to a MIDI [1] file depends on the
configuration of the MIDI player (IOW, LilyPond has nothing to do with that).
Regards,
Gilles
[1] https://en.wikipedia.org/wiki/General_MIDI
or example for those who have a lot of percussion in their
arrangement.
See
http://gillesth.free.fr/Lilypond/arranger.ly-2.25.7/DOCS/arrangerDoc-en.pdf
(middle of page 35)
Happy downloading.
*** Links
-> Github:
https://github.com/gilles-th/arranger.ly
-> Direct access:
http://
idiII = \extractVoice #2 \extractNote #1 \music
midiIII = \extractVoice #2 \extractNote #2 \noteAloneToRest \music
\score { <<
\new Staff { \midiI } % { a1 }
\new Staff { \midiII } % { b2 c2 }
\new Staff { \midiIII } % { r2 d2 }
% \midi
}
--
Gilles
, as it is part of the project arranger.ly
http://gillesth.free.fr/Lilypond/arranger.ly/
My Lilypond version is 2.24.1
Please, tell me if there is something wrong with a more recent version.
--
Gilles
n A and B : ~a\n"
(events-count musicAtoB '(EventChord NoteEvent))) % 4
\new Staff { \musicAtoB }
%%
You need to download 2 files : addAt.ly and extractMusic.ly (called by
addAt.ly)
Link for downloading :
http://gillesth.free.fr/Lilypond/arranger.ly/
Hope that helps.
--
Gilles
Hello everyone.
All is in the title.
Good download.
-> Github:
https://github.com/gilles-th/arranger.ly
-> Direct access:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
-> In command line with wget
(the main files of arranger.ly in an arranger.ly
)
--
Gilles
to
arranger.ly
Everything should be fine now
Good reception.
Links
%%%
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
%%%
export-instruments test
%%%
\version
(export-instruments '(flute clar...) "exported-file.ly" #f)
should produce in the current directory, a file called
"exported-file.ly", with the definition of flute and clar.
Is this the case ? It's a problem if not !
--
Gilles
'instru 15 (ca arti #{ c d e f g a b c #}))
--
Gilles
"G_8" \global \ten >> }
\new Staff {
<< \clef bass \global \bas >> }
%%%
Note than an automation in a fugue can be difficult, because sometimes
the theme when transposed in the 5th, is slightly different. (in french
we call that a "mutation", don't know the English for that)
--
Gilles
:
split (page 13)
chords->voices (page 20)
voices->chords (page 19-20)
Good visit.
***
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
***
--
Gilles
Le 2022-06-19 10:58, Stefan Thomas a écrit :
allNotes= { c'8 g' e' g' d' g' f' g' c' g' e' g' }
someNotes = { c' d' c' }
In other words: I would like to filter out every 4th note of allNotes,
so
that I could do in combination with changePitch (see
https://github.com/gilles-th/arranger.ly
Le 2022-06-20 14:12, Stefan Thomas a écrit :
Dear community,
I try to understand more of the arranger tool, have a look at
https://github.com/gilles-th/arranger.ly
Could someone give an instructional example, what the functions
copy-out
can do and how it works?
I generally think taht
lly useful, shouldn't this functionality be able
to pick up the time signatures and create the appropriate sequence
of "ticks" (strong and weak), roughly similarly to what happens with
beams?
Regards,
Gilles
> [...]
nd beat of several bars, you
can use x-rm
and apply :
#(apply x-rm 'flB #{ r4 #} (map (lambda(n)(list n 4))
'(1 3 7 12 19))) % => '((1 4) (3 4) (7
4))
If the 2 first bars are a rhythmic pattern used a lot of time in the
piece, you would probably prefer to use the function cp (changePitch).
--
Gilles
.it/LSR/Item?u=1=545
Download link : http://gillesth.free.fr/Lilypond/chordsAndVoices/
chordsAndVoices.ly is also include in the arranger.ly project :
https://github.com/gilles-th/arranger.ly
--
Gilles
t;
> creates midi output with increasing or decreasing loudness for the duration
> of that note?
You can achieve the desired effect with the following:
---CUT---
<< {c1} {s8\> s s\! s\p} >>
---CUT---
Regards,
Gilles
>
> [...]
ation equivalent to Knute's template?
Regards,
Gilles
ate
> them, but then keeping them hidden on the score, leaving just normal dynamic
> sign?
Yes (using "\tag").
