> Thanks, but unfortunately the kind of work needed is deeply technical, not
> busy work.
>
Just had a quick look. It seems to me we need to create a python-poppler-qt6,
port qpageview to Qt6 and of course frescobaldi itself. I would hope that
qpageview and frescobaldi both basically mean
ive f' {
\global
\repeat volta 2 {
r8 ges8 as bes~ |
bes8 as ges e~ e8 es e8 ges~ |
ges8 e es des~ des8 b des8 es~ |
es8 des b bes~ bes8 as bes8 b~ |
b2
}
}
\score {
\keyboard
\layout {}
\midi {
\tempo 4=108
}
}
- snip - snip - snip - snip - snip - s
:
real0m13,203s
user0m12,789s
sys 0m0,347s
on my AMD Ryzen 7 7840HS Notebook with 32GB RAM on ArchLinux.
Kind regards,
Michael
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> Why not
>
> verseC = \lyricmode { \repeat unfold 4 { \skip 8 } lu __ _
>\markup \null \repeat unfold 3 { \skip 8 } lu
__ _ }
Thanks Kieren, that's kind of what I was looking for :)
Kind regards,
Michael
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I‘d read that. Different but hacky as well and ruins MIDI.
Thank you for pointing that out.
Kind regards,
Michael
Mobil gesendet
> Am 14.02.2024 um 10:55 schrieb Hans Aikema :
>
>
>
>
>>> On 14 Feb 2024, at 10:17, Michael Gerdau wrote:
>>>
>&g
mple lower
system bar 3) but that seems somewhat hacky and I'd like to have a
better way.
Is there a better way?
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.13"
musicA = { \repeat unfold 2 { c''4
e timeline is there.
In the attached example I could kind of solve the problem by using
\RemoveEmptyStaves
instead, but that doesn't help in the middle of the piece.
Has someone a solution to this problem?
I can't imagine I'm the first to come across it.
Kind regards,
Michael
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should get you a long way towards your goal.Kind regards,Michael From: Michael Gerdau Sent: Saturday, December 30, 2023 12:57 AMTo: drtechda...@gmail.comCc: lilypond-user@gnu.orgSubject: Re: Cascade Chords When you say „cascade chord“ do you mean an arpeggio? If so then yes, Lilypond has a special
When you say „cascade chord“ do you mean an arpeggio?
If so then yes, Lilypond has a special \arpeggio command that is simply
appended to the chord that’s broken.
Kind regards,
Michael
Mobil gesendet
> Am 30.12.2023 um 03:09 schrieb drtechda...@gmail.com:
>
>
> Is there a special notation
f\f does
use musical time.
That's something I don't understand. Especially since it doesn't seem to
when wrapped in {}.
If that's intended (and I'm not saying it isn't or can't be) I'd like to
understand the reason for this (to me) inconsistency.
Kind regards,
Michael
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time which makes the \f appear 1 quaver later than I had expected.
Is this behaviour expected or a bug?
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.11"
music = {
c'4 c'4 c'4 c'4 | c'4
> Thanks, but I would like to know whether you prefer the top
> (alto-based) or bottom (treble-based) image on
>
> https://gitlab.com/lilypond/lilypond/-/merge_requests/2188
Top (alto-based) is 6 days ago and bottom (treble-based) is 4 days ago as of
today?
Of those two I prefer bottom as
I’ve just looked at the images and especially w/r to the Alto clef I strongly
prefer the new spacing.
For the others there are spots where I’m not sure it is too tight but overall
the new spacing appears to be more balanced.
I thus think the new spacing is better overall.
Kind regards
Michael
with 2.25.9 and 2.25.10
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.9"
\pointAndClickOff %% for smaller PDFs
global = {
\key bes \major
\time 3/2
\dynamicUp
\autoBeamOff
,
Michael
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roblem could be.
