Golden Earring wrote: 
> There is of course also the problem of trying to control the correct
> alignment of the stylus in the groove when using a tangential arm, the
> effect of which is magnified as the radius of the groove reduces.
Tangential arms are in principle not a problem, because they are
supposed to *always* be perfectly aligned.

It's pivoted arms that suffer from compromised geometry. But a properly
aligned pivoted arm should have zero tracking error at two points on an
LP side, with the maximum error about half way across. So the tracking
error at the end of a side isn't any more significant than at other
points.

Golden Earring wrote: 
> I do know that it was common practice to use an advance monitoring head
> to detect the amplitude of the next few bars of music, and to use this
> to adjust the groove spacing dynamically as the master disc was cut:
> this is why you can "see" the loud & quiet passages when you look almost
> any large-scale classical music LP.
Of course it's not just classical LPs; you can easily see the loud and
quiet sections on any LP.



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