it make any sense to you?
certainly this makes sense!
you can use
\layout{
\context{
\Voice
\remove New_fingering_engraver
}
}
to remove the fingering in a compilation.
best put this in a file which you can include or not when invoking LilyPond.
Eluze
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Javier Ruiz-Alma wrote
Solved overlaying a 2nd voice with cross-staff stems
[...]
thanks for sharing this solution - maybe it's worth to be recorded in the
LSR?!
Eluze
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Javier Ruiz-Alma wrote
Hi Eluze,
I tried to add this to LSR, but the facility supports syntax only up to
2.14.
This being a demo of waitForTie with tuplet rhythm and crossStaff (not
available in 2.14), just couldn't get a snippet this facility would
accept.
Once issue 2270 is progressed
\override TupletNumber.direction = #DOWN
\tuplet 3/2 { f8[( e]) f }
\tuplet 3/2 { g8[( f]) g }
\tuplet 3/2 { a8[( g]) a }
\once \override TupletNumber.avoid-slur =#'outside
\once \override TupletNumber.extra-offset=#'(0 . 1.3)
\tuplet 3/2 { b8[( a]) b }
}
\version 2.19.2
Eluze
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-vertical-spacing-paper-variables,
specifically the /List of flexible vertical spacing \paper variables/
hth
Eluze
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}
\on-the-fly #first-page \fill-line { \with-color #red \fromproperty
#'header:copyright }
}
}
}
\header {copyright=copyright }
{ c d e f
\pageBreak
c d e f
}
and there are plenty of variations!
please also keep your answers in the topic!
Eluze
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\on-the-fly #first-page \fromproperty #'header ...
}
hth
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use a specific engraver in each voice with
\new Voice = sop \with { \consists \Ez_numbers-engraver }
Eluze
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of
a tiny example!?
thanks!
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is doing except they display numbers or solfege.
you could at least specify where the code you use is coming from!
thanks!
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David Nalesnik-2 wrote
Hi,
On Tue, Feb 11, 2014 at 3:35 PM, Phil Holmes lt;
mail@
gt; wrote:
OK - so this tiny example is 107 lines of code.
- Original Message -
*From:* MING TSANG lt;
tsang94@
gt;
*To:* -Eluze lt;
eluzew@
gt; ; lilypond-user mailinglistlt
might also be interested in
follow ups to this question
Eluze
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lettrine
parameter 2 capitalized text
parameter 3 flow text
(without deeper thoughts)
thanks for your effort so far!
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{
...
can you simply reverse the definitions in the \layout section?
or can you give a tiny example how this should look like? Scottish and
Breton?
Eluze
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Eluze wrote
guocuozuoduo wrote
Is it possible to setup the basic template for Breton bagpipe notation?
(as opposed to Scottish notation, Breton notation has all melody notes
stem-up and all grace notes/embellishments stem-down.)
can you simply reverse the definitions in the \layout
-level \header
blocks
now you can define piece at top-level as well as in the \score-header:
\bookpart {
\header { piece = ##f }
\score {
{ ... }
}
\header { piece = wonderful}
}
and - unexpectedly - wonderful will spread over the whole score...
Eluze
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?
please come back if there are still problems or it isn't satisfactory!
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Noeck wrote
well - the collision avoidance behavior of LilyPond may not be optimal
here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy with this)
Eluze
Maybe he is happy with it. I am not quite, because it shifts
?
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. These objects include ambitus, breathing-sign, clef, custos,
staff-bar, left-edge,
key-cancellation, key-signature, and time-signature.
Each type of object has its own default reference point, to which rehearsal
marks are aligned
you'll have to determine the reference point you like.
hth - a bit
Eluze
to a documentation page where I may do so myself.
Thank you!
well - the collision avoidance behavior of LilyPond may not be optimal here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy with this)
Eluze
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Joshua Nichols wrote
I'm sorry, it should read #'none. It does not work even there.
