arnyk wrote: 
> Key to the audiophile credibility for such weirdness is the fact that
> audiophiles in general rarely hear live music, they avoid good listening
> tests, and that they can never properly audition the live feed from a
> good microphone or the console at a live performance.

You might be on to something there. They also often show an amazing
ignorance of how technology actually works, and have no experience of a
studio environment.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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