Hello... This is (for once) not a question, just a little comment... Just got back several rolls of Sensia II 100 and Velvia, shot with an F5 through an 80-200/2.8D and a 24/2.8D. Most of the pictures were taken around dusk, with a combination of artificial and natural light, dark shadows, strong street lights, etc. -- all very prickly exposure situations. I admit it: I bracketed the trickiest shots. The slides came back, though, and all of them are right on. The shots I bracketed would have been just right if I hadn't: the underexposed shots are justly underexposed, the overexposed ones overexposed, and the ones in-between are right on. _Right on_. That's all I wanted to say... that I've been (once again) pleasantly impressed by the F5's metering system. -tw. ps. I suppose that the F5 is a horrible machine to learn photography on. Metering so good it spoils you.