\layout{
\context{
\Staff
\override DynamicTextSpanner.style = #'none
}
}
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correctly:
- it says none, not invisible
- you apply it to the wrong context - since you didn't show your code Glen
assumed your dynamics are in a Dynamics context - put the override in the
correct context and it works!
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and I've created
https://code.google.com/p/lilypond/issues/detail?id=3825colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
for this
thanks for reporting it!
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the help information
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David Kastrup wrote
Federico Bruni lt;
fedelogy@
gt; writes:
2014/1/27 Eluze lt;
eluzew@
gt;
pleas always check the log - it says:
warning: no systems found in \score markup, does it have a \layout
block?
does this help?
oops, stupid me!
Frankly, I think we might want
the hairpin to the bar line though there are error messages.
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for the possible reasons of this error (bug list/tracker)?
is there an override/setting missing?
is it a bug?
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the last (null-)event.
thanks for clarifying!
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I think what Patrick tells is the way to do it:
to display the fret diagram as defined in the mentioned just add
\new FretBoards \myChords
in the appropriate place!
was that your question?
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{
\set chordChanges = ##t
\myChords
}
\new FretBoards {
%\set chordChanges = ##t
\myChords
}
}
}
pleas always check the log - it says:
warning: no systems found in \score markup, does it have a \layout block?
does this help?
Eluze
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it is /E. LilyPond index/ , but in /D. LilyPond
command index/ it's missing, indeed
I wonder, after the introduction of repeating pitches and chords with a
simple duration in 2.19.1(?), if there is good reason to keep this command!?
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Richard Shann-2 wrote
searching for the *word* q would help:
??? I tried both indices, clicked on the alphabetical Q link and got a
list which doesn't include q, what else could I do?
see above
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if you let LP do its own layout it should work correctly.
Eluze
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{} to enable the label to be evaluated.
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.
I think it's strange behavior.
instead of page breaking you can start a new \bookpart!
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Tom van der Hoeven wrote
it worked, and as a bonus it gave me an extra blanco page.
I don't get a special page - example?!
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?
please see in NR print-first-page-number=##t
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thanks for sharing your
PDF MIDI AND LILYPOND SOURCES!
Eluze
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'(0 . 0) (cons 0 (abs (/ amount o-s))
#(define-markup-command (put-mm layout props dir amount arg)
(ly:dir? number? markup?) (interpret-markup layout props
(markup #:put-adjacent Y dir arg #:mm-feed amount)))
Eluze
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jensgc wrote
Eluze wrote
you can define the spanner in its own (dynamic) context and move it
wherever you want:
thanks for the answer. I am aware of the possibility to have the dynamics
in a separate voice - and it might be the solution here. I am however not
fond of having to enter
s1
}
\new Dynamics \myDynamics
\new Staff { R1*3 }
\new ChoirStaff
...
...
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Result: The MIDI file starts without a rest in the first bar.
The rest in the 3rd bar behaves normally.
Is this a bug, or intentional?
I can't reproduce that - could it be your midi player is wrong?
can you post the (converted) midi files?
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be a pain in the butt,
and may not work for all staff sizes.
can you share your code so far?!
Eluze
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)?
why not barred on fret 7 - it's easy to play (at least easier than your 1st
example), you can strum all strings and in many cases it fits better.
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Sent from
Nick Baskin wrote
Eluze,
Apologies for being unclear! I've attached a minimal example that I hope
will demonstrate what I mean. Notice how the 8va text collides with the
beam; I would like to move the 8va text to the left to avoid this
collision, and cannot figure out how to do so. Changing
'' \relative c' { a b c d e f g a }
or
\myoctavate c, \relative c' { a b c d e f g a }
would give the wanted result.
but for the \relative issue I can't figure out a solution (unless you
want to define two functions, one for relative and one for absolute entry)
Eluze
\default \tempo going going going. R1
}
http://lilypond.1069038.n5.nabble.com/file/n157511/test3.png
in this example the 1st measure is much longer than the text requires -
expected behavior? bug?
