March. Best, Nicky
graemeh...@irational.org wrote
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Great, yes I remember. The take ups and focus knob: usual things but also a
lube service would be good. Nicky.
graemeh...@irational.org wrote
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Does anyone know anyone in the UK who services Elf projectors? Alternatively
can anyone give me some advice on how to do it myself?
Thanks,
Nicky.
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My blog address was wrong. It should be www.nickyhamlyn.com
NIcky.
-Original Message-
From: Peter Mudie peter.mu...@uwa.edu.au
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Wed, 3 Dec 2014 22:23
Subject: Re: [Frameworks] A.L. Rees, 19492014
Very
Vicky Smith's work is very interesting and innovative. Her work is represented
on the new No.w.here ten year anniversary compilation DVD, out next week!
Nicky.
-Original Message-
From: Esperanza Collado esperanzacolla...@gmail.com
To: Experimental Film Discussion List
Rivette: Celine and Julie go Boating (if memory serves)? Bunuel: The
Exterminating Angel (ditto)? Hitchcock: Vertigo,
Nicky.
-Original Message-
From: David Sherman davidgatessher...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Fri, 7 Nov
I think you're worrying unnecessarily about losing film at the lab. These labs
are professional outfits you know, not amateurs with bathtubs!
You could also try Haghe Film in Amsterdam or Prestech in London for prints,
iDailies in London if you just want dev and T'fer to ProRes HQ.
Nicky.
Polaroid made a Super 8 polaroid camera in the 80s. One of the Dutch pro
cycling teams used to use one to film the races so they could analyse them
straight after they finished. Maybe they could join forces with Kodak. Shoot S8
or some other format, instant process then TX to Pro Res HQ.
Andec both sell and process Super 8:
http://www.andecfilm.de/en/e_start.htm
Nicky.
-Original Message-
From: Stefan Grabowski ste...@radonlake.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, 13 Oct 2014 5:24
Subject: Re: [Frameworks] super8
Probably combined with an Arri BL, which was the ubiquitous camera that went
with the lens, as used by TV news crews all over the place, and certainly by
the BBC, before they switched to the Arri SR with Zeiss Distagon lenses in the
mid 1980s,
Nicky.
-Original Message-
From:
There's a terrible one for Android called AR Effect.
Nicky.
-Original Message-
From: Shane Eason shaneea...@yahoo.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 9 Oct 2014 23:22
Subject: [Frameworks] Experimental + Documentary Apps
And Kitchen, Vinyl, Horse and other Warhol films if you went through them
methodically,
Nicky.
-Original Message-
From: Jared Ashburn ashburn.ja...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tue, 7 Oct 2014 2:38
Subject: Re:
See Jonathan Walley's essay in Millennium Film Journal issue 59, which is on
this topic,
Nicky.
-Original Message-
From: Rebekka Erin Moran rebekka.mo...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Mon, 6 Oct 2014 22:10
Subject: [Frameworks] tableau vivante :
Is reversal really what people want? If you want a projection print you either
need a reversal print, a currently unavailable option, or you need an interneg
then a print, in which case you're surely better off shooting on neg, which is
what I do. I've never needed internegs, because I've never
Try Agfa ST8. It's an orthochromatic sound recording stock. You can get it
direct from Agfa in 2 x 2000' cans. They usually want you to buy some
astronomical quantity, ie 105 cans, but they can be talked down,
NIcky.
-Original Message-
From: Ruth Hayes randomr...@comcast.net
I found it very difficult to contact them as they don't have an office in the
UK. I emailed head office in Belgium (?) and eventually, after a few weeks,
someone from Pinewood studios, whose name I forget now -this was in about 2010-
called and asked me a few questions; who was I, what was the
If you want to capture footage from a DVD you can insert a DVD into the disc
drive of your machine (I'm assuming MAC), wait for the DVD player to start then
stop the disc playing and close DVD player. Then in FCP you go:
File-import-files then go to the DVD folder on your desktop. Inside there
Thanks, that's interesting, and it's actually the same timing as for 7222. When
you say better grays do you mean lower contrast too?
