--
Knute Snortum
On Sat, May 25, 2024 at 2:18 PM Nikita Borisenko wrote:
> Hi Everyone,
>
> Can anyone please advise why the following snippet outputs G9.13 instead
> of just the G13 chord name?
>
I don't know "why", but this is how you would get just a 13 cho
ata :32
> }
>
> You could try something like this:
/\\mark\s*\\markup\s*\{\s*\\box\s\{\s*\w+\s*\}\s*\}/gm
--
Knute Snortum
cobaldi as your editor, you can make it a snippet, or
several snippets.
--
Knute Snortum
2.24.3"
{
c''4 4 4 4 \stopStaff
s1
\once \set Staff.forceClef = ##t
\startStaff c''4 4 4 4
}
%%%
--
Knute Snortum
<
\new Staff \compressMMRests \musicOne
\new Staff \compressMMRests \musicTwo
>>
%%%
The key points are omitting the multi measure rest number in the right hand
and moving the number up in the left.
--
Knute Snortum
On Tue, May 21, 2024 at 11:28 AM Xavier Scheuer wrote:
> On Tue, 21 May 2024 at 19:42, Knute Snortum wrote:
> >
> > It's probably easier to see in the MWE and screen shot I've attached.
> So is there a way to get rid of the bass change clef indicator in the first
> ending?
t the dynamic mark in the staff, as you stated.
--
Knute Snortum
in the MWE and screen shot I've attached. So
is there a way to get rid of the bass change clef indicator in the first
ending?
All input is very much appreciated.
--
Knute Snortum
\version "2.24.3"
\relative {
\repeat volta 2 {
\repeat unfold 4 { c'4 c c c }
\clef bass
\repea
ner.Y-offset = 7
s1\f
}
\score {
\new PianoStaff <<
\new Staff \rightHand
\new Dynamics \dynamics
\new Staff \leftHand
>>
}
--
Knute Snortum
ics. In this case, there's only
> one dynamic in the DynamicLineSpanner, but this still applies.
>
Thank you for taking the time to explain that to me.
--
Knute Snortum
spanner's outside-staff-priority
change where the forte goes? Isn't it DynamicText? If anyone can clear
this up for me, I would be very appreciative.
--
Knute Snortum
have the spacing engine
> ignore the TextScript). However, it might be just as easy — or maybe
> even easier? — to simply tweak the X-offset and Y-offset rather than
> using extra-offset:
>
The extra-offset happens late in the rendering process, so the other grobs
can't adjust to its movement like they do with X- and Y-offset.
--
Knute Snortum
e
> \remove "Forbid_line_break_engraver"
> }
> }
> }
>
You may want to add...
\layout {
\enablePolymeter
}
...to your input file. Have a look at:
https://lilypond.org/doc/v2.24/Documentation/notation/displaying-rhythms#polymetric-notation
--
Knute Snortum
e avoid-slur
property to the fingering:
\version "2.24.0"
\language "english"
\relative {
\override Staff.Fingering.layer = 2 % fingering should overwrite
slurs
\override Staff.Fingering.avoid-slur = #'ignore
r4 r8 -1-3( 16-2-4 -1-5-2-4-3-5) }
https://lilypond.org/doc/v2.24/Documentation/internals/slur
--
Knute Snortum
\voiceOne b4) \change Staff = "up" s4 %
2
}
Also, just for future reference, if you just have one slur or tie (or other
things like fematas) to change up or down, you can use the direction
indicators:
b2_( % slur down
b2^( % slur up
--
Knute Snortum
verlap the other as the two voices will
render simultaneously. Putting these two ideas together gives you the
ability to tie across staves. If the tie does not look the way you want it
to, you can control its shape with the shape command, which looks like this:
\shape #'((0 . 0) (0 . 0) (0 .
o allow for easier maintenance and plugin
> development.
