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(A large mass of immigrant workers from the 
Indian Subcontinent are toiling to build these 
mad mega-projects in Dubai.)

o o o

Sinister Paradise
Does the Road to the Future End at Dubai?

By Mike Davis

<http://www.tomdispatch.com/index.mhtml?pid=5807>http://www.tomdispatch.com/index.mhtml?pid=5807


Mike Davis is one of America 's premier urban 
theorists and radical social commentators. Born 
in Fontana, CA in 1946, he earned undergraduate 
and graduate degrees from UCLA, and is currently 
a professor of history at the University of 
California, Irvine. His groundbreaking book on 
the future of Los Angeles, "City of Quartz," 
became a bestseller in 1990, as did its 1998 
follow-up, "The Ecology of Fear." Davis's other 
books include "Late Victorian Holocausts," 
"Magical Urbanism," and "Dead Cities" (The New 
Press). He is a contributing editor for The 
Nation and a member of the New Left Review 
editorial committee. In 1998 Davis was named a 
MacArthur Fellow. He is married and lives in San 
Diego.


  The narration begins: As your jet starts its 
descent, you are glued to your window. The scene 
below is astonishing: a 24-square-mile 
archipelago of coral-colored islands in the shape 
of an almost finished puzzle of the world. In the 
shallow green waters between continents, the 
sunken shapes of the Pyramids of Giza and the 
Roman Coliseum are clearly visible.

In the distance are three other large island 
groups configured as palms within crescents and 
planted with high-rise resorts, amusement parks, 
and a thousand mansions built on stilts over the 
water. The "Palms" are connected by causeways to 
a Miami-like beachfront chock-a-block full of 
mega-hotels, apartment high-rises and yacht 
marinas.

As the plane slowly banks toward the desert 
mainland, you gasp at the even more improbable 
vision ahead. Out of a chrome forest of 
skyscrapers (nearly a dozen taller than 1000 
feet) soars a new Tower of Babel. It is an 
impossible one-half-mile high: the equivalent of 
the Empire State Building stacked on top of 
itself.

You are still rubbing your eyes with wonderment 
and disbelief when the plane lands and you are 
welcomed into an airport emporium where hundreds 
of shops seduce you with Gucci bags, Cartier 
watches, and one-kilogram bars of solid gold. You 
make a mental note to pick up some duty-free gold 
on your way out.

The hotel driver is waiting for you in a Rolls 
Royce Silver Seraph. Friends have recommended the 
Armani Hotel in the 160-story tower or the 
seven-star hotel with an atrium so huge that the 
Statue of Liberty would fit inside, but instead 
you have opted to fulfill a childhood fantasy. 
You always have wanted to be Captain Nemo in 
Twenty Thousand Leagues Under the Sea.

Your jellyfish-shaped hotel is, in fact, exactly 
66 feet below the sea surface. Each of its 220 
luxury suites has clear Plexiglas walls that 
provide spectacular views of passing mermaids as 
well as the hotel's famed "underwater fireworks:" 
a hallucinatory exhibition of "water bubbles, 
swirled sand, and carefully deployed lighting." 
Any initial anxiety about the safety of your 
sea-bottom resort is dispelled by the smiling 
concierge. The structure has a multi-level 
failsafe security system, he reassures you, that 
includes protection against terrorist submarines 
as well as missiles and aircraft.

Although you have an important business meeting 
at the Internet City free-trade zone with clients 
from Hyderabad and Taipei, you have arrived a day 
early to treat yourself to one of the famed 
adventures at the Restless Planet dinosaur theme 
park. Indeed, after a soothing night's sleep 
under the sea, you are aboard a monorail headed 
for a Jurassic jungle. Your expedition encounters 
some peacefully grazing Apatosaurs, but you are 
soon attacked by a nasty gang of velociraptors. 
The animatronic beasts are so flawlessly lifelike 
-- in fact, they have been designed by experts 
from the British Museum of Natural History -- 
that you shriek in fear and delight.