Best regards,
Gilles
>
> sorry for my English, I hope you can understand me
>
> regards
> dario
>
>
mics of the Tuba to be "fff" and both the left
> hand and right hand of the Piano to be "ppp", and yet the Piano
> dominates the Tuba during midi playback.
You can alter the balance with
\set Staff.midiMinimumVolume = #0.2
\set Staff.midiMaximumVolume = #0.8
HTH,
Gil
aff << \skips \music >>
%%%
But if you replace the definition of \skips by
skips = { s1*2( s1*2) }
the snippet fails (no slurs).
It fails also with
skips = { s1*2 s1*2-> }
At last, with
skips = { s1*2 s1*2->^"Hello" }
you'll get an error :
"script direction not yet known"
--
Gilles
im music artiA) )
)
\score {
<< \new Devnull \global
\new GrandStaff <<
\new Staff \A
\new Staff \B
>>
>>
}
Does someone have an idea how to do it?
Thanks,
Stefan
Sorry to answer so late.
Probably
\new Staff \new Voice \A
instead of \new Staff \A
--
Gilles
xploring.
***** links
Github
https://github.com/gilles-th/arranger.ly
direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
in a Lilypond
context.
Compare :
LowerI = {
\eM \UpperI \M #1 {\M #2 s4 }
r4 r8
}
and
LowerI = {
#(em UpperI 1 '(2 4))
r4 r8
}
--
Gilles
Unbound variable: expand-notes-and-chords-copy-of
I have changed something in file changePitch.ly.
The function expand-notes-and-chords-copy-of is defined in this new
version
https://github.com/gilles-th/arranger.ly/blob/master/changePitch.ly
Um, I have to make some progress
Le 2021-04-08 11:12, Stefan Thomas a écrit :
Dear gilles,
thanks very much for Your reply and Your kind help.
I'm using version 2.22.0 now. Unfortunately, with this version, I can't
see
neither metronome-marks nor time signature nor anything else.
I have just installed version 2.22
Before i make a new push
Push done :
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
It seems that in my last push, I've changed the signature of the
tempos function ! I don't understand why or how i did
ve changed the signature of the tempos
function ! I don't understand why or how i did that because it is really
stupid!
Before i make a new push, you can get a corrected version of arranger.ly
here :
http://gillesth.free.fr/Lilypond/arranger.ly
--
Gilles
\relative f {
\global
\clef bass
\partcombineApart % <- here
r4 c'2 c4 | % m1
...
r4 bf2 bf4| % m24
\partcombineAutomatic % <- and here
c,4 g'2 bf4 | % m25
...
--
Gilles
Le 2021-01-15 23:26, Stefano Troncaro a écrit :
Hi everyone,
I started learning to use the spectacular arranger.ly library
<https://github.com/gilles-th/arranger.ly> that was mentioned in the
list a
while ago.
While most of it works great, I found that internally it sometimes uses
the
rrangerDoc-en.pdf
**
GitHub link of the whole project:
https://github.com/gilles-th/arranger.ly
Direct link:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
Le 2020-10-23 02:19, Andrew Bernard a écrit :
Hi Gilles,
Why don't we put it in openLilyLib? Avoid the balkanisation process of
having dozens of personal git repos? I am happy to prepare it and do
the work. OLL is got, so nothing will change in terms of development.
Andrew
On Fri, 23 Oct 2020
for reading.
Happy exploring.
Many thanks to the French list for its constant help and support.
links
The GitHub link of the project:
https://github.com/gilles-th/arranger.ly
Direct link:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
that people on the LilyPond user list
> necessarily want to read ling threads on details of Scheme parsers and
> package code development and git topics.
Sure. However, average users might want to be informed when
some significant improvement has been made such that there is
now a n
Hi.
Moving back to the ML; it was not my intention to discuss this
"off-list"; I hope I won't be sued for public disclosure of a private
communication. ;-)
[See quoted text for the two messages that went off-list.]
2020-09-22 12:40 UTC+02:00, Karsten Reincke :
>
> On 22.09.
used years ago,
> this could be abbreviated as c>c c. I know that < > are used in Lilypond
> for chords - but is some other similar abbreviation possible?
You can define a variable
patOne = \relative c' { c4. c8 c4 }
then refer to it: \patOne
HTH,
Gilles
>
> Thanks,
> Alasdair
>
>
> --
> https://numbersandshapes.net
>
" size setting:
---CUT---
#(set-global-staff-size 19)
---CUT---
The default is "20" (IIRC); by reducing it slightly (as above),
the layout might become nicer...