>
> Thoughts? ♥
>
I'm an intermediate-level python programmer but I might be able to help
with busy work like typing and documenting functions, with some feedback.
Anything to give back to a project that I use all the time!
--
Knute Snortum
ommand to indicate how
far the afterGrace notes should be from the base note. The closer the
fraction is to 1, the farther the grace note. So try something like:
\afterGrace 15/16 gis' \glissando {\once \hide Stem \parenthesize eih4}
--
Knute Snortum
this:
\version "2.24.3"
\relative {
c''4\sustainOn c c c <>\sustainOff |
c4\sustainOn c c c <>\sustainOff | \break
c4\sustainOn c c c <>\sustainOff |
}
... means you will get a combined sustainOff/sustainOn at the first beat of
the second and third measures and an error from the last <>sustainOff in
the code.
--
Knute Snortum
On Thu, May 2, 2024 at 1:10 PM Pierre-Luc Gauthier
wrote:
> > {
> > s2...\< s16\! |
> > }
> > ...that I do it almost automatically.
>
> Try that in 12/8 :-)
>
{
\time 12/8
s1*23/16\< s16\! | % ??
}
Yeah, I see your point. ;)
--
Knute Snortum
On Thu, May 2, 2024 at 10:31 AM Pierre-Luc Gauthier <
p.luc.gauth...@gmail.com> wrote:
> Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum a écrit
> :
> > Perhaps I'm not getting the need for this command as you could using an
> empty chord at the end of the repeat
empty chord at the end of the repeat to do the same thing:
{
<>(\<
\after 2 \>
\repeat unfold 8 {e''16 d''} <>)\!|
}
Maybe there are other situations where \beforeLast would be useful?
--
Knute Snortum
On Wed, May 1, 2024 at 10:55 PM Robert Garrigos wrote:
> Oh this is a bit embarrassing, such a basic error….. sorry, I never
> realized that the parenthesis needs to be right after the first note.
>
Nothing to be embarrassed about. It takes some getting used to.
--
Knute Snortum
er* the
note. So if you want to slur from note a to note b, you write:
a( b)
The above slur will start on the note a and end on the note b.
--
Knute Snortum
n.
>
> Yes, if the current state continues, Frescobaldi will ultimately die a
> natural death. Sorry that I cannot exactly bring an optimistic message
> here.
>
If there is busy work that needs to be done on the project, I can do that,
but I also don't own a Mac.
--
Knute Snortum
Note = ##t
\shape #'((-5 . -7.5) (-4 . 0) (0 . 0) (0 . 0)) Slur
\grace { c'4~^( g'~ c~) } 1
}
leftHand = \relative {
\clef bass
\set tieWaitForNote = ##t
\grace { f,4~ c'~ a'~ s4 * 3 } 1
}
\score {
\new PianoStaff <<
\new Staff = "upper" \rightHand
\new Staff = "lower" \leftHand
>>
}
--
Knute Snortum
On Fri, Apr 26, 2024 at 10:02 AM Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> wrote:
> s4*3 after the grace notes (within the grace group) in the lower staff.
>
This is probably better than what I posted.
--
Knute Snortum
{ c'4~ g'~ c~ } 1
}
leftHand = \relative {
\clef bass
\set tieWaitForNote = ##t
\grace { f,4~ c'~ a'~ \staffUp \hideNotes \shiftOff c g' c }
\unHideNotes \staffDown 1
}
\score {
\new PianoStaff <<
\new Staff = "upper" \rightHand
\new Staff = "lower" \leftHand
>>
}
--
Knute Snortum
nt:
#(define ly:expect-warning-times (lambda args
(for-each (lambda _ (apply ly:expect-warning (cdr args)))
(iota (car args)
You might use it like this:
#(ly:expect-warning-times 4 "bar check failed")
--
Knute Snortum
clef bass
\time 3/4
\repeat unfold 6 { c8 }
\time 3/4
\repeat unfold 6 { c8 }
\time 3/4
\repeat unfold 6 { c8 }
}
\score {
\new GrandStaff <<
\new Staff = "upper" \rightHand
\new Staff = "lower" \leftHand
>>
}
--
Knute Snortum
On Sat, Apr 20, 2024 at 3:02 PM Hajo Baess wrote:
> I have messed around with this little lab specimen here, and I have
> found a solution, but it is weird. You obviously (after having scaled
> some rhythm just once) have to explicitly unscale the rhythm e v e r y
> time you want it to appear
ny examples (https://lilypond.org/tiny-examples.html) are
important. Build an example of the problem with as little other stuff as
possible. It's difficult sometimes, but it will sometimes lead you to an
answer, and it certainly helps anyone trying to assist you.
