I suppose I spoke too soon, for when I compiled the code, the result was
actually the same.
HC
On Sun, Apr 28, 2024 at 7:47 AM Hwaen Ch'uqi wrote:
> Indeed, that helps tremendously. Thank you so much!!!
>
> Hwaen Ch'uqi
>
>
> On Sun, Apr 28, 2024 at 7:24 AM Thomas Morley
&
Indeed, that helps tremendously. Thank you so much!!!
Hwaen Ch'uqi
On Sun, Apr 28, 2024 at 7:24 AM Thomas Morley
wrote:
> Am So., 28. Apr. 2024 um 06:25 Uhr schrieb Hwaen Ch'uqi <
> hwaench...@gmail.com>:
> >
> > Greetings,
> >
> > I am trying to t
troductions. You are no doubt here to learn
about a most difficult episode in the life of our Katz. It was during a
particular night of fitful sleep that our beloved Katzlein finally slipped
into Traumland, and it is there where our story begins. }
R2.\fermata%29
\textLengthOff
}
}
}
Thank you so much.
Hwaen Ch'uqi
Wow, thank you SO MUCH! Works perfectly!!!
Hwaen Ch'uqi
On 2/18/24, Thomas Morley wrote:
> Am Do., 15. Feb. 2024 um 19:16 Uhr schrieb Hwaen Ch'uqi
> :
>>
>> Greetings,
>>
>> Until upgrading to 2.24, I had been using certain Scheme code and
>> \paper bl
uot; "
\if \should-print-page-numbers-global \offset-page-number #(1-
begin-arabic)
}
}
evenHeaderMarkup = \markup {
\fill-line {
\if \should-print-page-numbers-global \offset-page-number #(1-
begin-arabic)
" "
}
}
}
At the end of the day, I am not familiar enough with Scheme to know
how to solve this issue. I would be grateful for any assistance.
Hwaen Ch'uqi
Ah, thank you! I must confess having seen that link but
misunderstanding precisely what it meant.
Hwaen Ch'uqi
On 2/10/24, Jean Abou Samra wrote:
>> I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use
>> LTS distributions of ubuntu, I had to download the ta
that there is any documentation at all!
Thank you for any help.
Hwaen Ch'uqi
Ah, thank you and Jean A. for this. Works perfectly!
Hwaen Ch'uqi
On 2/8/24, Knute Snortum wrote:
> On Thu, Feb 8, 2024 at 8:26 AM Hwaen Ch'uqi wrote:
>
>> Greetings,
>>
>> I would like to indicate a metronome mark of "Prestissimo" > note tied to dotted q
Greetings,
I would like to indicate a metronome mark of "Prestissimo" =96. How may I do this? I am using
version 22.04. Thank you for any help!
Hwaen Ch'uqi
es as well?
Hwaen Ch'uqi
On 5/14/23, David Sumbler wrote:
> On Sun, 2023-05-14 at 13:31 +0200, Jean Abou Samra wrote:
>> Le dimanche 14 mai 2023 à 12:15 +0100, David Sumbler a écrit :
>> > It's a while since I used Lilypond. I have a bit of tweaking I
>> > want to d
Greetings, Eric,
This occurs automatically when using \bookpart containers, as in:
\book {
\bookpart {
TEXT
MUSIC
\pageBreak (if you need)
MORE TEXT
MORE MUSIC
}
\bookpart {
...
}
}
Hwaen Ch'uqi
On 5/4/23, Eric Benson wrote:
> I find myself doing this more than once:
>
> Ente
PM Hwaen Ch'uqi wrote:
>>
>> Greetings Ken,
>>
>> I have written a few things involving harp, and the instrument name
>> that I had to use for MIDI was "orchestral harp".
>>
>> hth,
>>
>> Hwaen Ch'uqi
>>
>>
>> On 7
Greetings Ken,
I have written a few things involving harp, and the instrument name
that I had to use for MIDI was "orchestral harp".
hth,
Hwaen Ch'uqi
On 7/30/22, Aaron Hill wrote:
> On 2022-07-29 8:33 pm, Kenneth Wolcott wrote:
>> SInce a harp is not a recognized mi
Greetings Ken,
I wonder if this isn't a place for \laissezVibrer
Hwaen Ch'uqi
On 7/28/22, Kenneth Wolcott wrote:
> Hi;
>
> I must be missing something obvious here.
