See below. If I have a tie between the two Gs in the top voice, it
collides with the beam. If I fake the tie with a slur, it automatically
avoids the beam.
\version 2.13.58
\relative c'' {
{ g'2 ~ g }
\\ { s1 }
\\ { b,8 g a b ~ b a b a }
\\ { g,2 g }
}
\relative c'' {
{ g'2(
hi bruys
bruys . wrote:
The one disappointing aspect is that (with version 2.13), I get a
warning that Lilypond couldn't find the property type-check for
'dash-definition'. And, if I comment this line out, the result is
basically unchanged. Actually, if I leave this line in, it messes up
Graham Percival writes:
http://lilypond.org/bug-reports
http://lilypond.org/tiny-examples
Why are these in plural; I would prefer: /bug-report, /tiny-example ?
Jan -- just asking for these in a private mail and mistyping the urls :-)
--
Jan Nieuwenhuizen jann...@gnu.org | GNU
On Sun, Apr 10, 2011 at 11:21:17AM +0200, Jan Nieuwenhuizen wrote:
Graham Percival writes:
http://lilypond.org/bug-reports
http://lilypond.org/tiny-examples
Why are these in plural; I would prefer: /bug-report, /tiny-example ?
Because I thought that the phrase Tiny examples
I use a different font for TabStaff:
\override TabStaff.TabNoteHead #'font-name = #Nimbus Sans L Bold
But when a score contains \deadNote I'm forced to comment the line above
and switch back to Feta, otherwise lilypond can't find noteheads.s2cross
(the Feta glyph for dampened notes).
There's
Thanks for your persistence, Eluze,
You're right, I'm using version 2.12.3. It's good to know that when I
upgrade to the new version, I should be able to get it to work. In
version 2.12.3, it's not really bad, but the tie clips the bottom of
the sharp sign.
Remember, I started by wanting to
Dear Nick,
Looks like a good thing to try, when in difficulty.
There isn't any collision avoidance occurring, of course; slurs are
usually placed further away from the notes than ties.
If you make the middle voices vacant, you can see this.
Regards,
bruys
\version 2.12.3
\relative c'' {
{
Nick Payne nick.pa...@internode.on.net wrote in message
news:4da16be1.7010...@internode.on.net...
See below. If I have a tie between the two Gs in the top voice, it
collides with the beam. If I fake the tie with a slur, it automatically
avoids the beam.
\version 2.13.58
\relative c'' {
{ g'2
On 10 April 2011 06:40, Michael Dykes thedoctor81...@gmail.com wrote:
I have read this - well most of this section before, but when I try it I
still get the same results. Perhaps someone could help me out a little,
please?
Normally
\new Lyrics \with {
\override VerticalAxisGroup
On 10/04/11 22:09, Phil Holmes wrote:
Nick Payne nick.pa...@internode.on.net wrote in message
news:4da16be1.7010...@internode.on.net...
See below. If I have a tie between the two Gs in the top voice, it
collides with the beam. If I fake the tie with a slur, it automatically
avoids the beam.
- Original Message -
From: Laura Conrad lcon...@laymusic.org
To: Phil Holmes m...@philholmes.net
Cc: LilyPond User lilypond-user@gnu.org
Sent: Saturday, April 09, 2011 10:11 PM
Subject: Re: Old English font for titles
I finally got a trivial test file. It's a dumb error in my
- Original Message -
From: m...@apollinemike.com
Look at B1 for example. The triplet bracket circled is
too short, I want all triplet brackets to take the entire
duration, not just go to the last stem.
\set tupletFullLength = ##t
\set tupletFullLengthNote = ##t
Shouldn't this
- Original Message -
From: Nick Payne nick.pa...@internode.on.net
To: lilypond-user@gnu.org
Sent: Sunday, April 10, 2011 1:23 PM
Subject: Re: Slurs are better than ties at automatically avoiding collisions
On 10/04/11 22:09, Phil Holmes wrote:
Have you tested whether it actually
On 10/04/11 23:33, Phil Holmes wrote:
- Original Message - From: Nick Payne
nick.pa...@internode.on.net
To: lilypond-user@gnu.org
Sent: Sunday, April 10, 2011 1:23 PM
Subject: Re: Slurs are better than ties at automatically avoiding
collisions
On 10/04/11 22:09, Phil Holmes
Hello,
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[lilypond-user-bounces+james.lowe=datacore@gnu.org] on behalf of Ivan
Kuznetsov [ivan.k.kuznet...@gmail.com]
Sent: 09 April 2011 21:54
To: lilypond-user@gnu.org
Subject: First page completed;
My thanks to all for your suggestions!
The upshot -- well, so far -- is that *if* I buy the printer, it will be a
refurbished HP LaserJet 5000. Am sniffing out reputable vendors.
Meanwhile, I've begun to explore other (no-printer) options for self-
publishing. The POD outfits (Lulu first)
Pete == PMA peterarmstr...@aya.yale.edu writes:
Pete The upshot -- well, so far -- is that *if* I buy the printer,
Pete it will be a refurbished HP LaserJet 5000. Am sniffing out
Pete reputable vendors.
I would recommend against this. I did that, after the kind of
exploration you
On Apr 10, 2011, at 11:05 AM, PMA wrote:
My thanks to all for your suggestions!
The upshot -- well, so far -- is that *if* I buy the printer, it will be a
refurbished HP LaserJet 5000. Am sniffing out reputable vendors.
Meanwhile, I've begun to explore other (no-printer) options for
m...@apollinemike.com m...@apollinemike.com wrote:
ivan.k.kuznet...@gmail.com wrote:
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
...
CONCERNING the area's marked B1, B2, B3, and B4:
Look at B1 for example. The
m...@apollinemike.com m...@apollinemike.com wrote:
ivan.k.kuznet...@gmail.com wrote:
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
CONCERNING area's marked in red A1 and A2:
Sometimes I require one note to have
On Apr 10, 2011, at 2:12 PM, Ivan Kuznetsov wrote:
m...@apollinemike.com m...@apollinemike.com wrote:
ivan.k.kuznet...@gmail.com wrote:
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
...
CONCERNING the
m...@apollinemike.com m...@apollinemike.com wrote:
#(set-accidental-style 'neo-modern) at the beginning of each
staff when there's no time signature, use \once \override
Staff . TimeSignature #'stencil = ##f and then use \bar
at each point in time where a line break would be
m...@apollinemike.com m...@apollinemike.com wrote:
There's a bracket-visibility property that you can play
around with (ie \once \override Voice . TupletBracket #'bracket-visibility
= ##t)
...
Great; this worked _except_ that it just removed the
bracket and _not_ the number in the center
The problem is that in this example, there is a collision with the
tie, second from the top (d'') and the f# (fis''). Ms. Gould's
solution is to divide the tie leaving a gap in the tie, so that it
doesn't collide. How does one divide a tie with Lilypond?
sorry for the delayed response. Did
24 matches
Mail list logo