--
Knute Snortum
--
Knute Snortum
--
Knute Snortum
--
Knute Snortum
you could put this at the top of your
file:
stopTimeSignature = \omit Score.TimeSignature
startTimeSignature = \undo \omit Score.TimeSignature
Then you could use
\stopTimeSignature \startTimeSignature
in your file.
--
Knute Snortum
I'm misunderstanding, just repeating the \time should do it:
\version "2.24.3"
\score {
\new Staff {
\relative {
\time 4/4
\repeat unfold 8 { c'8 } |
\time 4/4
\repeat unfold 8 { c8 } |
}
}
}
--
Knute Snortum
Here are my answers. Other people may have better suggestions.
On Tue, Apr 16, 2024 at 2:27 PM Peter Mayes wrote:
> 1. I would like the \trill in bar 2 and the ten(uto) in bar 6 to be below
> the slurs, and not above.
>
Getting the trill under (inside) the slur is easy:
% Trill under slur
ative {
\voiceTwo
\override NoteHead.style = #'cross \stemDown
s1 |
s2 e2 |
s1 |
s2 e2 |
}
--
Knute Snortum
e overcrowding disappeared.
>
> Thank you for the inspiration!
>
> Peter A
>
>
> On 4/14/24 21:16, Knute Snortum wrote:
>
> On Sun, Apr 14, 2024 at 2:37 PM PMA
> wrote:
>
>
> Hi List --
>
> One of my several \tempo commands is printing its line to
he right direction?
>
It's hard to know how to help you if you don't have a tiny example (
https://lilypond.org/tiny-examples.html). For instance, I was able to
affect the Y-offset of a metronome mark with this code:
\version "2.24.3"
{
\tweak MetronomeMark.Y-offset 5
\tempo "Allegro"
c''1
}
--
Knute Snortum
hy?
>
There is a web page that deals with command-line installation, if that's
what you want:
https://lilypond.org/doc/v2.24/Documentation/learning/command-line-setup
--
Knute Snortum
= \relative c' {
c1
\section % play with (un)commenting
\grace { s8 } R1
c
}
--
Knute Snortum
terGrace, plus the trillSpan for the error to show. Any ideas
on how to fix this?
--
Knute Snortum
On Fri, Mar 22, 2024 at 8:38 AM Aaron Hill wrote:
>
>
> \version "2.25.13"
>
> \relative {
>\afterGrace c''4\trill { b16 \set tieWaitForNote = ##t c~ } c4
> }
> %%%%
>
Works great! Thanks.
--
Knute Snortum
tie
\afterGrace c''4\trill { b16 c
~ } c4
Is there any way around this, as I need this for my current project?
--
Knute Snortum
On Sun, Mar 17, 2024 at 1:43 PM Carl Sorensen
wrote:
> Use q to repeat chords.
>
Of course. Thanks.
--
Knute Snortum
I don't use chordmode much, but this snippet doesn't do what I thought it
would:
\version "2.25.13"
{
\new ChordNames \chordmode { a1:7 4 }
}
It produces an "A7sus4 3" instead of two A7's. Is this a bug, or is that
syntax just not supported?