>
> The last note of a first alternative is a tie to the first note in the
> repeat.
>
> L
Ah, I'm sorry, I must make one correction. The equals sign was
missing. The location flag looks like this:
--prefix=/usr/
HC
On 4/8/22, Hwaen Ch'uqi wrote:
> Of course, this also assumes that you have downloaded the
> documentation with the `--documentation' flag.
>
> HC
>
Of course, this also assumes that you have downloaded the
documentation with the `--documentation' flag.
HC
On 4/8/22, Hwaen Ch'uqi wrote:
> Greetings Paul,
>
> I don't know if this will help, but this is what I do to get
> lilypond-mode working on emacs. The one caveat is that
pets).
* LilyPond Usage: (lilypond-usage).
* LilyPond Web: (lilypond-web).
Everything before the period in each line must stay in that format.
After the period, you can write whatever description you like.
I hope this helps.
Hwaen Ch'uqi
On 4/8/22, Paul Scott wrote:
>
> On 4/7/22 16:
Greetings Valentin,
Have you documented your solution? I would be curious to check it out.
I also intend to look at mkvideo, though from what little I have read
about it thus far, I suspect that its general approach is not what I
am looking for.
Hwaen Ch'uqi
On 3/7/22, Valentin Petzel wrote
, but knowing nothing on the topic, I am hardly
qualified. I simply know from experience that midiChannelMapping
offers a bit of wiggle room in an otherwise restrictive situation,
especially for orchestral or other large ensemble context.
Hwaen Ch'uqi
Ch'uqi
On 3/6/22, Hans Aikema wrote:
>
>
>> On 6 Mar 2022, at 22:32, Hwaen Ch'uqi wrote:
>>
>> Greetings All,
>>
>> I am asking what surely is a rudimentary question, but I do not see
>> clear instructions on how to download/install ly2video. As it i
itself on ubuntu invoke pip, but I take it that this is a
later step? Any help would be greatly appreciated.
Hwaen Ch'uqi
ne this with variables, but this is the principle
involved.
hth,
Hwaen Ch'uqi
On 2/16/22, Thomas Scharkowski wrote:
> Grace note at the beginning makes instrumentName disappear:
> macOs 12.1
> LilyPond 2.23.6
>
> --
> \version "2.23.6"
>
> GraceVoice = \new Vo
Greetings Jacques,
Admittedly, I cannot find it at the moment, but is there not already a
Templates section? Perhaps these additions could be added to that?
HC
On 2/14/22, Jacques Menu wrote:
> Another approach could be to add a new first chapter, maybe named
> “Discovering LilyPond”,
of Contents would have shown
you where to find the relevant midi sections. Your and Valentin's
suggestions are certainly warranted. I prefer Valentin's, simply
because it is much more streamlined and works nicely with the way the
manuals are already structured.
Hwaen Ch'uqi
On 2/13/22, Valentin
Oh, brilliant!!! Thanks so much, Guy! I wish I knew this a long time ago!
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
> Sorry, that's not terribly clear ...
>
> Add "--output-24bit" to the TIMIDITY commandline (there may be a way to
> put it in the timidity config, b
it) going on in the
sound when playing the midi files. Any idea what might be causing
that?
Thanks!
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
> I did not intend to contradict what you wrote, simply to show that
> kubuntu has a more complicated set of configuration files that all
> interact with
Greetings Guy,
Perhaps I am missing something, but the folder contents that you
display don't seem to contradict what I wrote.
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
> Thanks Hwaen Ch'uqi! That's not at all how kubuntu does this:
>
> √ /mnt/NAS326_Music/music/Radio Drama
I comment with the
pound sign so that timidity ignores it.
I hope this helps.
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
> Ken,
>
> You are S close :-)
>
> The issue is neither Lilipond nor its midi output. MIDI is simply a
> specification for musical "events" desc
}
\new Staff \with {
alignBelowContext = #"down"
}
{
ADDED STAFF
}
>>
}
}
>>
}
hth,
Hwaen Ch'uqi
On 9/4/21, Paul Hodges wrote:
> I can't
Aww, buried in this explanation is the fact that you are "sharing the
gospel" of LilyPond with your students: Fantastic!!!