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just hope this fits:
\set Staff.ottavation = \markup { Text \hspace #4 }
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Fulvio Turra wrote
It works, but there's too much space between the string names and the tab.
...
Is there a way to move the string names a bit to the right?
you can add
\hspace #7
before the column
Eluze
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Fulvio Turra wrote
Hi Eluze, thanks for your suggestion.
I inserted \hspace #-7 before \column: in the attachment you can see the
result.
*before the column* means before the specs for the column:
\set TabStaff.instrumentName = \markup {
\hspace #7
\override #'(baseline-skip . 1.5
installed, so there
should be no difference
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automatically there is:
A \relative section that is outside of \autochange has no effect on the
pitches of the music,
so if necessary, put \relative inside \autochange.
hth
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thanks both - added as
https://code.google.com/p/lilypond/issues/detail?id=3783thanks=3783ts=1389001131
in the issue tracker
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))
(new-pitch (ly:make-pitch
octave
[...]
instead of this (broken) snippet you could use dak's most elegant and short
proposal:
http://lilypond.1069038.n5.nabble.com/quot-Octave-quot-script-in-Frescobaldi-td152801.html#none
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, doesn't it?
this said, I also prefer the form
{ \addKey \staffOneNotes }
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simply rename it or move it to
another folder so the installer can install LilyPond in the default folder!
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Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version 2.17.97
Didn't quite expect THAT!
sorry I have to ask that - which version are you using (in Frescobaldi)?
in my environment I get the version I'm running (2.18.0)
Eluze
for hours (if
not days) now.
the preferred way is most often detected/delivered by convert-ly.py - try
it!
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setting!
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|
\trillspanNormal c1\stopTrillSpan\startTrillSpan |
}
try it in the Staff context:
\override Staff.TrillSpanner.to-barline = ##t
Eluze
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with
\layout{\context{
\Score
\override SpacingSpanner #'uniform-stretching = ##t
}}
improves the spacing significantly!
see also
https://code.google.com/p/lilypond/issues/detail?can=1q=3304colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summaryid=3304
for more contributions.
Eluze
the warning about clashes.
if you put the as in a voice with clear settings (\voiceOne,...) opposite to
that in the cued voice there will be no more collision and you might even
omit the manual shifting.
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karol wrote
Unfortunately uniform-stretching doesn't work here.
and it's also recommended there to use
proportionalNotationDuration = #(ly:make-moment 1/200) % choose your number!
to improve the results!
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Marten Visser wrote
Eluze
eluzew at
gmail.com writes:
when you transpose from as to c in the middle staff position the stem
direction changes - this is producing the warning about clashes.
if you put the as in a voice with clear settings (\voiceOne,...) opposite
karol wrote
Seems that \override NoteHead.extra-spacing-height = #'(-inf.0 . +inf.0)
is the right solution.
interesting - do you have experiences with this in more complex situations
(polyphonic, more than one staff...)
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presented in the manual ( and copied in my
exampled) does not produce in my work the same as is in the manual?
I couldn't find your example with turns and fingering.
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Mark Stephen Mrotek wrote
It is here,
http://lists.gnu.org/archive/html/lilypond-user/2013-12/txtHVW62yOy_y.txt
this is a archive/mailing list!
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adding this to the user list:
Amreg wrote
Le 04/12/2013 00:38, Eluze a écrit :
the source in
http://www.lilypond.org/doc/v2.17/Documentation/snippets/vocal-music#vocal-music-vertically-centered-common-lyrics
starts with
\include english.ly
leftbrace = \markup { \override #'(font-encoding
TextScript #'outside-staff-priority = ##f
what's the result if you do so?
do you really need the extra-offset?
Eluze
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Mark Stephen Mrotek wrote
Eluze,
As far as I can see the code you suggest is what is used (see the
attachment
provided) as copied from
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attached-to-notes
What can I do if Lilypond confuses itself?
afaics the code
and can interfere!
Eluze
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Lyrics \with{
\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
#'((minimum-distance . 9))
}
hth
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(version 2.17.97)
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the vertical spacing at that place.
