Thanks, it seems to work.
Now the build is failing on Windows. I'll continue tomorrow.
Il giorno lun 26 dic 2022 alle 22:41:50 +, Jonathan Armitage
ha scritto:
This one?
/usr/local/Cellar/poppler-qt5/22.12.0/lib/pkgconfig/poppler-qt5.pc
I got a lot of messages about conflicts when I
This one?
/usr/local/Cellar/poppler-qt5/22.12.0/lib/pkgconfig/poppler-qt5.pc
I got a lot of messages about conflicts when I installed poppler-qt5: it
may well be that some symlinks were not created.
Cheers,
Jon
On 26/12/2022 22:26, Federico Bruni wrote:
Hi Jon
Thanks, it's exactly what I
Hi Jon
Thanks, it's exactly what I need!
Now I have another question. Can you search poppler-qt5.pc file
(homebrew installation)?
Il giorno lun 26 dic 2022 alle 22:10:40 +, Jonathan Armitage
ha scritto:
Hi Federico,
It would seem to be:
$ find /usr/local/opt/qt@5/ -name qmake
Hi Federico,
It would seem to be:
$ find /usr/local/opt/qt@5/ -name qmake
/usr/local/opt/qt@5//bin/qmake
"brew info qt@5" warns you (or at least me) that it is not symlinked
into /usr/local/bin, so you may need to set the PATH explicitly.
Apologies if I have not understood your question
Hello,
is there a way to modify a spanner to get a slow-fast trill (like the one
in the picture)?
[image: image.png]
Obviously with user-provided glyphs.
I'm trying to figure out how spanners were written to be able to at least
modify an existing one, TextSpanner or TrillSpanner, (or write one on
Hi all
I'm working on a Github action to build wheels of python-poppler-qt5
(Frescobaldi dependency) on all platforms (Linux, Mac and Windows).
On Mac I've installed qt@5 via Homebrew and I need to know in which
directory qmake is installed. For example, in Linux it's normally
installed in
bernhard kleine wrote:
Hello,
I am working on the space frescobaldi plus Lilypond put infront of the
score for long instrument names. There is only a small space after the
first score when names are repeated, too small to match the instrument
names which aligned to the right reach the
Hello,
I am working on the space frescobaldi plus Lilypond put infront of the
score for long instrument names. There is only a small space after the
first score when names are repeated, too small to match the instrument
names which aligned to the right reach the physical border and go over it.