Hwaen Ch'uqi
On 8/12/21, Rachel Green wrote:
> Thanks all! That did fix the problem. A student typeset this for me, and I
> was so fixated on the cadenz
}
}
evenHeaderMarkup = \markup {
\fill-line {
\on-the-fly #create-page-number-stencil \offset-page-number #(1-
begin-arabic)
" "
}
}
hth,
Hwaen Ch'uqi
On 2/7/21, bobr...@centrum.is wrote:
> I have a series of scores in a sma
Greetings David,
You can invoke the \column and \vspace commands inside markup, like this:
\header {
piece = \markup \column {
"blah blah"
\vspace #2
}
}
hth,
Hwaen Ch'uqi
On 2/1/21, David Zelinsky wrote:
> Is there a way to put some space between the he
Greetings Michael,
I believe that, in your \with block, you should add the following lines:
fontSize = #-3
\override StaffSymbol.staff-space = #(magstep -3)
Hth,
Hwaen Ch'uqi
On 12/7/20, Michael Blankenship wrote:
> Hi,
>
> I’m trying to use an instrument name as a sor
.
Hwaen Ch'uqi
On 11/6/20, Jon Arnold wrote:
> No need to be sorry! Glad we could figure out the problem.
>
> On Fri, Nov 6, 2020, 1:39 PM Noah Landis wrote:
>
>> > The tocitem needs to go right above or in each score block. You've put
>> them
>> > on the same p
Greetings Noah,
Could you provide an actual skeletal example of what you described?
Without it, I don't know how helpful people can be. Under the
conditions you presented, you shouldn't need to manually change page
numbers.
Hwaen Ch'uqi
On 11/5/20, Noah Landis wrote:
> Hello list,
>
&g
Greetings Martin,
You could use the \tag command in a separate voice or staff block and
so generate midi output but not visual output.
HTH,
Hwaen Ch'uqi
On 10/13/20, Martin Tarenskeen wrote:
>
> Hi,
>
> I am typesetting a Piano solo score.
> I want to add \sustainOn and \s
Greetings Andrew,
I use \unfoldRepeats in order to get any sort of repeat - including
tremolos - to work with midi.
New Complexity! I haven't heard that term since my school days. Pretty cool!
Hwaen Ch'uqi
On 10/7/20, Andrew Bernard wrote:
> I am new to MIDI output, so pardon me if a stu
Greetings Claire,
This SHOULD work.
dals = \tweak DynamicText.self-alignment-X #CENTER
#(make-dynamic-script #{ \markup \normal-text \column { "11"
\fill-line { "12" } 13 } #})
Hwaen Ch'uqi
On 8/30/20, Claire Meyer wrote:
> Thank you very much ! Would you kno
set of
sounds that you are looking for. Has anyone else thoughts on this or
other of David's questions?
Hwaen Ch'uqi
On 8/14/20, David Sumbler wrote:
> When working on a project in Lilypond I usually set things up to
> generate midi files as well as printable output, mainly for note-
>
ngraver"
\consists "Staff_collecting_engraver"
}
\context {
\Staff
\RemoveEmptyStaves
}
}
}
I gladly point out that this is already a marked improvement over
2.20, where moving "Staff_collect_engraver" to the StaffGroup context
resulted in all rehearsal/tempo marks atop the uppermost staff. Thank
you for any suggestions/input.
Hwaen Ch'uqi
the answer lie
somehow in the StaffGroup context? Having trouble to wrap my head
around it!
Thank you for any help.
Hwaen Ch'uqi
working code for review.
Hwaen Ch'uqi
On 8/9/20, Ahanu Banerjee wrote:
> I tried playing around with base-shortest-duration earlier, and it didn't
> help. Pasted Kevin's text to make sure, and nothing changed.
>
> -Ahanu
>
>
> On Sun, Aug 9, 2020 at 3:48 AM Kevin Barry
guide.
Hwaen Ch'uqi
On 8/9/20, Ahanu Banerjee wrote:
> Hello,
>
> An étude I'm typesetting needs to fit on 2 pages with reasonable vertical
> space. Normally, I'd just set system-count in \paper (in this case, 20
> systems in 2 US letter pages), but this time it says "
Notes lost totally: 0
And, indeed, three quarter note C's were played. It makes me wonder if
the issue hasn't something to do with your midi configuration itself?