HTH,
Gilles
>
> Claire
>
hen.net/gnu/notes/timidity++%20multiple%20soundfonts.html
https://freepats.zenvoid.org/
HTH,
Gilles
rhaps setting the MIDI instrument explicitly.[1]
---CUT---
\set Staff.midiInstrument = "clarinet"
---CUT---
Regards,
Gilles
[1] https://lilypond.org/doc/v2.20/Documentation/notation/midi-instruments
> No pre-resampling cache hit
> Last 1 MIDI events are ignored
> Playing time: ~4
le you want to apply the
> change has to be "very similar" to the original one (for example changing
> only the note pitch etc. etc.).
Maybe this library could be useful:
http://www.jfugue.org/index.htm
See also that page:
https://en.wikipedia.org/wiki/Comparison_of_MIDI_ed
Le sam. 23 mai 2020 à 22:46, antlists a écrit :
>
> On 22/05/2020 13:26, Gilles Sadowski wrote:
> > IIUC, CC licences aim to protect against others making money from
> > your work. How is "ASCAP not being happy" related to that?
> >
>
> > Unless
> at the same time :)
>
> Kind regards,
>
> Francesco
>
> PS: lilypond rocks! :)
Unless I'm mistaken, LilyPond (GNU) and CC belong to the "eco-system"
where sharing is the norm (to enhance the common cultural pool) while
making it hard for "free-riders". U
Hi.
2020-05-21 2:28 UTC+02:00, Hwaen Ch'uqi :
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music?
No need to "force" ;-)
http://lilypond.org/doc/v2.18/Documentation/snippets/expressive-marks#expressive-marks-laissez-vibrer
eal with simultaneous music. Not ready for now. Sorry
--
Gilles
c2.16.ly in the directory.
3- There is also a basic doc
--
Gilles
Sorry. Very late answer
Here is a scheme way to proceed. (see attached file).
%% For version 2.18 change the first line by :
%% makeExercice = #(define-music-function (parser location p0 p1 p2 p3
highest-pitch lowest-pitch)
makeExercice = #(define-music-function (p0 p1 p2 p3 highest-pitch
/the-articulate-script
HTH,
Gilles
Best regards,
Even Thorbergsen
Norwegian amateur musician
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1) sudo port install frescobaldi
Réponse :
Last login: Mon Nov 19 04:36:27 on ttys000
iMac-de-Gilles:~ gillesndrianaherizo$ sudo port install frescobaldi
Password:
---> Computing dependencies for frescobaldiError: Unable to determine locati
/extractMusic-doc.pdf
(well, probably in bad English, sorry for that)
--
Gilles
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t;
https://en.wikipedia.org/wiki/Ren%C3%A9_Magritte
Regards,
Gilles
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a few years ago.
Regards,
Gilles
P.S. I've encountered an issue where the drone stops well before
the melody it is supposed to double; it occurs when there
are a lot of grace notes.
Regards,
Sven Axelsson
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g4 }
{ a4 f4 g4 }
Good week.
--
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ideas.
Regards,
Gilles
On 2018-02-22 16:16, Carl Sorensen wrote:
On 2/22/18, 1:54 AM, "Gilles van Eeden" <g...@gillesvaneeden.nl> wrote:
Suggestions as to which external label to
use and how to position and format this to match the fretboard diagram
are welcome.
T
Hello Kieren,
thanks for the tip, I'll look into it.
Regards,
Gilles
On 2018-02-22 15:06, Kieren MacMillan wrote:
Hi Gilles,
I'm trying to create guitar fretboard diagrams like those in the attachment
, which contain functional tone labels per string. I've been
looking into extending
over my lispless head. Suggestions as to which external label to
use and how to position and format this to match the fretboard diagram
are welcome.
Best regards,
Gilles
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mass" of the notes in the last staff
is below it?
I'd guess that a similar (i.e. too high) effect would exist for the
top staff if most notes were above it.
My impression is that the latter image looks fine, once you assume
that the "visual frame" is induced by the (empty) staves.
Reg
An easy fix was to force the string mark to be under the staff using
underscore.