Is it possible to increase the spacing there inside the lyricmode?
hi Tom
can you illustrate this with a picture and a piece of code, please!
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.
if with 'variable definition' you mean the assignment of a music expression
to a variable the answer is /yes/!
there are other variables which may be defined in their specific
environment: \paper, \header ...
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\RemoveEmptyStaves
\override VerticalAxisGroup.remove-first = ##t
}
{ R f }
(how) can this be prevented?
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couldn't find the windows version!
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I've just been informed by Phil that due to internet connection problems
during the upload not all files have reached the server - this will be fixed
as soon as possible!
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above is applied
I'm sorry I can't even see a workaround - I'll report this issue to the bug
list.
Eluze
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\new Staff \music
\new Staff \music
\new StaffGroup
\new Staff \music
\new Staff \music
\new Staff \music
}
does this work for you?
Eluze
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karol wrote
Hi Eluze,
it works, but only if all three piano-staves are visible. When staff 'c'
is empty (hidden), distance between 'b' and 'd' is smaller than it should
be. No idea how to solve this...
what if you augment the value in the PianoStaff:
\new PianoStaff
Eluze wrote
胡海鹏 - Hu Haipeng wrote
I have not used command line for several years. Now I'd like to use
musicxml2ly, and have forgotten how I invoked it in 2008. I first run
cmd.exe on XP, changing to d:\my documents, then musicxml2ly
overture.xml. But the prompt said that musicxml2ly
variable /path/ - check this with the command /set path/
if the above folder is not in the variable you can invoke the procedure with
C:\Program Files (x86)\LilyPond\usr\bin\musicxml2ly yourfile.xml
if that doesn't work I'd suggest to reinstall LilyPond (with the installer)
Eluze
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Eluze
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\once \override TextScript.self-alignment-X=#8
dis'' a'' b''1 ^\markup {
\override #'(baseline-skip . 1.5) \bold \finger \center-column { 5 4 1 }
}
}
- or wait till the issue(s) is fixed
hth
Eluze
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Chris Crossen wrote
Do I have to create measures with s1 for the other
measures of the fourth voice?
the other way is
http://www.lilypond.org/doc/v2.17/Documentation/notation/multiple-voices#single_002dstaff-polyphony
- Temporary polyphonic passages
Eluze
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upgrading to the newest version!
Eluze
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then you could look for snippets where notes are colored according to their
pitch
Eluze
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.
is there a reason why you put it inside the \book?
Eluze
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lilypond-user
is an
approach!?
Eluze
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the moderating team at http://www.lilypondforum.de/ now agrees and has
changed the permissions - I'm glad to announce that /LilyPond deutsch/ will
been deleted soon and work goes on as usual at the link above.
Eluze
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find it at
http://lilypond-deutsch.996767.n3.nabble.com/
Eluze
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Urs Liska wrote
Am 21.11.2013 11:40, schrieb David Kastrup:
Eluze lt;
eluzew@
gt; writes:
find it at
http://lilypond-deutsch.996767.n3.nabble.com/
What's wrong with lt;URL:http://www.lilypondforum.degt;? I'm not into
web
forums myself, but it seems there is not much sense
.
it is! and it's the first time this happened afaik.
I was curious if we could set up a new forum easily. if the moderator
changes these settings (with Nabble you can obviously define what action a
user is allowed to) I will remove this forum, of course.
Eluze
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\lyricsto part two {
\altIV
}
% lyrics line 2
[...]
Eluze
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within the same \paper block.
otherwise they (the functions you invoked) are overwritten.
Eluze
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(Lyric) context is the culprit;
maybe it's clearer to use a construct like
\new Lyrics = X \lyricsto part one \lyricI
\context Lyrics = X \lyricsto part two \lyricIII
where there is no nesting
Eluze
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- I added
https://code.google.com/p/lilypond/issues/detail?id=3669thanks=3669ts=1384852198
Eluze
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