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.9"
%% Start LSR snippet 888
%% http://lsr.di.unimi.it/LSR/Item?id=888
%LSR by Wolf Alight
%=>http://lists.gnu.org/archive/h
The problem seems to be created by the code copied from LSR snippet 888.
When the \layout{} section is commented out, everything compiles fine.
So maybe it's not a lilypond problem but one of LSR snippet 888.
Kind regards,
Michael
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rs
programming error: Improbable offset for stencil: -inf staff space
Setting to zero.
continuing, cross fingers
Converting to `Hodie-Christus-natus-est-Jan-Pieterszoon-Sweelinck.pdf'...
Success: compilation successfully completed
I will try to create a MWE if that is required to track down the problem.
Kind regards,
Michael
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reduce it. Removing
more bars makes it compile w/o error.
Kind regards,
Michael
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\header {
title = "some title"
}
sopranoVoice = \relative b' {
\key d \major
or Score context.
Strange error though (not knowing the details of the internals)
Kind regards,
Michael
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to return after having added more music. It feels like an on/off thing
depending on some weird constellation of the music.
I don't have a MWE but am happy to send a larger file if that helps.
Kind regards,
Michael
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nip - snip - snip - snip -
Kind regards,
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musa = { \dynamicUp c'4\p \repeat unfold 3 { c' }
\dynamicUp c'4\p \repeat unfold 3 { c' }
c'4\p \repeat unfold 3 { c' } }
mu
created by \partCombine
internally. The current behaviour is very unexpected to me though.
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created by \partCombine
internally. The current behaviour is very unexpected to me though.
Kind regards,
Michael
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e last bar identically in both \musa and \musb the
dynamics stay below in the first two scores and stay above in the second
two scores.
To me this looks like a bug.
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version &quo
\p \repeat unfold 3 { c' } c'4\p \repeat unfold 3
{ c' } }
musb = { \dynamicUp s1 c'4\p \repeat unfold 3 { c' } }
\score {
\partCombine \musa \musb
}
- snip - snip - snip - snip - snip - snip - snip -
Kind regards,
Michael
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... and I really need to make a habit out of
carefully reading the "what's new" documentation of new versions...
Thank you for pointing me to it,
Michael
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[moving instructional text above notes and outside of lyrics]
you could create a Dynamics context before the staff containing the markup.
Thanks Valentin, that works like a charm :)
Kind regards,
Michael
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ot;s1" {
\verse }
>>
}
- snip - snip - snip - snip -
Any ideas what the proper incantation would be?
Kind regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.8"
music = {
<>^\markup "
ontent conditionally (or
leave it out).
Kind regards,
Michael
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tuning
} \guitar
>>
\score {
<<
\chordsPart
\guitarPart
>>
\layout {
\context {
\Score
\RemoveAllEmptyStaves
}
}
}
- snip - snip - snip -
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regards,
Michael
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GPG-keys available on request or at public keyserver\version "2.25.7"
\include "predefined-guitar-fretboards.ly"
\paper {
indent = 0
}
chordNames = \chordmode {
c1 | d1 | e1 | f1 | g1 | a1 | b1 | \break
c1 | d1 | e1 | f1 | g
> I'm transcribing a piece that has "mostly" English lyrics under the
> staff. It shows two verses (\set stanza "1." and \set stanza "2.")
>
> Between the two, occasionally, there is the phonetic pronunciation of
> a non-English word or phrase, in italics. So at the beginning of the
> piece,
. Such a placement would very much irritate as it would like as if
there is a rest missing on the first beat.
Or am I misunderstanding you?
Kind regards,
Michael
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I use Frescobaldi that essentially creates skeletons for that.
Mobil gesendet
> Am 28.07.2023 um 12:20 schrieb Stephan Schöll :
>
> Hi all
>
> Years ago I stumbled upon a script that generates midi rehearsal files
> for each voice of an SATB choir e.g. and I missed the chance to bookmark
> or
AFAICT the note is not played louder. However it is played twice and then
depending on your sound device that may or may not result in that note being
louder.