{ a,2.-2 | d,2.-1_\5 | g2._\4 |
c,2.| }>>
-G
On Wed, Feb 22, 2017 at 9:55 PM, Gilles Peltzer <gfpelt...@gmail.com> wrote:
> Hi Thomas,
> Thanks for the
hifted to the
melody line on the Staff.
I should find a way to force the string mark to appear next to the note it
applies to.
Thanks,
-G
On Wed, Feb 22, 2017 at 12:58 PM, Thomas Morley <thomasmorle...@gmail.com>
wrote:
> 2017-02-22 19:32 GMT+01:00 Gilles Peltzer <gfpelt...@gmail.com>:
&g
pper voice on the
staff and overwrite the finger number.
The option \set TabStaff.restrainOpenStrings = ##t did not have
any effect.
Thanks for the help.
-Gilles
\layout {
indent = 0\mm
line-width = 180\mm
}
music = \relative c' {
%line 5
<<{ a''4-1 b-3 c-4 | c2-4^"CV&q
al-music (make-list n music
((= n 1) music)
(else (make-music 'Music 'void #t
\addFingering { \nCopy #2 {a b} } #"12"
%%%
David Kastrup explains how to make it work in \relative mode in this thread :
http://lists.gnu.org/archive/html/lilypond-user/2015-11/msg00361.html
--
G
Hi.
On Fri, 2 Dec 2016 00:13:19 +0100 (CET), Gerdau, Michael wrote:
My css file is a proposed inclusion into the website.
John, may I kindly asked you to start trimming your responses to this
list?
You always top post,
http://www.idallen.com/topposting.html
Regards,
Gilles
write
] the best when it comes to
searching for
something on the web...
http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=chaconne
HTH,
Gilles
Many thanks,
David
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On Wed, 19 Oct 2016 11:01:21 -0400, Kieren MacMillan wrote:
Hi Gilles,
?
The initial post was about manually setting the margins for each
page.
The discussion quickly replaced that original query with a two-option
approach. For whatever reason, it's clear that you don’t see how/when
On Wed, 19 Oct 2016 10:42:58 -0400, Kieren MacMillan wrote:
Hi Gilles,
What I'm saying is that *if* the feature is to allow a given
number of systems onto one page, it is better to have an explicit
command to that effect, rather than "manually" fiddle with the
margin and/or staff-siz
On Wed, 19 Oct 2016 16:20:11 +0200, Urs Liska wrote:
Am 19.10.2016 um 16:14 schrieb Gilles:
Hi.
On Wed, 19 Oct 2016 09:47:01 -0400, Kieren MacMillan wrote:
Hi Gilles,
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the user reruns
Hi.
On Wed, 19 Oct 2016 09:47:01 -0400, Kieren MacMillan wrote:
Hi Gilles,
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the user reruns
the compilation with different settings.
Of course that *can* happen… but it doesn’t have to. In all my
Hi.
On Wed, 19 Oct 2016 09:21:32 -0400, Kieren MacMillan wrote:
Hi Gilles,
Doesn't the page number depend on how the previous material
has been typeset?
Not if breaks are forced, etc.
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the user
so that systems fit the page".
Regards,
Gilles
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?
Regards,
Gilles
Many thanks for any help,
Brent Annable.
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a minimal example:
\score {
\new PianoStaff
<<
\new Voice = "melody" \fixed c'
{
\set midiInstrument = #"accordion"
\time 3/4
f4 g a
}
>>
\midi{ \tempo 4 = 100 }
}
But this doesn't help me in any way.
\set Staff.midiInstr
isplayLilyMusic, it should work.
--
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On Fri, 29 Apr 2016 10:40:09 +1000, Andrew Bernard wrote:
Hi Gilles,
As far as I know this particular list does not have a list owner, and
there are no published rules.
List owner/adminstrator/moderator: ie. someone who has the privilege to
unsubscribe other people.
People here have given
d consider
banning them, rather than risk putting off those who follow the rules.
Regards,
Gilles
The majority of readers of this mailinglist just wants to discuss the
usage of LilyPond. That's why this list is called "lilypond-user".
Everyone who has valid questions, sensible ans
> %% TODO: this function [twoTiedNotesToOneNote] probably does not work with
chords -:(
No it doesn't and it is probably better :
music = { 4~ } is correct in Lilypond.
So what would be a good result for { \twoTiedNotesToOneNote \music } ?
Not smart enough to answer.
--
Gil
\music
{ s2. s8. }
}
--
Note that if you "shift" rhythm, you have to delete barcheck |
--
Gilles
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end of chapter 6), in the directory above.