--
Knute Snortum
On Fri, Mar 8, 2024 at 2:57 PM Knute Snortum wrote:
> I'm trying to get a Fine on the first ending of a repeat volta nested in a
> repeat segno.
>
...
> I am new to the repeat segno syntax, so I'm hoping I just haven't found
> the right magic. I'd like the MIDI to be correct
; appreciate any help.
>
I've never used it myself, but there is a whole section on transposing
music in the manual:
https://lilypond.org/doc/v2.24/Documentation/notation/displaying-pitches#instrument-transpositions
--
Knute Snortum
unfoldRepeats \music
I am new to the repeat segno syntax, so I'm hoping I just haven't found the
right magic. I'd like the MIDI to be correct -- I can always fake a "Fine"
if I need to.
--
Knute Snortum
--
Knute Snortum
On Fri, Mar 1, 2024 at 4:43 PM wrote:
> Jean,
>
>
>
> In my \users\Mark\lilypond-2.24.4 there are six folders:
>
> Bin, etc, lib, libexec, licences, share.
>
> None contain \lilypond [with or without the .exe]
>
>
>
> Should I be lo
On Fri, Mar 1, 2024 at 4:28 PM Knute Snortum wrote:
>
> I don't think you're supposed to highlight "gs". I think it's
> "lilypond". "gs" is probably the GhostScript executable.
>
"lilypond" should be in \users\Mark\lilypond 2.24.3\bin.
--
Knute Snortum
I don't think you're supposed to highlight "gs". I think it's "lilypond".
"gs" is probably the GhostScript executable.
--
Knute Snortum
It looks like your Preferences window is too small. I would click and hold
the lower right corner of the window and drag to the right and down to
resize it.
--
Knute Snortum
On Thu, Feb 29, 2024 at 3:42 AM wrote:
> Hello,
>
>
>
> I am installing Lilypond 2.24. It has been
R1
<<
\new CueVoice \relative {
\once \override Score.CueClef.X-offset = 3
\once \override Score.BarLine.X-offset = -2
\cueClef "treble"
c''8 d e f
\cueClefUnset
}
\\
R1
>>
c1
}
--
Knute Snortum
On Sat, Feb 24, 2024 at 11:32 AM Jean Abou Samra wrote:
> Just replace 4\repeatTie with 4?
>
Works like a charm, thanks!
--
Knute Snortum
ot; to tie the lower and upper parts of
the chord, when I just want the upper note slurred. Here is a MWE and I've
attached it's output:
\version "2.24.3"
\relative {
\repeat volta 2 {
d''4( e f g
\alternative {
\volta 1 { 4) d d d }
\volta 2 { 4\repeatTie r r2 }
On Wed, Feb 21, 2024 at 7:53 AM Matthew Pierce
wrote:
> Hello all,
>
> For hairpin positioning within a whole note, the Manual gives the syntax
>
> \relative {
> \after 2 \< c'1
> }
>
> Is there an effective \after syntax for hairpin positioning within
> NON-whole notes, such as the second
focus but it never seems to go to the Music View. Still, it's an
interesting find!
--
Knute Snortum
not have to click with
> the mouse.
>
> I just can't find it. I have tried all kinds of possible candidates to
> no avail. Is someone here who happens to know?
>
> Thank you for pointing this out to me...
>
If it doesn't exist, it might be a nice addition!
--
Knute Snortum
his possible? What's the right markup for this?
>
It looks like \defineBarLine works in version 2.20, so:
\version "2.20"
\defineBarLine "!!" #'("!" "!" "")
{
s1 \bar"!!"
s1
}
The version-specific manual for that is:
https://lilypond.org/doc/v2.20/Documentation/notation/bars#bar-lines
--
Knute Snortum
a while back. Here's what I did:
%%%
\version "2.24.2"
tempoMarkupA =
\markup {
\large
"Prestissimo"
\hspace #0.4
\teeny
\rhythm {
\override Score.SpacingSpanner.spacing-increment = 0.5
4~ 4.
