Hello James,
No, I never got around to trying the white-box method. It looks pretty
fiddly, but I also needed to change the shape of the ties, so I first
tried to separate the parts (believing this was necessary) and came to
a dead-end (see previous e-mails).
I am satisfied that it is possible
the tie
will always look like coming out of the fis - unless you change the
direction, but then it collides with the next lower note.
Eluze
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The problem is that in this example, there is a collision with the
tie, second from the top (d'') and the f# (fis''). Ms. Gould's
solution is to divide the tie leaving a gap in the tie, so that it
doesn't collide. How does one divide a tie with Lilypond?
sorry for the delayed response. Did
~
]
}
\once \override Stem #'length = #'6.0
d'' fis'' b' d' gis'4
}
\score {
\arpeggiatedchord
}
http://old.nabble.com/file/p31358219/test.png
of course there is a lot of manual work behind this!
Eluze
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there is a lot of manual work behind this!
Eluze
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Hello again,
I'm sorry to have to make further enquiries, but I'm flailing around here.
It seems that I need to divide the arpeggiated chord into separate
parts, so I can apply tweaks to each part separately.
Sorry about the length of the following code. It is for only one
arpeggiated chord,
Hello Again,
Part 2: If I put each part into a separate voice context, the ties are
in the right direction, but otherwise it's a real mess.
Thanks,
bruys
partOne = {
\voiceOne
\set tieWaitForNote = ##t % for arpeggiated ties
\once \override Beam #'positions = #'(5.0 . 5.0) % raise
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#0.6 #4 e'4
and adjust the #-2 and #4 for the vertical position and height.
Feel better now? Red pill or blue pill? (Did anyone ever try both?)
David
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might be of help: http:// Hiding parts of slurs to avoid
collisions with other objects (althou i don't know it it works with all
objects)
Eluze
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-- Forwarded message --
From: bruys . noten...@gmail.com
Date: Sun, Apr 3, 2011 at 11:14 AM
Subject: Re: Dividing ties and adjusting ties in an arpeggiated chord
To: -Eluze elu...@gmail.com
Dear Eluze,
Thank you very much for that, it looks like just what I need. The link
didn't
I'd like some help on how to adjust ties. The following example comes
from Behind Bars: The Definitive Guide to Music Notation by Elaine
Gould, p.133; or it would do, if I could get it to work.
The problem is that in this example, there is a collision with the
tie, second from the top (d'') and
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