Just a thought. I am using timidity for midi playback with the
freepats sound fonts.
Hwaen Ch'uqi
On 8/7/20, Claire Meyer wrote
Greetings Ken,
Not exactly sure what you mean by "simple." I just insert a markup
where I wish the rit. to begin, as in
_\markup \italic "rit."
HTH,
Hwaen Ch'uqi
On 7/5/20, Kenneth Wolcott wrote:
> Hi;
>
> Looks like I must be missing something obvious i
self, even if it may look less tidy. I
allot one line of text per measure of music. At the end of each line
of music, I comment measure numbers, such as %1 or %2 - or, in the
case of many voices, %1A or %1B. These make locating the necessary
text extremely easy.
HTH,
Hwaen Ch'uqi
On 7/5/20,
of these
gestures, one should fairly easily intuit that the chords with seconds
are in fact the same chords from upper to lower voice.
Thank you again.
Hwaen Ch'uqi
On 7/4/20, Carl Sorensen wrote:
> On Sat, Jul 4, 2020 at 9:20 AM Hwaen Ch'uqi wrote:
>
>> Greetings,
>>
>> In the f
help would be greatly appreciated. Please forgive the
slight length of the code. I have also attached the pdf output.
Hwaen Ch'uqi
\version "2.20.0"
\score {
\new PianoStaff <<
\new Staff = up {
\relative c' {
\key gis \minor \time
Wow, thank you all for your prompt responses! It was in fact the
lengthening of the ties that I was searching for.
Hwaen Ch'uqi
On 5/20/20, Andrew Bernard wrote:
> For sure your next question is how to make them longer. There are a few
> ways, but check LSR 715.
>
> Andrew
>
>
>
>
key es \major \time 6/8 \clef bass
r4. \grace { a16[ bes c] } 4.~ %123
}
}
\new Staff {
\relative c' {
\key es \major \time 6/8 \clef bass
f,,8 r r \grace { s16 s s } 4.~ %123
}
}
>>
}
Thank you so much.
Hwaen Ch'uqi
unt = #11
\override Staff.StaffSymbol.stencil = #(color-staff-lines #f #f #f
#f #f red #f #f #f #f #f)
\remove "Clef_engraver"
}
\relative c' {
\key c \major \time 2/2
s1
}
}
Thank you so much for any help.
Hwaen Ch'uqi
PatWaing.pdf
Description: Adobe PDF document
Greetings Peter,
Are you placing `tagline = ##f' in the uppermost \paper block?
Hwaen Ch'uqi
On 12/24/19, Peter Toye wrote:
> I want an absolutely clean end to a score, but whatever I try I still get a
> tagline advertising LilyPond. I've tried setting tagline to ##f and "&quo
can I find these bits of information in the manuals? It
appears that the default baseline-skip setting in a \column is larger,
but I can't find exactly what it is.
Many thanks for any help.
Hwaen Ch'uqi
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lilypond-user
would be concerned.
Hwaen Ch'uqi
On 9/13/19, Karlin High wrote:
> On 9/13/2019 2:52 PM, Hwaen Ch'uqi wrote:
>> But I wonder if, now 200 years later, some of
>> that bulk could be streamlined.
>
> Here is a thread from November 2017, with a new user introduction from
> Daniel
its portability. But I wonder if, now 200 years later, some of
that bulk could be streamlined.
Hwaen Ch'uqi
On 9/13/19, Jacques Menu wrote:
> Hello folks,
>
> I’ve thought of a possibility which surely others have already considered,
> and I’m not sure whether the idea makes
. But parentheses are another matter. I code one
measure per line, and when slurs/phrasing slurs cross the barline, the
indentation goes asew. It "corrects" itself in the measure after the
slur has been closed. Any solution for this would be most fabulous!
Hwaen Ch'uqi
On 1/26/19, Da
is
sorely needed and thus priceless. Thank you so much for your
endeavors.
Hwaen Ch'uqi
On 1/22/19, Andrew Bernard wrote:
> Hi Aaron,
>
> This would be great to go in the openlilylib library when ready, Thanks for
> your help. I am sure that once available, many people will use this.
