pfarrell Wrote: 
> PhilNYC wrote:[color=blue]
> 
> But is it important?
> 16 bits is 96 dB Signal to noise. Each additional bit add 6dB. Lets for
> 
> the sake of not quibbling over whether it is 5 or 6, and say using 24 
> bit actually delivers only two real bits of additional signal.
> 
> That takes us from 96dB to 108 dB.
> 
> Is that enough? It is clear that no listening space is quiet enough for
> 
> 108 dB of range, it is not clear that any space 'needs' a range of 96 
> dB. But we know that the trucation of 16 bit signals without proper 
> dithering is audible, at least when you have 24 bit DACs to compare 
> against. And I'll grant that crappy engineering makes the bad dithering
> 
> more audible even with RedBook.
> 

It's not a question of absolute range as much as it is about
resolution.  If you've ever listened to a state of the art vinyl rig
compared to a start of the art digital rig, there's no comparison which
has more nuance and sophistication in the sound, even though vinyl
doesn't actually legitimately achieve the same dynamic range as
digital.  I know this is going to sound cliche and like some audiophile
BS, but it is completely dependent on the recording, the acoustic
environment of the audio system, the quality of the system, and the
listener's hearing ability (in that order, IMHO) as to whether (1)
there is a significant audible difference, and (2) whether its worth
the dollars paid to get there.

On a tangent, it does knock me out when someone buys really expensive
gear and then does nothing with regards to acoustic treatments etc. 
Room acoustics is 50% of the equation *at least*...


-- 
PhilNYC

Sonic Spirits Inc.
http://www.sonicspirits.com
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