;keyword function.
> But I'd rather do something like
>
> (markup (assq-ref enclosures enclosure) "CC")
>
> i.e. looking up the appropriate function instead of creating a
> conditional chain.
But #:circle isn't a function ...
Cheers RalfD
> Any ideas?
>
> ThanksU
Am Freitag, 03. Juli 2020 21:52 CEST, Urs Liska schrieb:
> Unfortunately I don't really have an idea what "#:circle" actually
> *is*, so I have no clue about getting where I need to.
Syntacilally? That would be a scheme keyword.
Cheers, RalfD
> BestUrs
>
>
--
Ra
a scheme value. Shouldn't that
then be passed one, i.e:
{
\proportionalNotationDur #1/16
c' c' c' c'
}
> Thanks!
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
[5] (formerly PLT
> Scheme) for demonstration, the intention is teaching principles of
> program design that are applicable to any language.
>
> Of note, MIT Press has made this work available online for free [6].
>
> [4]: https://mitpress.mit.edu/books/how-design-programs-second-ed
> I don't know about Scheme IDEs. An internet search suggests DrScheme
> might be suitable, but I think most people on this list use their
> LilyPond environment for working with scheme.
>
> What happens if you try running the guile program on its own (not via
> lilypond scheme-sandbox)?
>
> Kevin
>
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Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
Or they really only watch a click track (a video with the score and the
> beating metronome)?
>
> Thanks, g.
> P.S. Hope my english is understandable.
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
Am Samstag, 28. März 2020 19:52 CET, Michael Gerdau schrieb:
> Did they play live?
Looks (and sounds) like the all play to the same clicktrack
Cheers, RalfD
> And if so, what software/setup had been used?
> It doesn’t say so in the comments.
>
> Kind regards,
> Mi
the OP: there is an immanent latency in all network connections - packets
need to
pass through switches and routers, and let's not forget the speed of electrical
signals.
While one can get pretty low latency on local networks (Dante et al.) trying
live jamming
over the internet is pretty much i
d also updated the system to
> >> the version 10.15.4 but it’s still the same error. I've also deactivated
> >> FileVault and gave.
> >>
> >> The log file says maybe a bit more precisely:
> >>
> >> Error Code: 0x0004 (no mapping for user
python-ly:$PYTHONPATH
???
Cheers, RalfD
> (I cloned the repos directly in the home directory, so ~/python-ly
> should be the correct location)
>
> @Urs: Should the wiki guide be updated to point to the repos in the
> frescobaldi organisation instead of wbsoft?
>
> Best
'. Did you mean
> print(log[0])?
You are trying to run a program meant for Python2 with Python3. This will not
work.
Cheers, RalfD
--
Ralf Mattes
Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
g tweaks to fix improper rhythm will not work ....
Cheers, Ralf Mattes
>
> %-
> \version "2.18.2"
>
> #(set-global-staff-size 24)
>
> symbols = {
>2 g'4-4 <\tweak
> #'duration-lo
r using a tie, I will research that. I am trying to script a piece
> of music to match the original sheet music. I do not think a tie was
> originally used.
>
>
>
> On 2016-01-01 10:31, Ralf Mattes wrote:
> > Am Freitag, 01. Januar 2016 17:12 CET, stra...@tpsx.com
die rechte Hand daselbst ruhe“ – ‘The line means that
> the right hand should rest there.’
Oh, that's a rather unfortunate translation - it might be interpreted as "rest"
in the sense of "to stop", which is probably not what is meant.
Maybe "the line means that the right hand
Am Mittwoch, 18. November 2015 17:48 CET, Federico Bruni
schrieb:
> You are right, not necessarily: in fact it reads the environment
> variables, but it does not read the frescobaldi alias.
How and where did you define that alias?
In ~/.bashrc
alias
Am Mittwoch, 18. November 2015 18:02 CET, David Wright
schrieb:
>
> It might be worth taking note of this line in man bash
>
> "For almost every purpose, aliases are superseded by shell functions."
Yes, with one important difference in favour of aliases - if
Am Mittwoch, 18. November 2015 16:56 CET, Federico Bruni
schrieb:
> Il giorno mer 18 nov 2015 alle 16:33, Urs Liska ha
> scritto:
> > Does sh read ~/.bashrc?
>
> Yes, it does:
>
> $ sh -c "echo $LILYPOND_GIT"
> /home/fede/src/lilypond-git
No,
Am Mittwoch, 18. November 2015 12:10 CET, Andrew Bernard
schrieb:
>
> Hello Jacques,
>
> A slightly more idiomatic Scheme-like way to get the current file name being
> processed might be something like this:
>
> #(define (file-name)
> (let* ((args
Am Dienstag, 17. November 2015 14:41 CET, Werner LEMBERG
schrieb:
> > I don't really agree with your characterization of Scheme as a
> > "quite specialised area" of LilyPond: it's a rather integral part of
> > its workings and interfaces, quite different from the role, say,
lilypond_path = lilypond
to
lilypond_path = /Applications/LilyPond.app/Contents/Resources/bin/lilypond
That should o the trick (sorry, I'm a bit short on time to install abjad on a
Mac
right now, so I can't test it myself).