/html/lilypond-user/2012-08/msg00665.html
http://lists.gnu.org/archive/html/lilypond-user/2014-01/msg00878.html
Hwaen Ch'uqi
On 1/12/19, Thomas Morley wrote:
> Am Sa., 12. Jan. 2019 um 20:44 Uhr schrieb Kieren MacMillan
> :
>>
>> Hi Harm,
>>
>> > You could
Greetings Jacques,
Could you further clarify your questions? Are you asking how Braille
music is generally structured on the physical page? And what is meant
by a non confidential example?
Hwaen Ch'uqi
On 10/17/18, Jacques Menu wrote:
> Hello folks,
>
> I read in the recent Export to
Greetings Peter,
See if this link is helpful for you:
http://lists.gnu.org/archive/html/lilypond-user/2016-05/msg00149.html
Hwaen Ch'uqi
On 8/30/18, Peter Toye wrote:
> I’m trying to engrave a piano duet with the primo and secondo parts on
> facing pages, but can't find a way of
Greetings Andrew,
Thank you so much for slogging through my code and for the solution!
Hwaen Ch'uqi
On 7/16/18, Andrew Bernard wrote:
> Hi Hwaen,
>
> \fill-line spreads out text evenly spaced across a line. You don't need it.
> Also, if you want to specify indents, one way to do
vspace #2
\line \bold {
Instructor:
}
\vspace #1
\line {
\hspace #6 Hwaen Ch'uqi
}
\vspace #1
\line {
\hspace #6 E-mail:
}
\vspace #1
\line {
\hspace #6 Tel:
}
\vspace #2
\line \bold {
Materials:
}
\vspace #1
\line {
\hspace #6 Collect the hand
Greetings Torsten,
Thank you so much for the explanation AND for the examples, despite my
lack of a minimal example. It was most helpful.
Hwaen Ch'uqi
On 7/14/18, Torsten Hämmerle wrote:
> Hi Hwaen,
>
> I get your point (although a minimal example for demonstration purposes
>
with the next independent line. Is there a way to accurately
anticipate this behavior?
Thank you in advance.
Hwaen Ch'uqi
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Ah, yes! Thank you, Malte!
Hwaen Ch'uqi
On 7/9/18, Malte Meyn wrote:
>
>
> Am 09.07.2018 um 21:09 schrieb Hwaen Ch'uqi:
>> I have found snippets that produce a series of blank systems, each
>> system naturally spreading across the page. How can I do this for a
>>
}
}
I have found snippets that produce a series of blank systems, each
system naturally spreading across the page. How can I do this for a
single system?
Thanks very much.
Hwaen Ch'uqi
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Greetings Guy,
Pretty cool! I am currently on ubuntu-16.04, but I shall have a look
at those links. Thank you.
Hwaen Ch'uqi
On 3/5/18, Guy Stalnaker <jimmyg...@gmail.com> wrote:
> http://www.midish.org
>
> From the manual (if you use *nix operating systems):
>
> 7.1 M
Greetings All,
I should like to piggy-back onto Nathan's question, though as an emacs
user. I have been using timidity, which is directly mentioned in the
documentation, but I too would like the ability to fast-forward or
rewind or to start at a particular place.
Hwaen Ch'uqi
On 3/5/18, Nathan
xt {
\SCORE
\remove "Metronome_mark_engraver"
}
}
}
Hwaen Ch'uqi
On 2/11/18, Peter Toye <lilyp...@ptoye.com> wrote:
> Is it possible to force a score to put tempo markings above more than the
> top line? I'd like to put the tempo changes above both of the
have contributed to LilyPond
documentation over the years!
Hwaen Ch'uqi
On 11/18/17, Urs Liska <li...@openlilylib.org> wrote:
> Hi Brett,
>
>
> Am 17.11.2017 um 23:59 schrieb Brett M. Gilio:
>> How many Linux users are out there in the Lilypond community?
>
> Numbe
).
* LilyPond Usage: (lilypond-usage).
* LilyPond Web: (lilypond-web).
This follows a specific format that is outlined in the info manual on
texinfo, I believe.
Hwaen Ch'uqi
On 10/14/17, Orm Finnendahl <orm.finnend...@selma.hfmdk-frankfurt.de> wrote:
> Hi,
>
> is there any informatio
Wow, though in theory I was aware of that principle, that would have
NEVER occurred to me! Thank you so much for that solution!