}
\small
\normal-text
"= 96"
}
{
\tempo \tempoMarkupA
c'1
}
%%%
--
Knute Snortum
=
#(time-alternate-time "5" "8" "4" "8")
%%%
--
Knute Snortum
adding in the markup:
\markup \whiteout \pad-markup #0.5 "cresc. ed agitato"
--
Knute Snortum
I put this in my paper block:
\paper {
two-sided = ##t
inner-margin = 12\mm
outer-margin = 8\mm
}
--
Knute Snortum
On Sun, Jan 28, 2024 at 7:51 AM bobr...@centrum.is
wrote:
> Is there an accepted normal practice for page numbering when music is
> printed 2-up on both sides of a
rg/doc/v2.24/Documentation/learning/vertical-spacing
--
Knute Snortum
, Aaron Hill via LilyPond user discussion wrote:
> > On 2024-01-17 10:00 am, Knute Snortum wrote:
> >> On Wed, Jan 17, 2024 at 9:48 AM Peter Mayes
> >> wrote:
> >>> 2. I have a lot of consecutive notes all staccato. Marking each one
> >>> i
e to know the answer to that one too! It may be something that
could go in Frescobaldi, if you use that editor.
--
Knute Snortum
On Mon, Jan 15, 2024 at 10:57 AM Hans Aikema
wrote:
>
> I've created an issue for Frescobaldi and I should be able to start work
> on it today.
>
> https://github.com/frescobaldi/frescobaldi/issues/172
>
>
> Knute, you've missed a digit while copying the link and without doubt
> intended to
syntax in droves in its templates.
>
> And I suspect that it also splits overrides into multiple lines, making
> it harder to recognize them.
>
I've created an issue for Frescobaldi and I should be able to start work on
it today.
https://github.com/frescobaldi/frescobaldi/issues/172
--
Knute Snortum
be myself apart from wrinting notes and lyrics.
>
> If the "Partitur-Assistent" creates those overrides, it needs to get fixed.
>
It has been:
https://github.com/frescobaldi/frescobaldi/commit/fb79df399056ddd8ce2fa2b48ac36fc37bdc0588
--
Knute Snortum
On Fri, Jan 12, 2024 at 6:21 AM Raphael Mankin wrote:
>
>
> On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
> > On Wed, 10 Jan 2024, Raphael Mankin wrote:
> >
> >> That strikes me as being a programmer's response, and I speak as a
> programmer
> >> for over 50 years. Using <> works, but it
Do you have a minimum working example you can show us?
https://lilypond.org/tiny-examples.html
--
Knute Snortum
On Thu, Jan 11, 2024 at 5:43 AM Bernhard Kleine
wrote:
> Dear all, happy new year!
>
> Ich have a separate dyn line for the dynamics, but the lines there are
>
that shows the problem, and I've attached
> > an image of it: [...]
>
> This issue belongs into the group of the many cross-staff problems.
> AFAICS, we don't have this particular case covered, so please file an
> issue in the LilyPond tracker.
>
For reference, it's : https://gitlab.com/lilypond/lilypond/-/issues/6688
--
Knute Snortum
o "Allegro maestoso"
c'''2( e |
\change Staff = "lower" c,1) |
}
two = \relative {
s1 |
s1 |
}
<<
\new Staff = "upper" \one
\new Staff = "lower" \two
>>
--
Knute Snortum
...and slightly shorter, you can write "\omit Score.TimeSignature" instead
of the override.
--
Knute Snortum
On Wed, Dec 27, 2023 at 1:01 PM billhunker wrote:
> In the layout block.
>
> \layout {
> \override Score.TimeSignature.stencil = ##f
> }
>
>
Lukas-Fabian Moser,
This is wonderful! Thanks for taking the time to do this. The mathematics
of the "cheat" is complex to me, but it works well.