With your adrenaline pumped-up by this close 
call, you polish off the afternoon with some 
thrilling snowboarding on the local black diamond 
run. Next door is the Mall of Arabia, the world's 
largest mall -- the altar of the city's famed 
Shopping Festival that attracts 5 million 
frenetic consumers each January -- but you 
postpone the temptation.

Instead, you indulge in some expensive Thai 
fusion cuisine at a restaurant near Elite Towers 
that was recommended by your hotel driver. The 
gorgeous Russian blond at the bar keeps staring 
at you with almost vampire-like hunger, and you 
wonder whether the local sin scene is as 
extravagant as the shopping?..

The Sequel to Blade Runner?

Welcome to paradise. But where are you? Is this a 
new science-fiction novel from Margaret Atwood, 
the sequel to Blade Runner, or Donald Trump 
tripping on acid?

No, it is the Persian Gulf city-state of Dubai in 2010.

After Shanghai (current population: 15 million), 
Dubai (current population: 1.5 million) is the 
world's biggest building site: an emerging 
dreamworld of conspicuous consumption and what 
locals dub "supreme lifestyles."

Dozens of outlandish mega-projects -- including 
"The World" (an artificial archipelago), Burj 
Dubai (the Earth's tallest building), the 
Hydropolis (that underwater luxury hotel, the 
Restless Planet theme park, a domed ski resort 
perpetually maintained in 40C heat, and The Mall 
of Arabia, a hyper-mall -- are actually under 
construction or will soon leave the drawing 
boards.

Under the enlightened despotism of its Crown 
Prince and CEO, 56-year-old Sheikh Mohammed bin 
Rashid al-Maktoum, the Rhode-Island-sized Emirate 
of Dubai has become the new global icon of 
imagineered urbanism. Although often compared to 
Las Vegas, Orlando, Hong Kong or Singapore, the 
sheikhdom is more like their collective 
summation: a pastiche of the big, the bad, and 
the ugly. It is not just a hybrid but a chimera: 
the offspring of the lascivious coupling of the 
cyclopean fantasies of Barnum, Eiffel, Disney, 
Spielberg, Jerde, Wynn, and Skidmore, Owings & 
Merrill.

Multibillionaire Sheik Mo -- as he's 
affectionately known to Dubai's expats -- not 
only collects thoroughbreds (the world's largest 
stable) and super-yachts (the 525-foot-long 
Project Platinum which has its own submarine and 
flight deck), but also seems to have imprinted 
Robert Venturi's cult Learning from Las Vegas in 
the same way that more pious Moslems have 
memorized The Quran. (One of the Sheik's proudest 
achievements, by the way, is to have introduced 
gated communities to Arabia.)

Under his leadership, the coastal desert has 
become a huge circuit board into which the elite 
of transnational engineering firms and retail 
developers are invited to plug in high-tech 
clusters, entertainment zones, artificial 
islands, "cities within cities" -- whatever is 
the latest fad in urban capitalism. The same 
phantasmagoric but generic Lego blocks, of 
course, can be found in dozens of aspiring cities 
these days, but Sheik Mo has a distinctive and 
inviolable criterion: Everything must be "world 
class," by which he means number one in The 
Guinness Book of Records. Thus Dubai is building 
the world's largest theme park, the biggest mall, 
the highest building, and the first sunken hotel 
among other firsts.

Sheikh Mo's architectural megalomania, although 
reminiscent of Albert Speer and his patron, is 
not irrational. Having "learned from Las Vegas," 
he understands that if Dubai wants to become the 
luxury-consumer paradise of the Middle East and 
South Asia (its officially defined "home market" 
of 1.6 billion), it must ceaselessly strive for 
excess.

>From this standpoint, the city's monstrous 
caricature of futurism is simply shrewd 
marketing. Its owners love it when designers and 
urbanists anoint it as the cutting edge. 
Architect George Katodrytis wrote: " Dubai may be 
considered the emerging prototype for the 21st 
century: prosthetic and nomadic oases presented 
as isolated cities that extend out over the land 
and sea."

Moreover, Dubai can count on the peak-oil epoch 
to cover the costs of these hyperboles. Each time 
you spent $40 to fill your tank, you are helping 
to irrigate Sheik Mo's oasis.

