Originally Posted by opaqueice
That's called a non-flat frequency response, and overall it usually
sounds worse, not better (depending of course on the source material).
If there's a single central goal of hi-fi audio, it should be to avoid
that, so as to produce as accurate a reproduction of the original
recording as possible.


These days we can get a pretty flat FR from digital sources until the
speakers hit the room - after that all bets are off. Without room
correction (and even that's not perfect) the in-room sound is not
anywhere near flat. A shelving suckout of up to 10dB  across much of
the midrange, plus up to 10dB boost below 100Hz  is not uncommon! It
depends more on the room and speaker placement than the speakers.
Annoyingly, placement for imaging and good FR are often mutually
incompatible.

Regardless of how flat the FR actually is, minor FR changes such as
treble lift or reducing upper bass can have the same psycho-acoustical
effect as boosting volume - it sounds "better" for a while...


There  is also evidence to suggest that a flat in-room response above
16KHz is not desirable...a gentle roll-off being preferred by most
people in a possition to experiment.


Please bear in mind that most recording engineers do not mix recordings
to sound good in flat-response anechoic rooms! They anticipate the
effect of an average (?) room on their mixes.

As usual, YMMV.


-- 
Phil Leigh
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