Nicky.
-Original Message-
From: David_Kidman david.kid...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent:
Can anyone suggest processing times for developing Plus X negative / 7231 in
D76 please? I can't find anything online, other than for stills film, which is
apparently not the same.
A recommendation as to whether stock or 1:1 dilution would also be appreciated,
given it's quite contrasty,
Don't despair, because it won't tell you anything you didn't already know, so
you're not losing out, on the contrary, it's a very partial, misleading and
incomplete account.
Nicky.
-Original Message-
From: jaime cleeland ethnom...@yahoo.co.uk
To: Experimental Film Discussion
Yes, sorry, I should have made it clear that my moan was to do with the second
half of the first episode,
Nicky.
-Original Message-
From: o...@thenowcorporation.com o...@thenowcorporation.com
To: elizabeth mcmahon elizmcma...@yahoo.com; Experimental Film Discussion
List
Sorry to spoil the mood, but the first programme's a really bad mash up, eg
clips from Berlin Horse overlaid with the music track from Peter Greenaway's
The Draughtsman's Contract. All but one of the so-called artist filmmakers
discussed in the UK section are those who have crossed over to more
I am intending to shoot the night sky in BW with a Tobin motor and Bolex. I've
been strongly advised to use 7231, NOT 7222, but I wondered if anyone else had
opinions about this,
Thanks,
Nicky.
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There are lots of good suggestions here, especially a symposium. Here in the UK
No.w.here have BW processing, contact and optical printing facilities, and run
regular courses, which are very hands-on in nature. Their activities have
stimulated a new generation of young filmmakers to work with
Their website is wonderful. Beautiful factory. They claim they'll be
manufacturing in all movie formats and 35mm slides etc,
Nicky.
-Original Message-
From: Francisco Torres fjtorre...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Sat, 30
Agfa only really want to supply in very large quantities, ie 105 4000' cans at
a time, though they can be persuaded to sell fewer, IF you can contact them,
which is not straighforward. ST8 has a slightly bluish base, but it's a nice
stock, about 6asa,
Nicky.
-Original
Ilford are reportedly thinking of re-starting: they still have all the
equipment to produce film. They made a range of beautiful BW negs, broadly
superior to anything Kodak has produced.
Nicky.
-Original Message-
From: Jean-Louis Seguin bolext...@gmail.com
To: Experimental
When I was a student in the mid 1970s, Ferrania used to make a good colour
reversal film and five bath processing kit. This was in the days, now mostly
long gone, when people did things; knitting, sewing, repairing, developing etc.
The colour was beautiful: soft and subtle, but hard to control
Beautiful film by a wonderful filmmaker. I'm guessing 'De Poes' means 'The
Puss' ?
Nicky.
-Original Message-
From: jembere janinejemb...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Mon, 18 Aug 2014 17:39
Subject: Re: [Frameworks] cat films
very interesting topic! one
This listing arrives as a massive block of text: single spaced lines with
around thirty words per line, rendering it so difficult to read that I
sometimes can't be bothered. Any chance of returning to something like the
previous format?
Thanks,
Nicky.
-Original Message-
Webmail via Firefox.
-Original Message-
From: Pip Chodorov framewo...@re-voir.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, 18 Aug 2014 13:06
Subject: Re: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema
Hi Nicky,
That's
Bell Book and Candle,
The Incredible Journey (Disney film abut three pets on a 200 mile journey.
Includes a swimming siamese cat).
Nicky.
-Original Message-
From: Benjamin Leon benj.l...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Sat,
Nice titles for 'Jonesy', like the ones for Pierrot le Fou.
There are also hundreds of episodes of Top Cat to consider!
Nicky.
-Original Message-
From: Francisco Torres fjtorre...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Sat, 16 Aug
LUX and the BFI shop are good retailers to place your work with,
Nicky.