--
Knute Snortum
On Wed, Dec 27, 2023 at 4:18 AM Lukas-Fabian Moser wrote:
> Hi Knute, hi Mark,
>
> here's an exa
Okay, if I code the duration of the first two eighth notes in the left
hand, second measure, as 8 * 1/2, that works. The MIDI will be affected,
but at Alegro, I'm not sure anyone will notice.
--
Knute Snortum
On Tue, Dec 26, 2023 at 4:54 PM Mark Stephen Mrotek
wrote:
> Kn
ut of this snippet. I can adjust the
NoteColumn.X-offset of the notes, but this offset can change from measure
to measure. Is there a smarter way to do this?
--
Knute Snortum
On Wed, Dec 13, 2023 at 12:03 PM Jean Abou Samra wrote:
> See issue #6639 <https://gitlab.com/lilypond/lilypond/-/issues/6639>.
>
Thanks. I searched for "continued" but not "broken." I'll know better
next time (maybe).
--
Knute Snortum
ight = ##t
}
\relative {
\key e \major % ugly
% b major is okay
% f sharp major is ugly too
cis''1( | \break
cis1) |
}
%%%
The output is attached. What is your opinion on this? Is it an "ugly"
issue or not a problem?
--
Knute Snortum
e any normal attachment.
>
I do see the attachment, it's just not displayed in the text of the
message. I'm using GMail and I'm not in Plain Text mode. I see images
inline with other emails, just not David Kastrup's.
It's not a big deal. I just need to remember it when I'm replying.
--
Knute Snortum
On Sun, Dec 3, 2023 at 2:10 AM David Kastrup wrote:
> Knute Snortum writes:
>
> > On Sat, Dec 2, 2023 at 6:44 AM Peter Mayes wrote:
> >
> >> Here is a fragment of something I am engraving.
> >>
> >> e( dis e ais, b g |
> >> e8) r
On Sat, Dec 2, 2023 at 7:57 AM Peter Mayes wrote:
> On 02/12/2023 15:49, Knute Snortum wrote:
> > When we ask for a MWE, the "w" stands for "working".
>
> My apologies - I'm a relative newbie here! I'll know next time.
>
> And thanks David and K
e 3/8
\key g \major
e''16( dis e ais, b g |
e8) r \afterGrace d'!(\trill { cis32 d } |
c'!16) b^. a^. g^. fis^. e^. |
}
What you probably want is a "phrasing slur", which you get by writing \(
\). So:
\version "2.24.3"
\relative {
\time 3/8
\key g \major
e''16( dis e ais, b g |
e8) r \afterGrace d'!\(\trill { cis32( d) } |
c'!16\) b^. a^. g^. fis^. e^. |
}
--
Knute Snortum
On Wed, Nov 29, 2023 at 11:54 AM Kevin Cole wrote:
> On Wed, Nov 29, 2023 at 10:04 AM Knute Snortum wrote:
>
> Thanks.
>
> > I'm not sure what you want to do makes musical sense, that is, the d'>2 and the d'8 should be on the same beat, so why do you want the half
> no
--
Knute Snortum
On Tue, Nov 28, 2023 at 6:32 PM Kevin Cole wrote:
> I searched for a way to shift notes horizontally but when I shift the
> half-note chord in the first voice below, it shifts the second eighth-note
> in the second voice, forcing it to stay to the right of the half-n
| % 1
e2 b8[ b8] | % 2
}
\\
{
\once \override Arpeggio.positions = #'(-5 . -1) 2.\arpeggio | % 1
\stemUp gs2 \stemNeutral s4| % 2
}
>>
}
--
Knute Snortum
On Fri, Nov 24, 2023 at 9:51 AM Karlin High wrote:
> On 11/24/2023 9:38 AM, Knute Snortum wrote:
> > My hope is this will help others in the same situation.