Happy new year to everybody.
--
Gilles
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> Would it be possible to tell changePitch to automatically repeat the pitch
> of a tied note?
Well, i have just read your message just yesterday. Sorry.
Here is a function that automatically repeats the pitch
of a tied note.
I'll try to include it in a next release of changePitch.ly
--
index)
%%test
#(for-each
(lambda(n)(format #t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
%%
-- The End ---
--
Gilles
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lilypond
)))
%}
%%test
#(for-each
(lambda(n)(format #t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
%%%%%%%%
--
Gilles
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lilypond-use
t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
%
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?
Or, _I_ could do, if it were a problem on my side?
Same problem here...
Best,
Gilles
~ Simon
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uch
directory")
--
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Something like
\relative c' {
...
\nCopy #4 { c' d}
...
}
will give you some strange results...
You may want either to work in \absolute mode or to replace in the code of
\nCopy, the string :
(ly:music-deep-copy music)
by :
(ly:music-deep-copy #{ \relative c' \music #})
--
Gilles
comment in the code indicates that the "inverted mordent"
option was not retained.]
2. A "trill" on a tied note only lasts as long as the first written
note. The problem is alleviated by using a trill span, but then
the trill is stopped at the start of the
ell, no very beautiful for a score but will be perfect for Midi.
--
Gilles
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.
Some people will be afraid (i.e. won't be interested) by text input
whatever advantage list you will throw at them.
Those should be taught how to use a [FLOSS GUI] that depends on
LilyPond for its rendering.
Best regards,
Gilles
On 16.09.2015 11:24, Urs Liska wrote:
Am 16.09.2015 um 11:14 schrieb
On Wed, 16 Sep 2015 13:04:24 +0200, David Kastrup wrote:
Gilles <gil...@harfang.homelinux.org> writes:
Hello.
On Wed, 16 Sep 2015 11:49:04 +0200, BB wrote:
I just read
http://lilypond.org/doc/v2.18/Documentation/learning/entering-input.html
(again). I find that is a good
Provenance : Courrier pour Windows 10
> That's right. I just want any two notes that play simultaneously to be
> returned by separate index values into the extraction function, and any
> other index values to return something that will be silent (either a skip
> or a rest).
I don't want
|
} }
\addlyrics {
\tiny
Vi -- rá -- gim, vi -- | rá -- gim | Gyö -- nyö -- rü vi -- | rá
-- gim
| föd -- re bo -- re | ja tok, | En -- gem si -- ras -- | sa tok
}
}
--
Gilles
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Le mardi 18 août 2015, 23:57:36 Gilles THIBAULT a écrit :
I wasn't able to find the correct syntax how to do:
(apply ly:stencil-combine-at-edge what-ever-args)
Any hints?
Perhaps you need to redefine ly:stencil-combine-at-edge
according to your needs .
Perhaps something like
\stencil
#(apply my-stencil-combine-at-edge (stils 3))
%%
--
Gilles
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%
\include changePitch.ly
ostinato = \samePitch {c4 r8 c~ c4 c}
\changePitch \ostinato { g a }
%
--
Gilles
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Staff \with { \clef F }
\relative c' { c2 b a g e c d g, c1}
\score { \fullMusic }
\score { \extractBegin \fullMusic { s1*2 s2 }}
\score { \extractEnd \fullMusic s1*2}
%
--
Gilles
test.pdf
Description: Adobe PDF document
.
Something like that...
%{ %uncomment for testing correct-out-of-range
range = g' g''
#(define musicII (correct-out-of-range music range))
\new Staff \with { instrumentName = 6}
\musicII % staff 6
%}
Thanks.
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Gilles
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Le dimanche 31 mai 2015, 22:07:09 Gilles THIBAULT a écrit :
The staff 6 is the same as staff 3
.. as staff 4
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Gilles
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for this
big works).
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Gilles
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on a functionality that has to be adapted
manually in future and thus produces more manual interventions.
Indeed.
Best regards,
Gilles
To be clear, I like the edition engraver very much.
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should strive to separate editorial and musical information
to the utmost that LilyPond permits, not take advantage that
LilyPond allows for obfuscated code!
Best regards,
Gilles
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(keeping track of the differences with the baseline contents).
Best regards,
Gilles
[1] Those editions could be available from there too, but would not be
(so
easily) upgradable.
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