Archimago wrote: 
> I don't think anyone disagrees with this Chrobrego; what you say is
> logical and plausible. Firstly, of course the same CD doesn't sound the
> same in all hardware - but that has to do with different analogue output
> qualities more than the underlying digital section mostly - a NOS DAC CD
> player will sound and measure differently compared to a Sabre DAC CD
> player.
> 
> The core debate around the importance of jitter is all about the minute
> timing differences. However, we need to be reminded of 2 important
> observations/ideas:
> 
> > Archimago wrote: 
> > 1. Nowhere in audio science has there been proof that real human
> > subjects have ever been able to differentiate data-correlated jitter of
> > the magnitude present in consumer grade audio (we're talking reasonable
> > mid-fi gear here, not the super-expensive stuff) when listening to *real
> > music* (not test tones).> > 
> 
> you're sure of this, that no tests exist?  i know some very talented
> audio engineers, not wild-eyed audiophiles, who come from decidedly
> different disciplines, working with simple tube circuits, or exotic
> highpowered DSP based systems, who would not agree with you.
> 
> > Archimago wrote: 
> > 2. If we strive for the IDEAL - then good equipment that is bit-perfect
> > *should* sound inaudible even with this small amount of processing to
> > convert ALAC --> WAV or FLAC --> WAV or whatever given the same
> > DAC/analogue output system! Like I said before, hearing a difference for
> > real (not just psychological bias) is NOT good and is an indicator of
> > something wrong.> > so, your conclusion is based on the assumption that 
> > bit-perfect audio
> sounding identical is an IDEAL toward which we must strive.  isn't
> good sound (a subjective term) the IDEAL for listeners?  good
> MEASUREMENTS, while perhaps desirable, are not necessarily THE goal.
> 
> > Archimago wrote: 
> > One observation - don't you think it's ironic that the DSD audiophiles
> > don't complain of DST --> DFF lossless processing in their SACD players
> > or computers!? In fact, DST processing appears to be less optimized and
> > takes more processing power than FLAC based on what I have seen! How
> > come there are no cries of audible difference between say the 1st press
> > "Kind Of Blue" (single layer stereo only with no DST compression)
> > compared to the second pressing with multichannel (DST compressed) with
> > claims that it's the compression algorithm?
> > > >  you're sure noone is asking this question?  i know several people who
> have noted differences between single-layer SACDs and Hybrid SACDs of
> the same title.  i haven't listened extensively enough to have an
> opinion, but to say that "no one is complaining" is simply not true.


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