Hi John,
\mergeDifferentlyHeadedOn is what you are looking for. The approach with
two voices was already right.
\version "2.16.0"
\new Staff \relative c' {
\clef bass
\time 6/8
\key b \major
\mergeDifferentlyHeadedOn
<< { cis,2 s4 } \\ { cis8[ e8 b' gis e' b] } >>
}
For more details, please look at:
http://lilypond.org/doc/v2.16/Documentation/notation/multiple-voices
Cheers,
Joram
Am 05.07.2013 22:51, schrieb John Kliewe:
>
> \version "2.16.0"
> upper=
> \relative c''
> { \clef treble
> \time 6/8
> \key b \major
> r2.
> r2.
> }
>
> lower=
> \relative c'
> { \clef bass
> \time 6/8
> \key b \major
> << {cis,2 s8} \\ {
> \once
> \override NoteHead #'transparent = ##t
> cis8[ e8 b' gis e' b]} >>
> << {cis,2 s8} \\ {
> cis8[ e8 b' gis e' b]} >>
> }
>
> \score {
> \new PianoStaff <<
> \set PianoStaff.instrumentName = #"3."
> \new Staff = "upper" \upper
> \new Staff = "lower" \lower
>>>
> \layout { }
> \midi { }
> }
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