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>I also really like Kodachrome 200.< Here's one I agree on also, when I don't have my other films available. K200 is the only Kodachrome I will use. K64 always seems to cyanish to me, and K25 is just too slow for me to work with. I routinely push ISO 100 film to EI 160, (a long story why only 2/3rds of a stop), in fact this is the way I have been doing all of my E6 film for about 3 years now. Kodachrome 200 has a lot of grain, but its extreme sharpness seems to "hide" the grain to a certain degree. And when it is extremely noticeable, it seems to add some character to the image, kind of like what Tri-X B&W films used to do for me. Rick Newton St. Charles, MO ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ-> SPORRS: 'Serious Photographers Of Railroad Related Subjects' -> Web Site: http://www.anet-stl.com/acphotog/sporrs/ -> Message © 1998 SPORRS® - All Rights Reserved ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ
