On Fri, May 3, 2024 at 3:04 AM Mats Bengtsson
wrote:
>
> If you want the (de-)crescendo to stop at the barline, then you
> shouldn't need such solutions, since \< and \> have the to-barline
> property set by default, which means that even if the \! is placed after
> the bar line, the hairpin
On 2024-05-02 21:19, Knute Snortum wrote:
On Thu, May 2, 2024 at 10:31 AM Pierre-Luc Gauthier
wrote:
Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum
a écrit :
> Perhaps I'm not getting the need for this command as you could
using an empty chord at the end of the repeat to do
On Thu, May 2, 2024 at 1:10 PM Pierre-Luc Gauthier
wrote:
> > {
> > s2...\< s16\! |
> > }
> > ...that I do it almost automatically.
>
> Try that in 12/8 :-)
>
{
\time 12/8
s1*23/16\< s16\! | % ??
}
Yeah, I see your point. ;)
--
Knute Snortum
Le jeu. 2 mai 2024, à 15 h 20, Knute Snortum a écrit :
> I use a different context for all my dynamics and I've gotten so used to
> typing...
I do too. For bowing, nuances, articulations, etc. Btw I use quite a
lot of \quoting and \tagging for that.
> {
> s2...\< s16\! |
> }
> ...that I do
On Thu, May 2, 2024 at 10:31 AM Pierre-Luc Gauthier <
p.luc.gauth...@gmail.com> wrote:
> Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum a écrit
> :
> > Perhaps I'm not getting the need for this command as you could using an
> empty chord at the end of the repeat to do the same thing:
> >
> > {
> >
Maybe one addition:
fromEnd =
#(define-music-function (delta ev mus) (ly:duration? ly:music? ly:music?)
(_i "Add music @var{ev} with a distance of @var{delta} before the end of
@var{ev} is usually a post-event.")
#{
\context Bottom
<<
{
\skip
Thanks Lukas,
Le jeu. 2 mai 2024, à 13 h 29, Lukas-Fabian Moser a écrit :
> fromEnd =
> #(define-music-function (delta ev mus) (ly:duration? ly:music? ly:music?)
>(_i "Add music @var{ev} with a distance of @var{delta} before the end of
>
> @var{ev} is usually a post-event.")
>#{
>
Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum a écrit :
> Perhaps I'm not getting the need for this command as you could using an empty
> chord at the end of the repeat to do the same thing:
>
> {
> <>(\<
> \after 2 \>
> \repeat unfold 8 {e''16 d''} <>)\!|
> }
The above example would not
Hi Pierre-Luc,
Am 02.05.24 um 17:02 schrieb Pierre-Luc Gauthier:
Rambling here :
So, I *love* the simplicity and elegance of the \after command and I
am using it pretty much everywhere.
{
<>(
<>\<
\after 2 \>
\after 16*15 )
\after 16*15 \!
\repeat unfold 8 {e''16 d''} |
}
On 2 May 2024, at 19:08, Knute Snortum wrote:On Thu, May 2, 2024 at 8:04 AM Pierre-Luc Gauthier wrote:Rambling here :
So, I *love* the simplicity and elegance of the \after command and I
am using it pretty much everywhere.
{
<>(
<>\<
\after 2 \>
\after 16*15
On Thu, May 2, 2024 at 8:04 AM Pierre-Luc Gauthier
wrote:
> Rambling here :
>
> So, I *love* the simplicity and elegance of the \after command and I
> am using it pretty much everywhere.
>
> {
> <>(
> <>\<
> \after 2 \>
> \after 16*15 )
> \after 16*15 \!
> \repeat unfold 8 {e''16
Rambling here :
So, I *love* the simplicity and elegance of the \after command and I
am using it pretty much everywhere.
{
<>(
<>\<
\after 2 \>
\after 16*15 )
\after 16*15 \!
\repeat unfold 8 {e''16 d''} |
}
and since then I often end up doing head math to figure out what I
must add
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