Precisely because Dubai is rapidly pumping the 
last of its own modest endowment of oil, it has 
opted to become the postmodern "city of nets" -- 
as Bertolt Brecht called his fictional boomtown 
of Mahagonny -- where the super-profits of oil 
are to be reinvested in Arabia's one truly 
inexhaustible natural resource: sand. (Indeed 
mega-projects in Dubai are usually measured by 
volumes of sand moved: 1 billion cubic feet in 
the case of The World.)

Al-Qaeda and the war on terrorism deserve some of 
the credit for this boom. Since 9/11, many Middle 
Eastern investors, fearing possible lawsuits or 
sanctions, have pulled up stakes in the West. 
According Salman bin Dasmal of Dubai Holdings, 
the Saudis alone have repatriated one-third of 
their trillion-dollar overseas portfolio. The 
sheikhs are bringing it back home, and last year, 
the Saudis were believed to have ploughed at 
least $7 billion into Dubai's sand castles.

Another aqueduct of oil wealth flows from the 
neighboring Emirate of Abu Dhabi. The two 
statelets dominate the United Arab Emirates -- a 
quasi-nation thrown together by Sheik Mo's father 
and the ruler of Abu Dhabi in 1971 to fend off 
threats from Marxists in Oman and, later, 
Islamists in Iran.

Today, Dubai's security is guaranteed by the 
American nuclear super-carriers usually berthed 
at the port of Jebel Ali. Indeed, the city-state 
aggressively promotes itself as the ultimate 
elite "Green Zone" in an increasingly turbulent 
and dangerous region.

Meanwhile, as increasing numbers of experts warn 
that the age of cheap oil is passing, the 
al-Maktoum clan can count on a torrent of nervous 
oil revenue seeking a friendly and stable haven. 
When outsiders question the sustainability of the 
current boom, Dubai officials point out that 
their new Mecca is being built on equity, not 
debt.

Since a watershed 2003 decision to open 
unrestricted freehold ownership to foreigners, 
wealthy Europeans and Asians have rushed to 
become part of the Dubai bubble. A beachfront in 
one of the "Palms" or, better yet, a private 
island in "The World" now has the cachet of St. 
Tropez or Grand Cayman. The old colonial masters 
lead the pack as Brit expats and investors have 
become the biggest cheerleaders for Sheikh Mo's 
dreamworld: David Beckham owns a beach and Rod 
Stewart, an island (rumored, in fact, to be named 
Great Britain).

An Indentured, Invisible Majority

The utopian character of Dubai , it must be 
emphasized, is no mirage. Even more than 
Singapore or Texas, the city-state really is an 
apotheosis of neo-liberal values.

On the one hand, it provides investors with a 
comfortable, Western-style, property-rights 
regime, including freehold ownership, that is 
unique in the region. Included with the package 
is a broad tolerance of booze, recreational 
drugs, halter tops, and other foreign vices 
formally proscribed by Islamic law. (When expats 
extol Dubai's unique "openness," it is this 
freedom to carouse -- not to organize unions or 
publish critical opinions -- that they are 
usually praising.)

On the other hand, Dubai , together with its 
emirate neighbors, has achieved the state of the 
art in the disenfranchisement of labor. Trade 
unions, strikes, and agitators are illegal, and 
99% of the private-sector workforce are easily 
deportable non-citizens. Indeed, the deep 
thinkers at the American Enterprise and Cato 
institutes must salivate when they contemplate 
the system of classes and entitlements in Dubai.

At the top of the social pyramid, of course, are 
the al-Maktoums and their cousins who own every 
lucrative grain of sand in the sheikhdom. Next, 
the native 15% percent of the population -- whose 
uniform of privilege is the traditional white 
dishdash -- constitutes a leisure class whose 
obedience to the dynasty is subsidized by income 
transfers, free education, and government jobs. A 
step below, are the pampered mercenaries: 
150,000-or-so British ex-pats, along with other 
European, Lebanese, and Indian managers and 
professionals, who take full advantage of their 
air-conditioned affluence and two-months of 
overseas leave every summer.

