That's the problem with this sort of thing. Sometimes it is good, sometimes it is no so good. The Cassandra Wilson track sounded like the voice is moved into a somewhat reverberant room. It really depends on how the recording is mic'd/mixed.
It is also very dependent on speaker placement, listener position, and room acoustic treatment. I found the best set-up was to have the rear wall covered with a medium weight tapestry which prevents reflections at higher frequencies, and the listener position several feet from any walls. Of couse, not many people have a room big enough to meet all those criteria (I no longer do, either). The C-9 has four possible settings. I usd the "theoretical injection" setting and "narrow aperture" setting to make the demos. I think the Behringer box gives some fine control over some of the parameters, but there isn't going to be one setting that works for all music. You will want to be able to bypass the thing sometimes. TD -- tyler_durden ------------------------------------------------------------------------ tyler_durden's Profile: http://forums.slimdevices.com/member.php?userid=2701 View this thread: http://forums.slimdevices.com/showthread.php?t=18878 _______________________________________________ audiophiles mailing list audiophiles@lists.slimdevices.com http://lists.slimdevices.com/lists/listinfo/audiophiles
