Phil Leigh;232394 Wrote: 
> Personally in that situation I'd go 24/44.1. That way, any post
> processing that you may want to do (later) can be in true 24-bit.

I'm not a recording engineer.  However I agree, having 24 bits for
mastering a recording is probably better.  This way you can make
leveling changes and dither to 16 bits for final output with less
quality loss.


-- 
SuperQ
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