So what needs to be done to get works off the ground?  I can't offer
programming skills at this point, but I'd love to help with any of the
(thorny) design issues..

2009/1/6 Paul C. Bryan <em...@pbryan.net>

> +1
>
> I'm convinced, especially if different track titles could be represented
> with release events.
>
> -----Original Message-----
> From: Frederic Da Vitoria <davito...@gmail.com>
> Reply-to: MusicBrainz style discussion
> <musicbrainz-style@lists.musicbrainz.org>
> To: MusicBrainz style discussion
> <musicbrainz-style@lists.musicbrainz.org>
> Subject: Re: [mb-style] The return of [clean up CSG]??? (was: Re: CSG
> issues (was: 'Piano Sonata / Concerto' vs. 'Sonata / Concerto for
> Piano))
> Date: Tue, 6 Jan 2009 19:41:05 +0100
>
> I can understand the longing, I had the same idea before. But there are
> practical issues: the first one which comes to my mind is language. I
> can read Mozart's or Beethoven's work titles in German, but certainly
> not Tchaikovsky's or Prokofiev's. So we will have to enable some sort of
> translation. The representation selection issue can be solved, after all
> Picard already has an option to "translate" artist names, why not work
> titles?
>
> My way of representing things allows to separate what is in the track
> from how it is named. I agree it does not solve every issue. Of course
> the many ways a work is titled is a problem. But at least I allow for
> representing one of them, while normalising would completely erase this
> piece of information. If users feel this is important enough, one day MB
> might offer to enter different track titles for each event. I would not
> enter them, as I feel the data provided by a work AR would provide all
> the information I'd ever want, but if some users want to take the pains
> to enter them, why not?
>
> 2009/1/6 Paul C. Bryan <em...@pbryan.net>
>        Good points, Frederic.
>
>        I definitely like the part about of having localization of track
>        titles
>        for various languages.
>
>        Though it would still beg the question, once works exist in MB:
>        what
>        *should* be the primary representation of a track title in MB?
>        I'm not
>        sure it should be whatever was printed on the cover -- for
>        example,
>        there can be multiple releases with variations.
>
>        Also, a challenge to that approach would be how to provide the
>        ability
>        to select the representation of a track title you would want. I
>        expect
>        most applications that will query MB will simply query for a
>        track
>        title.
>
>        I guess since I've seen so many variations of titles in MB for
>        the same
>        work, including numerous covers of jazz standards, each with
>        variations
>        of titles, and compilations of the very same albums with
>        variations
>        again of the titles, I long for some kind of canonicalization in
>        track
>        titles. It's just a longing though; it's not a strong conviction
>        (yet ;)
>
>        Paul
>
>        -----Original Message-----
>        From: Frederic Da Vitoria <davito...@gmail.com>
>        Reply-to: MusicBrainz style discussion
>        <musicbrainz-style@lists.musicbrainz.org>
>        To: MusicBrainz style discussion
>        <musicbrainz-style@lists.musicbrainz.org>
>
>        Subject: Re: [mb-style] The return of [clean up CSG]??? (was:
>        Re: CSG
>        issues (was: 'Piano Sonata / Concerto' vs. 'Sonata / Concerto
>        for
>        Piano))
>
>
>        Date: Tue, 6 Jan 2009 19:01:14 +0100
>
>        2009/1/6 Paul C. Bryan <em...@pbryan.net>
>               I believe the motivation for any current CSG work is to
>        ensure
>               that when
>               titles are added, they're added in a canonical form,
>        based on a
>               set of
>               rules, with plenty of exceptions. I think WORKs have the
>               potential to
>               change all of that, allowing canonical information to be
>        applied
>               to the
>               work.
>
>               I think works would represent a major improvement, namely
>               because we'd
>               be in a position to derive track titles from canonical
>        work
>               titles -- we
>               could even automagically enforce track title conformance
>        to
>               canonical
>               work titles for classical if we chose, or at least flag
>        existing
>               titles
>               as non-conformant.
>
>               With works, I'd project that CSG would shift focus from
>        "what
>               are the
>               guidelines for editors to use when editing the track
>        titles of
>               releases"
>               to "what are the guidelines for editors to use when
>        editing the
>               canonical titles of particular works?"
>
>               So I guess my question would be, what is the reasonable
>        timeline
>               for
>               works to show up in MB? If months (not years) then I'm
>        dubious
>               of
>               putting a lot of effort into something that would
>        represent a
>               stop-gap
>               until works arrive. If the timeframe is > 1 year, then I
>        think
>               we should
>               look at improving the guidelines.
>
>               Regardless of the works timeframe, I would say that there
>        is
>               value in
>               establishing canonical information for works, even if
>        they go
>               into
>               CSGStandard/ComposerName, to guide those who are
>        currently
>               trying to
>               navigate the classical style minefield without a map.
>
>
>        I slightly disagree: I think that WORKs will remove the need for
>        the
>        most of the styles. Let me explain:
>        if WORKs are implemented, each track of each release will be ARd
>        to the
>        correct WORK. Which means that any representation which the
>        end-user may
>        wish to obtain can be derived form WORK data (and of course from
>        the
>        other ARs such as performers). There would be no need for a
>        canonical
>        form anymore. Editors could simply enter the track names as they
>        are
>        printed on the sleeve. If some end-users want to see what was on
>        the
>        sleeve, no problem, it was entered. If others want to see a
>        canonical
>        form, it can be extrated from the WORK. Users who want the full
>        catalogue numbers could have them, but those who don't want them
>        could
>        avoid them. Track titles could even be translated, so that even
>        if I buy
>        a russian or japanese release, I could tag it in French :-)
>
>
>
>
> --
> Frederic Da Vitoria
>
> Membre de l'April - « promouvoir et défendre le logiciel libre » -
> http://www.april.org
>
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