Mobil gesendet
> Am 09.07.2023 um 15:46 schrieb Knute Snortum :
>
>
> Hi everyone.
>
> If two voices play the same note, the MIDI
> Once upon a time this built. It might be a good starting point.
The included file guitar.ly is missing. It might not be strictly required but I
thought I’d mention it.
Kind regards,
Michael
ldi/issues/1582>
It's either fixed by now or does not happen everywhere.
FWIW I do have the normal Icon in the taskbar on Windows 10.
Kind regards,
Michael
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\override TextScript.outside-staff-priority = ##f
If you don't turn off outside-staff-priority, it will try to prevent the
collision, moving the text script out of the staff.
Thanks, that was the secret ingredient...I knew it had to be something
simple :)
Kind regards,
Michael
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to adjust to
make it work?
\version "2.25.2"
music = \relative d' {
\override TextScript.Y-offset=#2
\override TextScript.X-offset=#0.5
d2_\markup { \musicglyph "z" }\repeatTie r2
}
\score {
\music
}
Kind regards,
Michael
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To me they look fishy. Their „Allgemeine Geschäftsbedingungen“ (kind of rules
applying to all contracts) seem to be contradictory as well. In one spot they
request to be given all rights except for the copyright and at another spot
they explicitly state it remains possible to publish elsewhere.
that way.
My 0.02€
Michael
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sts).
I suspect a bug. Jean or David or someone like these two are much better
equipped to comment.
Kind regards,
Michael
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Hi Wim,
not sure what you mean by „proper french notation“.
If you are referring to note names then you could try Frescobaldi. It has built
in functionality to convert between the various note names.
Kind regards,
Michael
Mobil gesendet
> Am 29.01.2023 um 09:44 schrieb Wim van Dommelen :
>
little
tweaking effort I have to invest to get a fairly decent job done.
In that department Lilypond trounces the competition.
Kind regards,
Michael
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What I would need is a "This has changed" summary for new releases.
Such as this?
https://lilypond.org/doc/v2.23/Documentation/changes/index.html
:-)
Exactly that :)
Thanks for pointing me to it.
Kind regards,
Michael
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is incurs a resource problem. Thus I live with me
occasionally missing out on important details of changes.
Kind regards,
Michael
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Thanks for the explanation.
Apparently I misread the documentation.
[detailed explanation snipped]
I had a memory that the syntax had changed but couldn't find it upon a
quick look since all the examples at the beginning of the notation
reference still use the old syntax :)
You can
this is not a bug. You’re supposed to put the alternative after the repeat
part not inside, so \repeat volta 2 { ... } \alternative { ... }. The way you
have put it the \alternative ... is used as alternatives for the \repeat
unfold (as it is placed after that one), so after the first repeat you
Hi list!
the attached Lilypond code IMO shows a bug.
Or have I misunderstood the way it is supposed to work?
\version "2.23.10"
music = \relative g' {
\time 6/8
\partial 8
r8 |
\repeat volta 2 {
g8 r8 r8 d8 r8 r8 | g8 r8 r8 d8 r8 r8 | g8 r8 r8 d8 r8 r8 | g8 r8
r8 d8 r8 r8 |
g8
and things.
HTH,
Michael
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though.
Kind regards,
Michael
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)
Invalid argument
-499092417
Kompilation erfolgreich beendet
Erfolgreich abgeschlossen in 0.5".
Kind regards,
Michael
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using guile 1.8) it
works w/o noticeable problems.
Kind regards,
Michael
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quot; (localtime (current-time)))
Invalid argument
Shouldn't this work or has the syntax changed?
Kind regards,
Michael
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ange the tempo and it has no effect" is not helpful. We need to see
exactly how you change the tempo. Because IMO quite obviously you are
doing something wrong. I just don't know what.
Kind regards,
Michael
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chael
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. = 30 or so :)
To understand why it does not work for you a MWE might be helpful.
Kind regards,
Michael
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polymetric
music, it is done in the documentation in order to account for all cases.