>
> To further that hope, Norton has a website for reporting false-positives.
>
> Hub page:
>
> <
> ht
in the same situation.
--
Knute Snortum
.
>
>
> https://gitlab.com/lilypond/lilypond/-/issues/?sort=created_asc=opened=articulate_page_size=100
It looks like this issue:
https://gitlab.com/lilypond/lilypond/-/issues/3696
For some reason, it's been changed from a defect to a warning issue, but
I'm not sure the logic for that is correct.
--
Knute Snortum
On Mon, Nov 20, 2023 at 6:34 AM Luca Fascione wrote:
> Did this change between 22 and 24?
> Is there somewhere I can go to see the implementation for the LSR that
> used 2.22?
>
> L
>
> On Mon, 20 Nov 2023, 15:07 Knute Snortum, wrote:
>
>> On Mon, Nov 20, 2023 at 4
On Mon, Nov 20, 2023 at 4:35 AM Luca Fascione wrote:
> Also,
> it doesn't seem to actually work on 2.22 (see below)
>
> How does this even compile on the LSR?
>
The LSR uses LilyPond 2.24.2, which compiles the source without error.
--
Knute Snortum
On Fri, Nov 17, 2023 at 8:15 AM Alasdair McAndrew wrote:
> I'm typesetting some 16th century music which has a lot of time changes.
> And I'd like to add equivalences of notes across bar-lines, to indicate for
> example, that a quarter note in one bar is equal in time to a half note in
> the
s rid of the warnings, but it also creates little scores with just
a clef and time signature. It's a trade-off. Personally, I don't want
spurious warnings in my LilyPond log, so I choose the spacer rest solution.
--
Knute Snortum
repeat unfold 3 { c4 c8 }
> }
> \unset Staff.timeSignatureFraction
> \time 3/4
> c2.
> }
> >>
>
>
Thank you for this. It works great.
--
Knute Snortum
On Fri, Nov 10, 2023 at 11:56 AM Knute Snortum wrote:
> I'm engraving a Scriabin piano etude that starts with common time in the
> right hand and 12/8 in the left. ...
>
I think I have a better solution now. It's attached.
--
Knute Snortum
\version "2.24.2"
\paper {
ot
minimal, but it's a place to start .
If anyone is interested in seeing the entire etude, here is a URL (it's
number 7):
https://vmirror.imslp.org/files/imglnks/usimg/a/a9/IMSLP263772-PMLP07375-Skrjabin_-_Etudes_-12-,_Op.8_-Moscow,_Muzgiz-.pdf
--
Knute Snortum
\version "2.24.2"
\pa
py to look
through the LSR, find snippets like this and modify them, but it doesn't
look like I have the privileges to do this.
So, 1) do we want to modify some of the snippets to add tagline = ##f, and
if so 2) how would I go about modifying the LSR DB?
--
Knute Snortum
ive {
e2
}
leftHandLower = \relative {
e,1
}
dynamics = {
s4 s2.-\tweak Y-offset -5 -\markup \italic rit.
}
\score {
\new PianoStaff <<
\new Staff << \rightHandUpper \\ \rightHandLower >>
\new Dynamics \dynamics
\new Staff << \clef bass \leftHandUpper \\ \leftHandLower >>
>>
}
--
Knute Snortum
Hopefully this will get you started:
https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords#customizing-chord-names
--
Knute Snortum
On Wed, Nov 1, 2023 at 4:38 PM Mats-Olof Liljegren wrote:
> Hi!
>
> In this part I would like to have the lyrics above soprano
fis,]^-^\markup { \italic "ad lib"}\p g4^-_\markup { \italic
"sub." }
r4_\markup { \italic "attaca"} \cadenzaOff\bar "||"
\key c \major |
c4 c c c
}
--
Knute Snortum
On Wed, Nov 1, 2023 at 5:26 AM Peter Mayes wrote:
> I have two beginner questions
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