HTH Ralf Mattes
> Best,
> Daniel
>
>
>
Am Freitag, 25. September 2015 15:29 CEST, BB <bb-543...@telecolumbus.net>
schrieb:
The OP wrote:
"followed the steps at http://www.lilypond.org/macos-x.html;
> If you are on Linux type
Can we please read (and understand) questions before adding noise?
Cheer
$@"
EOF
chmod 755 lilypond
#-------
HTH Ralf Mattes
>
> On 25.09.2015 15:43, BB wrote:
> > Thank you for your noisy mail. Help him yourself!
> >
> > On 25.09.2015 15:38, Ralf M
'
Cheers. Ralf Mattes
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-file that lilypond created ...
Not enough itch to scratch for me but maybe someone will be able to ebug this.
For now, I'd say this isn't a production-ready alternative to lilypond book.
Cheers, Ralf Mattes
Thanks,
Marc
Víctor
_not_ denote a C flat
(ces) but rather a C-fa which is exactly what is needed in your example
in _both_ cases, so (in case this is not an original source) you might
better write 65♭ in the first, untransposed case.
HTH Ralf Mattes
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but
that's another thread ;-)
HTH Ralf Mattes
Thanks
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/About-pitch-tp176774.html
Sent from the User mailing list archive at Nabble.com.
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be
plenty of space to export even larger orchestra scores ;-)
Cheers, Ralf Mattes
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On Thu, 28 Jun 2012 18:23:01 +0200, David Kastrup wrote:
Ralf Mattes r...@mh-freiburg.de writes:
On Thu, 28 Jun 2012 13:36:59 +0200, Nils wrote:
We are dealing with midi here, that means 16 instruments max. at each
given time.
Are we? Since when can Lilypond talk Midi? IIRC Lily does
On Thu, 28 Jun 2012 19:46:59 +0200, Nils wrote:
Yes. 16 sounds because we have 16 channels max.
No. Channels (as the name implies) are a way to address more than one
sound over a communication channel (used to be a serial cable). Think
of bus architecture. But the OP doesn't need to use
On Thu, 28 Jun 2012 20:07:40 +0200, Jan Nieuwenhuizen wrote:
Nils writes:
Yes. 16 sounds because we have 16 channels max. And you can double two
horns on one channel but you can't pan one to the left and one to the
right.
So in the end its 16 instruments + tricks like sharing one
On Thu, 28 Jun 2012 20:35:10 +0200, David Kastrup wrote:
Ralf Mattes r...@mh-freiburg.de writes:
On Thu, 28 Jun 2012 19:46:59 +0200, Nils wrote:
Yes. 16 sounds because we have 16 channels max.
No. Channels (as the name implies) are a way to address more than one
sound over
always a sign
of bad scripting ...)
Cheers, Ralf Mattes
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a whole (almost empty) page. What am I missing?
TIA Ralf Mattes
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On Thu, 23 Jun 2011 12:23:28 +0200, Federico Bruni wrote:
you are missing the option -dpreview
it's explained in Usage manual, chapter 1.2
Yes, -dpreview was it (as I could have found myself
by using -dhelp ...).
Thanks a lot
RalfD
2011/6/23 Ralf Mattes r...@mh-freiburg.de
Hello
On Fri, 17 Jun 2011 13:55:59 -0700, -Eluze wrote:
R. Mattes wrote:
Sorry, but since I left my telepathic helmet at home there's no way for
me to know how myLanguage is supposed to look. That would be _your_ job
to fill in.
yes, i'm trying to do so - and as i said it's working when i add
)))
)
language-pitch-names)
Put it into a .ly file and include it.
HTH Ralf Mattes
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On Thu, 16 Jun 2011 08:56:46 -0700, -Eluze wrote:
R. Mattes wrote:
On Wed, 15 Jun 2011 13:52:22 -0700, -Eluze wrote:
hi
for some experiments i want to add a new language - let's call it
myLanguage.
i know i can add it in \scm\define-note-names.scm and this works
perfectly. however
#'violinTuning g d' a' e''
But does this also preserve ordering of notes? There are quite some
stringed instruments with reentrant tuning.
baroqueGuitarTuning = \makeStringTuning a d' g b e'
Cheers, Ralf Mattes
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, it requires changes to the lilypond
file.
HTH Ralf Mattes
On 06/06/2010 10:02 AM, Graham Percival wrote:
On Sun, Jun 06, 2010 at 07:25:09PM +0530, Disc Magnet wrote:
When I run the command: lilypond foo.ly, it generates a foo.ps as well
as foo.pdf. Is there a way to suppress the creation
Dear list members,
i need to change the font used for the tablature letters. What's the
magic incantation to do so?
TIA Ralf Mattes
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