perhaps of interest this to some.
m.
---

Call for papers

We are currently planning a special issue of Convergence: the journal of
research into new media technologies  on 'Intermedia', with a targeted
publication date of Winter 2002.  This issue will be guest-edited by Yvonne
Spielmann and Jack Ox.

What is 'intermedia'?

Intermedia is the combination of structural elements from two or more
different media into one medium.  It can or cannot be multimedia, although
they are of course two very different concepts.  Intermedia has become an
important strategy and issue today because computers are such natural tools
for producing it. The merging of different media in intermedia creates a new
form. It is a transformation which can be compared to emergent behaviours in
the science of complexity, where independent systems acting simultaneously
on each other produce something quite different than the sum of their parts. In
1966 Dick Higgins, noted Fluxus theorist and artist, first named and defined
intermedia: intermedia differs from mixed media; an opera is a mixed 
medium, inasmuch as we know what is music, what is text, and what is 
mise-en-scène.
In an intermedium, on the other hand, there is a conceptual fusion.'

The debate

The variety of terms used to describe and define the phenomenon of
merging/converging elements of different media are many and often have
overlapping and contradictory meanings.  Besides intermedia and multimedia
there are also the terms hypertext and hybridisation. The question at stake is
if and how the apparent modes of interchangeablility, flexibility and 
fluidity of
media appearances extend our understanding of intermedia in ways that the
'new' strategies of interrelationship expand and alter - but nevertheless
continue - representational forms we have seen during the twentieth century.
Such media appearances are prominently exemplified through the use of
multiple layers, complex composites and further tools of connectivity. What is
the relationship between early and late forms of intermedia? How has it been
developed through the use of new media and technologies.

The focus of the special issue

We would welcome contributions which both explore the boundaries of the
newly expanded use of the intermedia concept and address the essential
category of transformation. What does this conceptual phenomenon look or
sound like?  How does it relate to the earlier development of intermedia as
both theory and practice when it was newly born in the avant-garde
movements?  How does the combination of different media structures realise
itself in digital media?  This is the area we would like to 
concentrate on in this
special 'Intermedia' issue of Convergence. The practice of intermedia in
analogue techniques must be far more conscious and deliberate than in our new
digital technologies because the tools of new media allow an easier 
convergence.
Can we find a structural difference between historical intermedia and 
current intermedia?

Copy deadline for refereed research articles: 1 April 2002.

All proposals, inquiries and submissions for this special issue to:

Yvonne Spielmann
Maria-Hilf-Strasse 3
50677 Koeln
Germany
tel: +49-221-31 11 72
e-mail: [EMAIL PROTECTED]

and

Jack Ox
712 Broadway #5
New York, NY 10003
tel: +1 212 254-2590
fax: +1 212 475-1297
e-mail: [EMAIL PROTECTED]

-----------------
Convergence: The Journal of Research into New Media Technologies

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information and for details of back issues, see our web site at
http://www.luton.ac.uk/Convergence

The copyright of all articles, papers, reports and reviews published in
Convergence rests with the University of Luton Press. Any author(s) wishing
to have their published text reproduced elsewhere should seek the necessary
permission via the Editors

Edited by Julia Knight, Jeanette Steemers & Alexis Weedon
Dept of Media Arts,
University of Luton,
75 Castle St., Luton, LU1 3AJ, UK
Editorial email: [EMAIL PROTECTED]
Tel: +44 1582 489031/489144
Fax: +44 1582 489014
Web site: http://www.luton.ac.uk/Convergence
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