However, South Asian contract laborers, legally 
bound to a single employer and subject to 
totalitarian social controls, make up the great 
mass of the population. Dubai lifestyles are 
attended by vast numbers of Filipina, Sri Lankan, 
and Indian maids, while the building boom is 
carried on the shoulders of an army of poorly 
paid Pakistanis and Indians working twelve-hour 
shifts, six and half days a week, in the 
blast-furnace desert heat.

Dubai, like its neighbors, flouts ILO labor 
regulations and refuses to adopt the 
international Migrant Workers Convention. Human 
Rights Watch in 2003 accused the Emirates of 
building prosperity on "forced labor." Indeed, as 
the British Independent recently emphasized in an 
exposé on Dubai, "The labour market closely 
resembles the old indentured labour system 
brought to Dubai by its former colonial master, 
the British."

"Like their impoverished forefathers," the paper 
continued, "today's Asian workers are forced to 
sign themselves into virtual slavery for years 
when they arrive in the United Arab Emirates. 
Their rights disappear at the airport where 
recruitment agents confiscate their passports and 
visas to control them"

In addition to being super-exploited, Dubai 's 
helots are also expected to be generally 
invisible. The bleak work camps on the city's 
outskirts, where laborers are crowded six, eight, 
even twelve to a room, are not part of the 
official tourist image of a city of luxury 
without slums or poverty. In a recent visit, even 
the United Arab Emirate's Minister of Labor was 
reported to be profoundly shocked by the squalid, 
almost unbearable conditions in a remote work 
camp maintained by a large construction 
contractor. Yet when the laborers attempted to 
form a union to win back pay and improve living 
conditions, they were promptly arrested.

Paradise, however, has even darker corners than 
the indentured-labor camps. The Russian girls at 
the elegant hotel bar are but the glamorous 
facade of a sinister sex trade built on 
kidnapping, slavery, and sadistic violence. Dubai 
-- any of the hipper guidebooks will advise -- is 
the "Bangkok of the Middle East," populated with 
thousands of Russian, Armenian, Indian, and 
Iranian prostitutes controlled by various 
transnational gangs and mafias. (The city, 
conveniently, is also a world center for money 
laundering, with an estimated 10% of real estate 
changing hands in cash-only transactions.)

Sheikh Mo and his thoroughly modern regime, of 
course, disavow any connection to this burgeoning 
red-light industry, although insiders know that 
the whores are essential to keeping all those 
five-star hotels full of European and Arab 
businessmen. But the Sheikh himself has been 
personally linked to Dubai's most scandalous 
vice: child slavery.

Camel racing is a local passion in the Emirates, 
and in June 2004, Anti-Slavery International 
released photos of pre-school-age child jockeys 
in Dubai. HBO Real Sports simultaneously reported 
that the jockeys, "some as young as three -- are 
kidnapped or sold into slavery, starved, beaten 
and raped." Some of the tiny jockeys were shown 
at a Dubai camel track owned by the al-Maktoums.


The Lexington Herald-Leader -- a newspaper in 
Kentucky, where Sheikh Mo has two large 
thoroughbred farms -- confirmed parts of the HBO 
story in an interview with a local blacksmith who 
had worked for the crown prince in Dubai . He 
reported seeing "little bitty kids" as young as 
four astride racing camels. Camel trainers claim 
that the children's shrieks of terror spur the 
animals to a faster effort.

Sheikh Mo , who fancies himself a prophet of 
modernization, likes to impress visitors with 
clever proverbs and heavy aphorisms. A favorite: 
"Anyone who does not attempt to change the future 
will stay a captive of the past."

Yet the future that he is building in Dubai -- to 
the applause of billionaires and transnational 
corporations everywhere -- looks like nothing so 
much as a nightmare of the past: Walt Disney 
meets Albert Speer on the shores of Araby.


Mike Davis is the author of Dead Cities and the 
forthcoming Monster at the Door: the Global 
Threat of Avian Influenza (New Press 2005).

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