Ah ok. I thought there must be a reason :)
Thanks for explaining that.
Kind regards,
Michael
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and why/when would I prefer one over the other?
Kind regards,
Michael
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s/106875/how-to-write-a-pickup-measure-with-5-16-duration-in-lilypond
All the examples on that page shown display different ways to provide
the same duration.
HTH,
Michael
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even tried to look into the manual?
I just searched for "cautionary" and the first sentence that I found is:
A cautionary accidental (i.e., an accidental within parentheses) can be
obtained by adding the question mark ? after the pitch.
Kind regards,
Michael
--
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have no clue what you try to achieve.
Could you possibly give a (handwritten?) image of what you would like to
final result to look like?
Kind regards,
Michael
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regards,
Michael
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It’s not that simple, since in the example all the scores are in the same book.
It is that simple.
Put the score in one book and the midis separate books and done.
Or that is how I understand the manual.
Kind regards,
Michael
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s://lilypond.org/doc/v2.22/Documentation/notation-big-page#output-file-names
\bookOutputSuffix
and
\bookOutputName
are your friends.
HTH,
Michael
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on the other page?
Because it is too large to fit on the first page?
If you want breaks inbetween the paragraphs you need to split it into
separate markups.
HTH,
Michael
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an 2 pages
displayed. Especially since the scrolling of pages during flipping is
smooth (enough) to my eyes.
Kind regards,
Michael
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regards,
Michael
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al example showing what is not working?
Kind regards,
Michael
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guage and its inherent rhythm almost always is more important.
Kind regards,
Michael
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Would adding s1 (possibly more than once) solve your problem?
Kind regards,
Michael
Mobil gesendet
> Am 29.08.2021 um 14:33 schrieb Carlos R Martinez
> :
>
>
> Hi, is there a way to expand the staff when the music is only 3 measures. So
> instead of the 3 measure ending in the middle of
dingly and it should
work.
Kind regards,
Michael
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ld I ever need it.
Therefor my conclusion is:
Kieren surely has good reason to prefer \absolute, but deriving that \relative
is inferior and should be avoided is overdoing it IMO.
Kind regards,
Michael
PS: When I get a LP file with all \absolute, the first thing I do is spend 20
seconds to convert it all to \relative in frscobaldi :D
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> Is
> https://lilypondforum.de/index.php/topic,830.msg4586.html#msg4586
> what you're looking for?
Excellent, thank you :)
Michael
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Hi list,
I seem to recall I'd seen a snippet that adds vertical bars to quavers on LSR
but can't find it anymore.
Has anybody code lying around that does that?
Kind regards,
Michael
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gt; > \motiv #'Stefan {c'8 d' c' d' e2}
> > and later it can be used like this:
> > \Stefan {e f g }
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motif.ily
Description: Binary data
Just out of curiosity (and because I moved from LP to Gregorio for all things
Gregorian):
What exactly is it that you miss in Gregorio that you hope to achieve with LP?
The provided example chant is easily typeset in Gregorio and I‘m not aware that
it is possible to achieve an acceptable result
manually"
\score {
{ \body \voltaI \repeat unfold 3 { \body \voltaII } \body \voltaIII \bar "|."
}
\layout { }
\midi { }
}
\markup "How should I change \musicII to enable \unfoldRepeats to work the way
I want it?"
\markup "Is there a way to tell \alternative w
ic reference?
I personally really like the perlre manpage. It is THE reference for all Perl
Regular Expressions from which many other current regexp engines are derived.
Kind regards,
Michael
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Hi!
I find your description difficult to understand. Maybe you could provide an set
of examples showing exactly what you wish to be modified into what.
Apart from that your problem sounds as if it is trivial when using non greedy
regular expressions. As Aaron already wrote you need expressions
>> Big deal. I won't ask what's in voiceTrombone.ily.
>
> A variable declaration. You know - EXACTLY THE SAME as C programmers
> often stick in .h files ...
I don’t think that’s correct.
For one according to my understanding LP has no variable declarations
whatsoever, only definitions.
For
ggestion. I would do that if I knew where the system breaks
> were going to occur ahead of time. I put the line break in the example code
> just to simplify it and demonstrate the problem with very little code.
>
> Benjamin Bloomfield
>
>> On Mon, Apr 20, 2020 at 10:23 AM Mi
Why don’t you insert another \set stanza = "2." In front of the second "Should"
?
Kind regards
Michael
Mobil gesendet
> Am 20.04.2020 um 16:14 schrieb Benjamin Bloomfield :
>
>
> I've been using shortVocalName to engrave stanza numbers at the beginnings of
> systems, but I'm running into
ichael
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Voice = "SII" { \voiceTwo \SopranoVoiceII }
>>
\new Lyrics \lyricsto "SI" { \VerseSopranoVoiceI }
>>
That's what's documented under the link that Joram already provided.
Kind regards,
Michael
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signature.asc
Description: OpenPGP digital signature
combine the fragments later outside of LP, but IMO this should not
be required.
Kind regards,
Michael
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signature.asc
Description: OpenPGP digital signature
Replace \addlyrics... by \new Lyrics \lyricsto „SI“...
Kind regards,
Michael
Mobil gesendet
> Am 09.04.2020 um 15:03 schrieb Bernhard Kleine :
>
> I have the following extract from Mendelssohn Bartholdy. I noticed that
> the parentheses in measure seven were not respected and the text was
>
ux.
>
> Does that also happen with David Kastrup’s "bar-keeper" engraver?
> <https://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00239.html>
Thank you for that suggestion. I had saved the code back then but forgot
about it. Unfortunately it crashes likewise for me
and 2.20.0. However on 2.19.83 the
crash happens later, i.e. it can process a larger number of bars.
Before I'm reporting a bug could others please verify that I'm not doing
something stupid?
MWE is attached.
Kind regards,
Michael
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Did they play live?
And if so, what software/setup had been used?
It doesn’t say so in the comments.
Kind regards,
Michael
> My understanding of "full measure rests" is, it covers the full measure based
> on the time signature. Thus R1 is sufficient for a measure that is in 4/2
> time.
That understanding is wrong.
A full measure rest has a duration like normal rests, thus you will have to
scale it according to
though of the top of my head I'm not sure about the details. There was a thread
on this list that should be in the archives though.
Kind regards,
Michael
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t on Windows as is I have the same problem. However it works w/o
problems in the Windows Linux SubSystem.
I'll send you the PDF and also the long list of complaints/errors reported by
LP in a separate mail to not fill the list archive.
Kind regards,
Michael
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h note head takes (everything should be the same, regardless of length)?
That's a different question and not easily answered in one sentence. You have
read the Notation Manual on horizontal spacing and the many options available
to influence that?
Kind regards,
Michael
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ven me the impression that you
had a view on how things would/should work inside LP and are now
struggling with the revelation that at least \offset isn't as
deterministic as you expected it to be.
Of course this impression may be totally wrong.
Kind regards,
Michael
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th = #0
}
\context {
\Score
barAlways = ##t
}
}
}
I've also stopped using the gregorian.ly because too many (for my liking)
things get switched off. I use a private version that only includes some of the
attributes of gregorian.ly. But that is probably a matter of persona taste.
and instead
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
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Hi Paolo,
I don’t understand your request. How do you want the hairpin repositioned?
Possibly an image to illustrate might help.
Kind regards,
Michael
Mobil gesendet
> Am 11.01.2020 um 01:14 schrieb Paolo Prete :
>
>
> Hello,
>
> given:
>
> {{
> a'\p\< a' a' a'\ff
> }}
>
> ... how can
}
Both c) and d) seem to do what I want. Besides personal taste:
Is there a reason to prefer one over the other?
My gut feeling opts for d) as that provides proper stem direction when the
music is transposed.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on r
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