At 02:24 PM 7/2/2007 -0400, John Howell wrote: >The problem with that method >is that it leaves it entirely up to the player to figure out how and >where to finger the harmonic.
Exactly. That's what I do. You put in bowings, they change them. You put in phrasings, they change them. You put in dynamics, they change them. You put in tempi, they change them. Harmonics? Hah! Unless I absolutely want it done on a certain string in a certain way, players get the sounding-note version from me. If it's good enough for Stravinsky's "Rite", it's way good enough for me! Dennis _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
