ne
\set Staff.aDueText = #""
\partcombine \MyFirstVoice \MySecondVoice
}
\new Voice { \voiceTwo
\MyThirdVoice
} >>
ArnoldTheresius
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Thomas Weber wrote
> Am 11.02.2017 um 13:51 schrieb Thomas Morley:
>>
>> Arnold has put up some work to get a more automagic workflow.
>>
> ...
> This actually solves my problem - thanks for pointing me there! I'm
> relieved there is an existing fix.
> ...
>
Carl Sorensen-3 wrote
On 5/4/15 1:35 AM, ArnoldTheresius lt;
Arnold.Wendl@
gt; wrote:
2. the PS file, because it's used for another postprocessing: I generate a
booklet layout PDF from it (this PDF uses the double sheet size, e.g. A3)
How do you do this? This is something I'm very
.
ArnoldTheresius
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Correct_Target_Page.ily (1K)
lt;http://lilypond.1069038.n5.nabble.com/attachment/175556/0/Correct_Target_Page.ilygt;
Thank you, thats much more smart.
ArnoldTheresius
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Sent
~a ~a currentpoint
vector_add ~a mark_page_link
(car x)
(car y)
(cdr x)
(cdr y)
+ (- page-no page-number-decrement))
- page-no)
P.S. I do not claim this patch is done in a good programming style.
ArnoldTheresius
(for user acceptance)
and file management (recommended at least for cooperation of multiple users)
ArnoldTheresius
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and consumes
2.3 GB RAM - on Windows)
Another important topic for commercial users may be the management
of the source code for all PDFs (and other output).
And finally multiple people may have to working parallel on the same score.
ArnoldTheresius
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to implement it,
(2) my solution would only have the look and feel of IDE programs of the
80-ies
(3) it would be exclusively for windows.
ArnoldTheresius
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accidentals from an extra font)
lilyJAZZ (also uses it's own notation font, as far as I've noticed)
bold tenuto in the LSR (wraps the stencil function for articulations to
return stencils build of simple geometry for tenuto and portato)
I hope, this information will help you to proceed,
ArnoldTheresius
line program form scratch than by extending my program.
Feel free to ask for the C source code, if you are still interested.
ArnoldTheresius
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=858) you will
find the exapmple of a global override of Script #stencil by a function
which checks for which articulation type return a user defined stencil
(direction dependent), and for all other articulations this function returns
LILYPOND's default stencil function result.
ArnoldTheresius
example
\markup { \concat { \diagonal-stroke D \super 7 } }
ArnoldTheresius
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Well, I'm using multiple versions of Lilypond on my Win7/64 Machine without
Frescobaldi - but I'm compiling with command line only.
The first version I installed in a user defined path without white space in
its name and ending with the subfolder Lilypond.
I renamed this installation directory by
.
ArnoldTheresius
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Shevek wrote:
As I see it, the primary issue here from a user's perspective is that
lilypond presents us with a choice between playback limited to 16 channels
and going all the way to the other extreme and learning to use complicated
sequencer software just to get all the instruments to
There is a new approach to the Stradella Bass Notation for the accordion at
the German www.lilypondforum.de .
The basic idea of this approach is to enter both treble and bass in a
parallelMusic mode.
And after that to 'convert' it by any applicable method the get the required
result.
And it's not
P Spalding wrote:
Arnold, In Linux Ubuntu, the Lilypond version I had was 2.12. I just
upgraded to 2.14.2 hoping these commands you sent me would work. Nope!
I see the include file you sent was created in version 2.15.39.
Regards,
RDL
...
I did check it on my Win7/64:
No
P Spalding wrote:
Arnold, In Linux Ubuntu, the Lilypond version I had was 2.12. I just
upgraded to 2.14.2 hoping these commands you sent me would work. Nope!
I see the include file you sent was created in version 2.15.39.
Regards,
RDL
...
It was quite some time to develop
ArnoldTheresius wrote:
P Spalding wrote:
Arnold, In Linux Ubuntu, the Lilypond version I had was 2.12. I just
upgraded to 2.14.2 hoping these commands you sent me would work. Nope!
I see the include file you sent was created in version 2.15.39.
Regards,
RDL
P Spalding wrote:
That would be excellent, Arnold. I've been inking in the accidental in
past.
Here you are!
http://old.nabble.com/file/p33991423/pitchedArticulations.ly
pitchedArticulations.ly is my include file. Created on Win7 - I hope the
CR/NL will not harm on UNIX.
A 'short'
P Spalding wrote:
Hi !
... That is trill to F# on the 1st E, F natural on the 2nd one. I would
use pitched trill here but I can't get that to work on the 2nd E.
Thanks !
...
Hello,
my observation is: pitched till cooperates with trillspan only.
For the simple \trill you
Carl Sorensen-3 wrote:
On 5/25/12 3:03 AM, ArnoldTheresius arnold.we...@siemens.com wrote:
If you work a lot with postscript markups, you'll wish to have an easy
method
to include 'postcript libaries' (usually prodecure sets) into the PS
output,
which will be converted to PDF or other
If you work a lot with postscript markups, you'll wish to have an easy method
to include 'postcript libaries' (usually prodecure sets) into the PS output,
which will be converted to PDF or other formats. Well, at least I do.
I tried to solve it in my 2.15.39 test installation.
I added to
joannesmith wrote:
Hello to all.
We are in the process of making our own hymn books (we use shape notes).
We have about 450 hymns that are in paper format right now (copied,
pasted, written on, sloppy, taped, marked, etc.) and I have the job of
making them all look nice. A friend
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