Thanks Leo, very interesting!
I report here, for other users, your same example adding the
command displayLilyMusic at the end.
When compiled, lilypond outputs (in the standard output) the resulting
music expression. For example for the following code:
\version "2.25.4"
%%
If not too late, here is an example, based on Jeans code in
https://lists.gnu.org/archive/html/lilypond-user/2021-09/msg00209.html
%%
convertToSkips =
#(define-music-function (music) (ly:music?)
(music-map
(lambda (m)
(if (or (music-is-of-type? m 'rest-event)
Minimum Working Example.
It's customary protocol to try to reduce your problem or query to its
basic essence so that people on the list can help out.
MWE's are described here:
https://lilypond.org/tiny-examples.html
MWE is the term that has come into use.
Andrew
On 29/04/2023 1:47 am,
On 27/04/2023 13:57, Gianmaria Lari wrote:
Thank you Leo for your answers and help.
you’ll probably need to be a little more specific about the use
case, perhaps also supply example code.
Regarding my second question, let me try to be more clear
I have a score.
I want to write the
I have infinite esteem in cheerleader so if the message comes from one of
them I will do all what them propose:
- I will study what I can do with the edition engraver
- and wait for your MWE :))
By the way, ahem what is a MWE?
Grazie Kieren!
g.
On Fri, 28 Apr 2023 at 17:13, Kieren MacMillan
Hi Gianmaria!
> And now I understand better the reason for the thread Kieren linked.
> I probably have to go back to study the edition engraver :)
I’m the EE’s biggest cheerleader, so I would never dissuade you from that
study… but I really do think the \sendTo is either already exactly what
Le vendredi 28 avril 2023 à 15:08 +0200, Gianmaria Lari a écrit :
> Dear Robin,
> made some more tests.
> Your code works well but it doesn't solve the problem because it returns the
> "absolute" location of the notes while on the other hand in the variable
> where you write the dynamic you use
Gianmaria Lari wrote:
Your code works well but it doesn't solve the problem because it returns
the "absolute" location of the notes while on the other hand in the
variable where you write the dynamic you use a relative location.
That's why I said primitive.
One way to extend it, would be:
I often do math with those :
{
\override Score.BarNumber.break-visibility = ##(#t #t #t)
% Begin forte
<>\f
% At bar 4, mezzo piano
s1*#(- 4 1) <>\mp
% At bar 20, forte
s1*#(- 20 4) <>\f
% At bar 30, pianissimo
s1*#(- 30 20) <>\pp
s1\fine
}
Sure, you have to carry the
Dear Robin,
made some more tests.
Your code works well but it doesn't solve the problem because it returns
the "absolute" location of the notes while on the other hand in the
variable where you write the dynamic you use a relative location. For
example if I want to put a dynamic on the quarter
Hi Jean,
> Are we talking about the same thing? The \sendTo ideas sound more like
> they're solving the first question in the OP's original post than the second
> question to me.
Yes… I got confused about where we were in the conversation.
Sorry!
Kieren.
Thank you Jean, Kieren and Robin.
I had a look at the edition engraver but it was not trivial to understand
how to install it. Maybe I will try it again in the future.
I had a look at the SendTo thread, thanks!
And finally I tried the Robin code. Well, it looks like it's doing the
job
Le jeudi 27 avril 2023 à 10:14 -0400, Kieren MacMillan a écrit :
> Hi all,
>
> > This sounds like it might be a use case for Jan-Peter Voigt's "Edition
> > engraver" tool.
> > https://github.com/openlilylib/edition-engraver
>
> Ehhh… sounds to me more like a case for that “sendTo“ code we were
Gianmaria Lari wrote:
This thing always seemed so inconvenient to me that I thought it was
practically unusable. Or that there was some trick to maybe have
Frescobaldi tell me the "position" of the note (meant as numbers of quarter
or eight notes from the beginning).
Here is a primitive
Hi all,
> This sounds like it might be a use case for Jan-Peter Voigt's "Edition
> engraver" tool.
> https://github.com/openlilylib/edition-engraver
Ehhh… sounds to me more like a case for that “sendTo“ code we were
brainstorming last year:
Le jeudi 27 avril 2023 à 14:57 +0200, Gianmaria Lari a écrit :
> Regarding my second question, let me try to be more clear
>
> I have a score.
> I want to write the dynamics using a separate variable.
> Suppose that on the first quarter of the tenth measure there is a "forte" and
> then on the
Thank you Leo for your answers and help.
> you’ll probably need to be a little more specific about the use case,
> perhaps also supply example code.
>
Regarding my second question, let me try to be more clear
I have a score.
I want to write the dynamics using a separate variable.
Suppose that
You can do like this if it’s useful to you, removing the engravers that read
what you don’t want at a specific place.
%%
\version "2.25.1"
rh = \fixed c' {c4\pp d\p e\f f\ff}
\score {
<<
\new Voice \with {
\remove Dynamic_engraver }
\rh
\new Dynamics %Dynamics
First question
Suppose I wrote this score:
\version "2.25.2"
rh = \fixed c' {c4\pp d\p e\f f\ff}
\score {
\new Staff \rh
}
Is there any "automatic" way to extract the dynamics in the score (maybe
assigning it to a variable)?
At the end I would like to easily transform the previous code in
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