Hwaen Ch'uqi
On 8/1/17, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2017-08-01 11:40 GMT+02:00 Hwaen Ch'uqi <hwaench...@gmail.com>:
&
ime 2/4 \clef bass
\grace { s16 s s } 8 r r4 %1
\grace { s16 s s } 8 r r4 %2
}
\new Staff = hwaen {
\relative c' {
\key a \minor \time 2/4 \clef bass
\grace { s16 s s } r8 \ottava #-1 <a,,, a'> r4 %1
\grace { s16 s s
\new Staff \with {
\consists "Metronome_mark_engraver"
\consists "Mark_engraver"
}
Hope this helps!
Hwaen Ch'uqi
On 7/14/17, Joshua Nichols <josh.d.nich...@gmail.com> wrote:
> Elaine Gould recommends that rehears
otherwise simply adore! Thank you for your reply.
Hwaen Ch'uqi
On 5/31/17, Kieren MacMillan <kieren_macmil...@sympatico.ca> wrote:
> Hi Hwaen Ch’uqi,
>
>> I am working on an orchestral score in which not all instruments begin
>> together; hence, I would like to
in the score? Currently, instrumentName seems only to print at
the first system, so if there is no music in a particular part, the
long instrument name never appears. I would be grateful for any
advice.
Hwaen Ch'uqi
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Greetings JC,
Well, this may not be as simple as what you are looking for, but it
certainly would help to streamline your code>
\score {
\relative c'' {
<<
{
d2 e2~
e2 f
}
\\
{
s1
c4 d e f
}
>>
}
}
Hwaen C
Greetings Don,
To add to the suggestions, you might consider using pdftk - assuming
of course that both LaTeX and LilyPond files will be converted to pdf.
Hwaen Ch'uqi
On 2/16/17, Abbé Jacques Peron <abbe.jacques.pe...@gmail.com> wrote:
> Hello,
>
> Another alternative is lyl
Greetings Phil,
Thank you so much for the mirroring site. All is now installed.
Hwaen Ch'uqi
On 2/7/17, Phil Holmes <m...@philholmes.net> wrote:
> - Original Message -
> From: "Hwaen Ch'uqi" <hwaench...@gmail.com>
> To: <lilypond-user@gnu.org>
>
... connected.
HTTP request sent, awaiting response... 404 Not Found
2017-02-07 05:19:21 ERROR 404: Not Found.
Is this a temporary problem? Thanks for any advice.
Hwaen Ch'uqi
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https://lists.gnu.org/mailman
to
the .sh script. Also, my distro is Ubuntu, not Fedora. Anyone else
with ideas? I don't understand how you can access the Internals and
the Music Glossary but not other .info files!
Hwaen Ch'uqi
On 9/9/16, Kevin Barry <barr...@gmail.com> wrote:
> Hi Hwean,
>
> Thank you very much for y
, including punctuation, remains as
above.
Hwaen Ch'uqi
On 9/9/16, Kevin Barry <barr...@gmail.com> wrote:
> Hi all,
>
> I have installed the lilypond-doc package on my system (Fedora), but
> it didn't add anything to the main info directory. In the LilyPond
> menu in emacs tw
Greetings Paul,
When I wish to affect a blank page, I use
\markup \null
So your first bookpart would look like this:
\bookpart {
\markup \null
\pageBreak
\header{}
{ MUSIC }
} %End first bookpart
I hope this helps!
Hwaen Ch'uqi
On 8/21/16, B~M <viola1...@gmail.com> wrote:
>
to this problem that I am not considering? Any help would be greatly
appreciated.
Hwaen Ch'uqi
\version "2.19.46"
#(set-global-staff-size 17.82)
\score {
<<
\new Staff {
\relative c' {
\key des \major \time 2/4 \clef treble
f8
uot; From the manual,
the following template applies:
pdftk A=even.pdf B=odd.pdf shuffle A B output collated.pdf
For my own purposes, I recast it as follows:
pdftk A=Secondo.pdf B=Primo.pdf shuffle A B output
PerformanceScore.pdf
Hwaen Ch'uqi
On 5/9/16, H
n directly in the \score block and, in the end,
saving myself an untold amount of time.
