p のメール:
>
> Aaron Hill mailto:lilyp...@hillvisions.com>>
> writes:
>
>> On 2024-05-21 6:40 am, Jun Tamura wrote:
>>> Hello,
>>> Could someone give me a pointer for this?
>>> This is a quite popular notation for bowed string instruments. I’m
&
Hello,
Could someone give me a pointer for this?
This is a quite popular notation for bowed string instruments. I’m almost
certain that I saw a way to achieve this before but could not find it this time.
Thanks in advance for your help.
Jun
important for many of us.
Jun Tamura
he/him/his
Tokyo
> 2024/04/28 23:22、N. Andrew Walsh のメール:
>
> Hi Kieren,
>
> unfortunately, as I noted above, the problem seems to be that frescobaldi
> depends on a now-deprecated version of qtwebengine, and without updating it
> we'll eve
; \textMark "A" c'1 }
>>
}
> 2023/10/10 0:50、Knute Snortum のメール:
>
>
> On Mon, Oct 9, 2023 at 7:03 AM Jun Tamura <mailto:j.tam...@me.com>> wrote:
>> Thanks, Wo,
>>
>> Actually, I already had
>>
>> tutti_mark = \tweak
ized that, when they coincide with true rehearsal marks, I can
shift the timing slightly with “\after 256”. I think this is a bit hacky but I
can proceed with this at the moment.
Jun
> 2023/10/09 21:24、Wol のメール:
>
> On 09/10/2023 13:05, Jun Tamura wrote:
>> Dear List,
>>
/Solo marks sometimes
coincide with a tempo indication (at bar 1) or a rehearsal mark (at bar 172).
Any suggestions would be greatly appriceated.
Jun Tamura
https://imslp.org/wiki/User:Jun_T
Thank you, Valentin and David.
I was not aware that << >> construct can be used this way.
> I do seem to remember that LilyPond did
> not deal well with it?
“1.5.1 Single voice — Simultaneous expressions” of NR says:
This can be useful if the simultaneous sections have identical rhythms, but
l. 2023 à 07:07, Pierre Perol-Schneider
> mailto:pierre.schneider.pa...@gmail.com>>
> a écrit :
>> Hi Jun,
>> I'd do:
>>
>> { ^. }
>>
>> For some reason I couldn't find the dedicated documentation.
>> Cheers,
>> Pierre
>>
&g
Hello!
Is there a recommended practice to engrave a triple-stop for the violin as in
the attached example - notes with different durations in a single triple-stop?
The example is from the 1st violin part, bar 24, 1st movement, piano concerto
no. 3 by Beethoven. This quite often appears in
I think that’s “Line Numbers” under “View” menu.
Jun
> 2023/04/07 20:58、Andrew Bernard のメール:
>
> Coming back to Frescobaldi after a very long time not using it, I thought you
> can get the editor to show line numbers down the side. Am I completely
> imagining this?
>
> Andrew
>
>
>
I’ve opened the issue #1492. This is my first time to open an issue on GitHub.
I’m not so sure I’ve done it correctly.
Best regards,
Jun
> 2022/12/17 22:31、Jean Abou Samra のメール:
>
>
>
>> Le 17 déc. 2022 à 14:28, TamuraJun a écrit :
>>
>> I think it would be nice to document this somewhere
> Phil Holmes
>
If it’s hosted on Google, the same thing must be happening in mainland China as
well. My last trip to China was in 2017 and, at that time, all the connection
to google.com <http://google.com/> domain and other services by the Alphabet
group, such as YouTube, was blocked by the “great wall” set up by the Chinese
government.
Jun Tamura
https://imslp.org/wiki/User:Jun_T <https://imslp.org/wiki/User:Jun_T>
> 2021/11/02 22:59、Jun Tamura のメール:
>
>
>
>> 2021/11/02 22:40、Phil Holmes > <mailto:m...@philholmes.net>>のメール:
>>
>> On 02/11/2021 12:53, Kevin Cole wrote:
>>>
>>>
>>> On Tue, Nov 2, 2021 at 6:42 AM Omid Mo'menzadeh >&
Hello Martin,
> 2021/09/20 15:46、Martin Straeten のメール:
>
> here my workround for this:
>
> graceSchleifer =
> #(define-music-function (parser location note) (ly:music?)
> (make-music 'SequentialMusic
>'elements (list #{
> \once \override Voice.NoteHead #'stencil =
>
Thank you, Phil and Pierre, for your really prompt reply.
I found the default setting:
footnote-separator-markup = \markup \fill-line { \override #'(span-factor .
1/2) \draw-hline }
Thanks again and best regards.
Jun Tamura (he/his/him)
> 2020/10/18 20:39、Phil Holmes のメール:
>
> Se
Hello,
There is a horizontal line between the footnotes and the body of the score. The
length seems to be a half of the page width and aligned to the center of the
page in default. How can I change the length and horizontal position of the
line?
Quite often footnotes are rather short. In such
ic
}
> 2020/09/26 22:55、Aaron Hill のメール:
>
> On 2020-09-26 1:33 am, Xavier Scheuer wrote:
>> On Sat, 26 Sep 2020 at 08:27, Jun Tamura wrote:
>>> Hello,
>>> Is there an easy way to align a tempo marking on a full-measure rest at
>> the beginning of the
the position of the
tempo markings. Am I correct?
Best regards,
Jun
> 2020/09/26 15:27、Jun Tamura のメール:
>
> Hello,
>
> Is there an easy way to align a tempo marking on a full-measure rest at the
> beginning of the measure? In the following example, the “rit.” and “Tempo
Hello,
Is there an easy way to align a tempo marking on a full-measure rest at the
beginning of the measure? In the following example, the “rit.” and “Tempo I.”
are aligned to the beginning of the measures on the score and the violin part
but their horizontal placements on the cello part look
Thanks for another suggestion. I’m not so sure whether rotating the parentheses
would improve the legibility or not, however. I understand that people have
different preferences. What I had in mind was Vivaldi’s urtext edition
published by Ricordi, in which the editorial slurs are enclosed by
Dear Aaron,
> 2020/09/12 14:25、Aaron Hill のメール:
>
> On 2020-09-11 9:18 pm, Jun Tamura wrote:
>> Hello,
>> Is there an easy way to have a slur enclosed by parentheses or
>> brackets? Some urtext editions use parenthesized slurs to indicate
>> editorial a
Hello,
Is there an easy way to have a slur enclosed by parentheses or brackets? Some
urtext editions use parenthesized slurs to indicate editorial additions.
Best regards,
Jun
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