-Original Message-
From: Ben Gwilliam i...@thosesoundsbetween.co.uk
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, 11 Aug 2014 12:10
Subject: [Frameworks] 'oxide' E165
Hi
Coming late to this. Has anyone mentioned Klaus Wyborny's films?
Nicky.
-Original Message-
From: John Warren johnwar...@alum.calarts.edu
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Fri, 8 Aug 2014 13:46
Subject: Re: [Frameworks] films using the
that´s correct. she used the lfmc Debrie machine that is still in use at
No.w.here. Nicky.
-Original Message-
From: direc...@lift.on.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 7 Aug 2014 17:02
Subject: Re: [Frameworks] films using the optical
I was told recently by a tele-cine operator at iDailies in London, which is
digitising all the 35mm test rolls for the new Star Wars movie, that Kodak are
continuing to make some stocks until at least 2017 as several studios want to
go back to shooting on film.
Nicky.
-Original
Widescreen Centre in central London sells most of the available 16mm and Super
8 stocks. Not cheap though: https://www.widescreen-centre.co.uk/
Nicky.
-Original Message-
From: leandro listorti leandro.listo...@gmail.com
To: frameworks@jonasmekasfilms.com
Be prepared to be interrogated at length by customs officers on the exact
nature of your project, on entering and leaving the country.
Nicky.
-Original Message-
From: Irene Lusztig ir...@komsomolfilms.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Some confusion between Annette Michelson and (Canadian novelist) Anne Michaels,
Nicky.
-Original Message-
From: Anderwald + Grond cont...@anderwald-grond.at
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Wed, 25 Jun 2014 20:58
Subject: Re:
Neil Henderson's 'Tidal Island' is a study of an artificial island in the Wash
in East Anglia. An earlier version is on the DVD Three Studies in Geography,
available thorugh LUX,
NIcky.
-Original Message-
From: chris bravo iamdir...@gmail.com
To: Experimental Film Discussion
Island Race is filmed on the Isle of Dogs, a bend in an old docks area of the
River Thames in east London. It is technically an island as there are canals
across the bend at its northern edge,
Nicky.
-Original Message-
From: Fred Truniger fred.truni...@gmail.com
To:
David Larcher's videos are very discursive very open-ended: they don't
conclude, on the contrary.
Most of Morgan Fisher's films, especially ( ) and Projection instructions.
Nicky.
-Original Message-
From: Joan Hawkins jchaw...@indiana.edu
To: Experimental Film Discussion List
Was it filmed in a lawyer's office? Willard van Dyke badly lets the side down
by suggesting that 'there is the possibility that new techniques are being
explored and that other filmmakers can benefit by these techniques'. The the
whole film is redeemed by the glimpse of Brakhage's pipe!
A few films without montage, or indeed any editing in the conventional sense:
Lumiere films, All my Life, Serene Velocity, Sidewalk Shuttle, Wavelength,
Central Region, Russian Ark,many films by James Benning, Malcolm LeGrice, Peter
Gidal
NIcky.
-Original Message-
From:
Walter Ruttmann's Weekend (1930) is a sound scape collage which was made on
35mm film for Berlin Radio, and broadcast in July of that year, so a film if
only in the material sense.
Ken McMullen's film Ghost Dance (1983, and starring the late Pascale Ogier),
has people listening to the BBC
None of these is doing prints, in fact most of them closed down.
Try Prestech or Film and Photo, both in London,
Nicky.
-Original Message-
From: Scott Dorsey klu...@panix.com
To: frameworks@jonasmekasfilms.com
Sent: Fri, 9 May 2014 13:55
Subject: Re: [Frameworks] 16mm colour
Kurt Kren: Tree Again,
Nicky.
-Original Message-
From: Heath Iverson h...@st-andrews.ac.uk
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 1 May 2014 16:16
Subject: [Frameworks] Infrared Film in Experimental Cinema
Hi Frameworkers,
I've been
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