Hwaen Ch'uqi
On 5/14/16, Gianmaria Lari <gianmarial...@gmail.com> wrote:
> Thank you to Robert Schmaus, Andrew Bernard, David Wright for the
> suggestions.
>
> I try to be more precise.
> It
ot; option which
is used, like this:
pdftk A=even.pdf B=odd.pdf shuffle A B output collated.pdf
Or, mor practically,
pdftk A=Secondo.pdf B=Primo.pdf shuffle A B output PerformanceScore.pdf
VERY easy and straightforward.
Hwaen Ch'uqi
On 5/9/16, David Wright <lily...@lionunicorn
THAT would be brilliant!
Hwaen Ch'uqi
On 5/9/16, Urs Liska <u...@openlilylib.org> wrote:
>
>
> Am 9. Mai 2016 20:35:17 MESZ, schrieb Hwaen Ch'uqi <hwaench...@gmail.com>:
>>Greetings Alberto,
>>
>>I have been wwriting A LOT of four-hand music, and I agree
he "collate"
feature. You do not need to burst the files into separate pages; pdftk
will automatically alternate the pages when combining the two files.
I hope this has been helpful.
Hwaen Ch'uqi
On 5/8/16, David Wright <lily...@lionunicorn.co.uk> wrote:
> On Sun 08 May 2016 at 19:
you enlighten me as to this? Thank you again for your
solution!
Hwaen Ch'uqi
On 3/16/16, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2016-03-16 19:54 GMT+01:00 Hwaen Ch'uqi <hwaench...@gmail.com>:
>> Greetings All,
>>
>> I have been having another p
of the spoken line. Is there a way to
resolve this so that there is neither a gap in the spoken text nor a
collision between the two lines? Ideally, I would like to accomplish
this using a double-dotted half rest rather than the half and dotted
quarter rsts shown below. Thank you so much for any help.
Hwaen
Greetings Simon, Jan-Peter, and Trevor,
Thank you all for your help; it was most informative, especially as I
will be encountering many like situations going forward with this
project!
Hwaen Ch'uqi
On 3/1/16, Trevor Daniels <t.dani...@treda.co.uk> wrote:
>
> "Simon Albre
Greetings All,
This is an example from a vocal score for a musical. What is the best
wway of insuring that the barline and subsequent measure respects the
length of the spoken text rather than the full bar rest?
\version "2.18.2"
\score {
<<
\new Voice = "Darcy" \relative c' {
\key
repository will likely not find), you should not
have to make those adjustments again.
Hwaen Ch'uqi
On 2/21/16, Jean Bréfort <jean.bref...@free.fr> wrote:
> Hi,
>
> Why don't you directly use the lilypond package?
> sudo apt-get install lilypond
>
> The installation would be
-details and the
alignment-distances key. However, I could not find how one undoes
\overrideProperty. Or is it like \tweak, a once-and-done command?
Thank you for any advice.
Hwaen Ch'uqi
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of my problem is that the grace notes in my example appear on the
downbeat, so there is no rest or note to insert between any \voice and
\grace command. Any thoughts on how I might rectify this situation
would be greatly appreciated! Below is the code, and the output is
attached.
Hwaen Ch'uqi
to comprehend exactly what was going on. Thank you again!
Hwaen Ch'uqi
On 1/21/16, Pierre Perol-Schneider <pierre.schneider.pa...@gmail.com> wrote:
> E.g.:
>
> \version "2.19.35"
>
> compressPercentRepeat =
> #(define-music-function (repeats notes) (integer? ly:m
reset currentBarNumber,
but that will surely prove to be time-consuming for a piece of this
magnitude. Any help would be greatly appreciated.
Hwaen Ch'uqi
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On 1/5/16, Paul Morris <p...@paulwmorris.com> wrote:
>> On Jan 4, 2016, at 8:48 PM, Hwaen Ch'uqi <hwaench...@gmail.com> wrote:
>>
>> Is there a way to create a specific calibration of pitch
>> to line/space where the lowest and highest notes align with the lowe
Greetings Paul,
This is EXACTLY what I was looking for: Thank you so much!
Hwaen Ch'uqi
On 1/5/16, Paul Morris <p...@paulwmorris.com> wrote:
>> On Jan 5, 2016, at 11:03 AM, Hwaen Ch'uqi <hwaench...@gmail.com> wrote:
>>
>> Yes, I had seen this sni
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