Chilarai: an exponent of neo-Vaishnavite movement
— Babul Tamuli
   
  Sukladhvaja, also known as Sangram Singha was born on full-moon day of the 
month of Magh (January-February) in 1510 AD to Padmavati. His father Bishwa 
Singha founded the Koch dynasty in the western part of Assam. Sukladhvaja with 
his elder brother Malladhvaja went to Kashi and studied different religious 
books, scriptures, grammer, astrology, logic, philosophy and politics under the 
guidance of Guru Brahmananda Visharad. After the sudden death of their father, 
Malladhvaja became king of the Koch kingdom in 1533 AD with a new name called 
Naranarayan and Sukladhvaja became commander-in-chief of the Koch army.

Becoming the chief of the Koch army, Sukladhvaja organised it as one of the 
mightiest forces in eastern India. His big contingent of troops consisted of 
20,0000 infantries, 4,000 horses, 7,000 elephants and 1,000 war boats. He also 
raised a 6,000 men strong naval force and wrote his name in history books as 
the first chief of naval staff in India. He defeated the mighty Ahoms and 
extended his territories upto Sadiya in the east. With his might and bravery he 
occupied Bengal and planned to invade the Mughal dynasty. There are many 
stories, legends and proverbs regarding heroism, bravery and skill of 
Sukladhvaja in the battlefield. He adopted blitzkrieg tactics by promptly 
sweeping down on the rival forces creating chaos and confusion among them. 
Therefore, he was nick named as Chilarai, the kite king. As he resisted the 
enemies like an unconquerable stone (chil), many scholars therefore believe 
that he became famous as Chilarai.

Chilarai was not only a warrior, mighty general or a military leader. It will 
be not justified if we describe him only as a great commander-in-chief of the 
Kochs. He was also a scholar, social reformer and an exponent of 
neo-Vaishnavite movement initiated by the great saint Mahapurush Sankardeva. 
Due to persecution by the Ahom kings, Sankardeva fled from Ahom territories and 
took shelter in the Koch territories. Under the patronage of the Koch King 
Naranarayan and his learned brother Chilarai, Sankardeva laid the foundation of 
Vaishnavite culture and tradition in Assam.

Chilarai married a niece of Sankardeva named Bhubaneswari Devi and established 
a cordial relation with him. Bhubaneswari was a daughter of Sankardeva’s 
younger brother called Ramrai. A beautiful lady, singer and dancer Bhubaneswari 
became popular as Kamalapriya at the Koch palace in Coochbehar. Hearing a 
‘Bargit’ composed by Sankardeva in the melodious voice of Kamalapriya, Chilarai 
brought him to Coochbehar from Patbaushi near Barpeta. Inspired by his magnetic 
personality, religious ideals and philosophy, Chilarai took ‘saran’ 
(initiation) to Sankardeva and became his ardent follower.Chilarai extended all 
kinds of help to Sankardeva in spreading neo-Vaishnavite movement in lower 
Assam. As a result, Vaishnava cult and tradition flourished in the Koch kingdom 
with active support of Chilarai.

But a section of people reported to the Koch King Naranarayan against 
Sankardeva. They told the king that Sankardeva went against the religious 
tradition of the State by barring the people from worshipping various gods and 
goddesses. King Naranarayan then ordered his men to arrest Sankardeva. He even 
ordered to kill him and made a drum with his skin and beat it with his bone. 
Hearing such a harsh punishment his niece Kamalapriya appealed to Chilarai to 
save Sankardeva. Chilarai immediately brought Sanakrdeva to his palace and 
secretly kept him at his custody. Later he produced him before the king when he 
assured him that he will not kill the saint. Praising the king, Sankardeva sung 
a panegyric at his court and explained his religious principle. Understanding 
the basic principle of ‘eka-saran-nam-dharma’ preached and propagated by 
Sankardeva, the king instead of punishing him gave him a royal reception. 
Appreciating his scholarly aptitude, King Naranarayan settled him in
 his kingdom with due respect and honour.

In a secured and congenial atmosphere provided by Naranarayan and his brother 
Chilarai, Sankardeva concentrated himself in propagating neo-Vaishnavite 
movement in Assam. He wrote a number of books, dramas and songs at Coochbehar 
and enriched Assamese Vaishnavite literature. Collecting the summary and 
substances from the Bhagavata, he wrote Gunmala. It is regarded as an elephant 
encapsuled in a bamboo pipe. Taking a glorious chapter from the Ramayana, he 
wrote his last drama called Ram Vijoy and displayed it at Coochbehar. In the 
drama he described Chilarai as ‘a great appreciative person’.

Following the request of King Naranarayan and Chilarai, Sankardeva drew a 
picturesque alluring scene of Brindavan, the abode of Lord Krishna on a piece 
of textile cloth. Popularly known as Brindavani Bastra, there he artistically 
designed different acts of Lord Krishna with the help of local weavers at 
Tatikushi near Barpeta. It took about a year to complete the 180 ft long and 90 
ft wide wonderful piece of textile work. Regarded as a rare treasure of Assam, 
the cloth is now carefully preserved at the British Museum in London.

Apart from Sankardeva, a galaxy of saints and scholars freely studied art, 
culture and literature at Coochbehar making it a centre of Vaishnavite learning 
and teaching. For the housewives, Madhabdeva wrote Janma Rahashya following the 
request of Kamalapriya. Chilarai requested Ram Saraswati to translate the 
verses from the Mahabharata. He also encouraged Purusottam Bhattacharya to 
write Ratnamala Byakaran and asked Sridhar to write Jyotish Sastra Following 
his request, Bakul Kayastha wrote Lilavati, a landmark on mathematics. A 
scholar par excellence, Chilarai himself wrote an analytical annotation of poet 
Joydeva’s Geet Govinda as Sarabatisar and left an indelible imprint in Sanskrit 
literature.
(Published on the occasion of Chilarai Divas)
Assam Tribune Editorial 21.02.08

       
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