Am 08.05.2011 22:36, schrieb Ivan Kuznetsov:
If I can trouble you yet again, here is a second snippet
with a similar issue, I would like the triplet E natural
in the top voice to take the same space as the E natural
half note in the bottom voice and then disappear.
Well, from the readers'
Am 08.05.2011 22:23, schrieb ivan.k.kuznet...@gmail.com:
Appended is a snippet of two measures, the first measure
is what I intended, the second measure is not.
In the second measure, I would like the top voice
triplet 16th notes B natural and A natural to occupy the
same space as the lower
Damn that was simple! Thank you for the almost instantaneous help!
On Sun, May 8, 2011 at 3:09 PM, Marc Hohl m...@hohlart.de wrote:
There exists a \mergeDifferentDottedOn command, too,
to cover the merge in the second bar.
See
If I can trouble you yet again, here is a second snippet
with a similar issue, I would like the triplet E natural
in the top voice to take the same space as the E natural
half note in the bottom voice and then disappear.
\mergeDifferentlyHeadedOn does not work in this case,
On 09/05/11 06:36, Ivan Kuznetsov wrote:
\version 2.12.3
\include english.ly http://english.ly
\new Staff = guitar
{
\clef treble_8
{
\times 2/3 { e,4 fs4 a'4}
}
\\
{
\mergeDifferentlyHeadedOn e,2
}
}
Why do you want to merge a half and
Nick Payne nick.pa...@internode.on.net writes:
Why do you want to merge a half and quarter note? It would just make
the score more difficult to read and the musician's life more
difficult.
Isn't that already the case for merging differently dotted notes?
--
David Kastrup
