Henry66;607150 Wrote: 
> See Steve Guttenberg's article: 'Does lossless audio guarantee good
> sound?' (http://news.cnet.com/8301-13645_3-20029913-47.html)
> 
> He writes a lot of stuff that I completely agree with, but then ends
> with this: "-So while lossless audio compression (FLAC or Apple
> Lossless for example) can be "expanded" to produce an exact digital
> duplicate of the original audio stream, that's not necessarily the same
> thing as sounding exactly like an uncompressed WAV file or a CD.-"
> 
> Aaargh!

I agree.  How can two identical files not sound  exactly the same?  Can

Guternberg explain the etiology of the difference he hears in these two
files, and can he set up a repeatable demonstration which will
conclusively proves that such differences exist?  Lol on that one. 
This is typical of what the high end magazines are doing today.  They
take a piece of gear  like squeezebox and damn it with faint praise. 
Yes, they'll tell you it sounds good "for the money" but no way it can
compete with a multi killobuck transport, or so they would have you
believe.  But they dont demonstrate with measurements, or with 
convincing argument why they higher prices gear is going to sound
better.  They expect everyone to accept it as a matter of faith that
higher priced  gear creates better sound, even when it's  only a
transport presenting a  bit perfect rendition of a digital file (both
the high and low priced spread) to a DAC.  

Makes no sense whatsoever.  Kinda like the BS around audio cables.


-- 
Phoenix

Media Room: VPI HW-19MK4,Cardas Heart Ruby, Fidelity Research Fr64s
tonearm;SB3, Tact RCS 2.0, Benchmark Dac1; Audible Illusions Mk3; Two
Bel 1001's Bridged; Aerial Accoustice 10ts.
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