Might I also recommend Bruce Bawer's bestseller, "While Europe Slept: The Rise of Radical Islam in the West". Bawer is a Gay, former Liberal, turned libertarian opponent of Radical Islam.
Subject: print.php?StoryID=20060909-101216-7324r The Washington Times [1]www.washingtontimes.com __________________________________________________________ [2]What a brutal killing says about Islam and Holland Published September 10, 2006 __________________________________________________________ Advertisement MURDER IN AMSTERDAM: THE DEATH OF THEO VAN GOGH AND THE LIMITS OF TOLERANCE By Ian Buruma Penguin Press, $24.95, 220 pages REVIEWED BY ROGER K. MILLER More than three decades ago, French writer Jean Raspail published a novel, "Camp of the Saints," about a one-million-strong wave of refugees from the Indian subcontinent swarming into France, and the French being unable to deal with the dire consequences presented by an alien population and culture. Mr. Raspail was roundly, and wrongly, castigated as a racist, yet here we are 30-some years later, the immigration issue sharpened to the nth power, and the themes Mr. Raspail brought up, and the dangers he foresaw, widely discussed in all the media. In "Murder in Amsterdam," Ian Buruma brings those themes and dangers home -- his own home, the Netherlands, where he was born in 1951. Now a professor at Bard College, a journalist and author of several previous books ("The Missionary and the Libertine"), Mr. Buruma is likewise no racist in examining the manifold issues raised by the cold-blooded, daylight murder of writer and filmmaker Theo van Gogh by Mohammed Bouyeri, a 26-year-old Moroccan-Dutchman and Muslim fanatic, on the streets of Amsterdam Nov. 2, 2004. Bouyeri left a rambling, anti-West letter pinned with a knife to van Gogh's dying chest. It was addressed, not to his victim, but to Ayaan Hirsi Ali, a Somali-born Dutch politician with whom van Gogh had made the short film, "Submission," dramatizing what they saw as Islamic abuse of women sanctioned by the Koran. It was this film that drove Bouyeri over the edge to commit his murderous act. For Ms. Ali thinks that Islam, the religion she was born into, is a grave threat to Europe, even to all humankind, in direct contrast to Bouyeri, to whom Ms. Ali was not only an apostate but a Western whore. Van Gogh's view was similar to hers, though, as an outrageous provocateur, he approached it from a mocking, self-advertising perspective. "It was not so much what she said; it was the fact that people wished to prevent her from saying it" that attracted van Gogh to her hostile views of Islam, Mr. Buruma writes. The crowning irony was that while van Gogh warned about violent Islamic passions, he behaved as if they could never affect him. Mr. Buruma learned all this on a trip back to his native land to see what was going on: "There was something unhinged about the Netherlands in the winter of 2004." He found a mood of peevish disillusion, of verongelijktheid, that is, of being "wronged not by an individual so much as by the world at large." Nothing is simple; he discovers viewpoints from all over the map, and, like roads on a map, they twist and turn and cross and run parallel and merge. There is the Iran-born scholar, Afshin Ellian, who criticizes political Islam and its anti-Enlightenment values; the "inability of Europeans to appreciate what they had" angers him mightily, as it does Ms. Ali. Van Gogh in some ways was a kindred spirit to the populist politician, Pim Fortuyn, murdered in May 2002, not by a Muslim jihadist but by a Dutch animal rights activist. An openly gay man who boasted of having sex with Moroccan boys, he did not think of himself as right-wing, though he denounced Islam as a threat to Dutch liberties. Fortuyn was immensely popular with Dutch voters; Mr. Buruma says he had a chance of becoming prime minister. He tapped into anxieties. "He was a peddler of nostalgia," even while resenting the smug, "virtuous elite of Our Kind of People" who thought it their right and duty to rule. The author's argumentation is so finely nuanced that it seems, frankly, to be a noble if misguided effort to call down a plague on both their houses -- the established Dutch society and the Muslim immigrant community -- as if to say that objectivity (or political correctness) requires the scales always to register zero regardless of the weights put upon them. Yet the weight of the evidence he offers for the disharmony in Dutch society falls mostly against Muslim radicals particularly and unassimilated immigrants generally. One brave soul dares to tell his coreligionists in a mosque that tolerance is a two-way street, but his voice can scarcely be heard above the demands for the adopted country to become more like the immigrants rather than the other way round. The culture of the "old country," in which women are routinely beaten and dissenters efficiently silenced, isn't the problem, says a Moroccan-born imam; rather, "the problem is right here, in Holland." Mr. Buruma never specifically defines the "Limits of Tolerance" mentioned in his subtitle, but some readers surely are going to conclude they start right about there. Roger K. Miller, a newspaperman for many years, is a freelance writer, reviewer and editor. Libertarian Republicans Fiscally Conservative, Socially Tolerant & Pro-Defense! Dondero is a US Navy Veteran, former Libertarian Party National Committeeman, fmr. 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