cliveb Wrote: 
> I don't know of a program off-hand that will crop LSBs and redither, but
> last night I did some casual tests using an audio editor. I had a
> recording of a vinyl record in a 16bit 44.1kHz WAV file on disk, and
> extracted a short section from it to play with. What I did was apply an
> amplitude reduction (in order to truncate LSBs), then re-normalised it
> to bring the level back up and thus pull the quantisation noise up to a
> much higher level. This in effect truncates the LSBs *without
> re-dithering*, so any effects should be even more audible. The results
> were:
> 
> 1. Reduce then increase amplitude by 36dB, effectively truncating the
> bottom 6 bits. This is the "60dB test". The raised quantisation noise
> was very clearly audible, and completely unacceptable, which suggests
> to me that, although the dynamic range of the LP is probably less than
> 60dB, one cannot afford to be cavalier and chuck away 6 bits of
> resolution when recording.
> 
> 2. Reduce then increase amplitude by 24dB, effectively truncating the
> bottom 4 bits. It was very difficult to detect a significant difference
> after applying this change. I felt that maybe the noise was changed
> slightly, but never detected that characteristic "zzzzy-ness" of
> digital quantisation noise. Perhaps better headphones would have
> revealed a more obvious difference.
> 
> 3. Reduce then increase by 18dB, effectively truncating the bottom 3
> bits. No audible difference. This was no surprise: the surface noise on
> a vinyl LP is so high that it effectively "self-dithers" the recording
> at around the 12-13 bit level. So if you have a decent soundcard with a
> noise floor below -90dB, it's safe to record at peak levels as low as
> -12dB then normalise.
> 
> Bear in mind this was a casual, sighted test.
> The equipment used was:
> Linn Sondek LP12/Lingo/Ittok/Karma
> Naim 42.5K used as phono preamp
> M-Audio Audiophile 2496 soundcard
> Home built headphone amp
> Sennheiser HD535 headphones

Thanks for your tests!

I'm slightly suspicious of using headphones for evaluating recording
fidelity.

BTW, I read recently that LP's "dynamic range" (really: S/N ratio
-which is not the same thing) varies with frequency. S/N above 3 kHz
was around 90dB if I remember correctly! Add at least 10 dB of signal
recovery into the uncorrelated noise, and you have 100 dB.

I'll do some tests using your bit reduction method!

P.S: some people claim "infinite" dynamic range for dithered CD, in
which case LP too must have infinite dynamic range.. It is true that
signal can be distingiushed below LSB on a dithered system, but I
haven't investigated what qualities (or lack thereof) this sub-noise
signal has.


-- 
P Floding
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