joncourage;136621 Wrote: 
> What I don't really understand is a Class D award after JA saying that
> he could barely tell the difference from a component that (I'm
> guessing) got a Class A or B.
> 
> I honestly think it's based on a reluctance to assing a more glowing
> rating to a device that a) is less expensive by an order of magnitude
> than other devices in higher classes; b) is "techie" in nature, and
> doesn't have any tubes.  A shame, really.  Stereophile should take a
> more courageous stance. To heck with whether they piss off their
> high-end advertisers.
> 
> But as said, at least it's a start.  For that we should be appreciative
> of JA's efforts.

Wasn't the favorable comparison with respect to the SB3s digital
output?  I think the original post points out that the Class D rating
was attributable to the analog outs.   Knowing some of the products
that get a B or C rating, I don't think the Class D rating should be
viewed as negative unless one relates it to a school grading system.


-- 
Sleestack

*headphone:* singlepower sds-xlr at, classe sacd2, hd650  
*2 channel:* tact rcs 2.2.xp w/ full aberdeen mods, bel canto oneref.
1000 monoblocks x 4,teac esoteric p-03/d-03, epiphany 12-12s (waiting
for my 20-21s), tact w210 corner load subs
*5.1 channel:* tact tcs mkii w/ aberdeen power supply, tact boz
216/2200 (x5) w/ aberdeen power supply, tact adc6 w/ full aberdeen
mods, denon 5910, bel canto pl-1a, eggleston andra ii (x5), velodyne
dd-15, pioneer elite pro 1130hd
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