>>could you point at some references? Not off hand. I would have to do some digging.
I'm not remembering the term;but, their is one for the sound that accompanies a character and cues the audience of that characters presence. Think of the movie JAWS or Friday the 13th. The sound sets the stage for what is to come. Tension, Chase, Sinister, The Villain has Arrived, beckon someone or something a certain direction. The Sirens in the book the Odyssey. My brother in law has Darth Vaders death march for my sisters ringtone. You know something bad is going to happen. I did notice the ATM song with multiple people using the machines. I did just work with a woman showed a demo that used puredata , projectors, and playlist and an image gallery of memories. Somehow your movement in the 3d space of the presentation caused certain sounds to trigger with different images. If your ever in San Jose they have a pretty hip museum of modern art and their exhibits usually graze the surface of new media meets artificially intelligent landscapes. If something pops up I'll be sure to send it your way. harmony wheel multi dimensional synchronization... On Thu, Jan 29, 2009 at 7:05 AM, Leonardo Parra Agudelo < lpa...@uniandes.edu.co> wrote: > > Not quite familiar with theatre myself, could you point at some references? > > - Leonardo. > > On Jan 26, 2009, at 6:01 PM, Angel Marquez wrote: > > Theatre has been doing it for centuries. > On Mon, Jan 26, 2009 at 7:06 AM, Leonardo Parra Agudelo wrote: > > >> Hi All, >> >> >> I just started working with sound as a source of information, among other >> things, and my starting point was Gestalt, and basic design principles to >> study sound pieces, from sound artists to raw pop, it seems to me there's a >> need to put together some sort of document which talks about this, framing >> sound within our design realm. And I'm not talking from the "sound design" >> perspective, since it appears to be a whole different discipline. What I'm >> looking for is, to find a design answer to understand sound as a critical >> piece of a communication/product/interactive/experience piece. >> I've been in touch with the max/msp community, but their approach to sound >> is located further away in the art spectrum. So my questions are quite >> broad, who's working on this, and which docs/books should I look for to find >> further info? >> >> Thank you very much! >> >> Best, >> >> Leonardo Parra. >> ________________________________________________________________ >> Welcome to the Interaction Design Association (IxDA)! >> To post to this list ....... disc...@ixda.org >> Unsubscribe ................ http://www.ixda.org/unsubscribe >> List Guidelines ............ http://www.ixda.org/guidelines >> List Help .................. http://www.ixda.org/help >> > > > > > > > ________________________________________________________________ Welcome to the Interaction Design Association (IxDA)! To post to this list ....... disc...@ixda.org Unsubscribe ................ http://www.ixda.org/unsubscribe List Guidelines ............ http://www.ixda.org/guidelines List Help .................. http://www.ixda.org/help
