That’s what happens with genetically-defective in-breeders.

 

B 

 

http://www.familysecuritymatters.org/publications/id.9208/pub_detail.asp

 

April 11, 2011


The Annihilation of Creativity in the Muslim World


The Assassination of Juliano Mer-Khamis in Jenin

 <http://www.familysecuritymatters.org/authors/id.182/author_detail.asp>
Nancy Kobrin, PhD,
<http://www.familysecuritymatters.org/authors/id.183/author_detail.asp> Joan
Lachkar, PhD


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http://www.familysecuritymatters.org/imgLib/20110410_hands.jpg

 

In many of our previous articles we have focused on violent acts of
terrorism as mental health professionals having offered our psychological
insights. In this article the assassination of Juliano Mer-Khamis has
motivated us to address creativity and governmental shut downs of all
artistic endeavors. Although this piece is about the senseless tragic
assassination of Juliano Mer-Khamis, we want to be clear that no where are
we saying that that Arabs lack creativity. In fact history has shown quite
the opposite. We are merely addressing the fact that they do not encourage
it and radical Islam in particular annihilates it. 

 

Mer, filmmaker, actor and the co-founder and director of the Freedom Theatre
in Jenin, was known to support the work of the radical peace camp in Israel
and frequently attended demonstrations, showing his films to activists and
sharing his thoughts and personal vision. Mer was one of Israel’s most
accomplished actors born to an Israeli Jewish mother and an Israeli Arab
Christian father who met at a Communist Party meeting. The Communist Party
was one of the few venues at that time which encouraged the integration of
Arabs and Jews in Israel. Theirs was a Romeo-Juliet marriage, which broke
the social norms at the time. Even today “intermarriages” are still
remarkably rare.

 

http://www.familysecuritymatters.org/imgLib/20110410_Mer-Khamis.jpg

 

Juliano Mer-Khamis.

 

The bravery of the parents to succeed in raising such a gifted child is to
be noted. His mother, Arna Mer, was an actress who was deeply committed to
human rights and founded a children’s theater group in Jenin in the 1980s.
In 2003 Mer along with Danniel Danniel made a documentary of his mother’s
life called “Arna’s Children.” He returned to Jenin to build on the work of
his mother seven years after her death from breast cancer by founding the
Freedom Theater. He discovered that some of the children she had worked with
had become suicide bombers. Mer also served in the Israel Defense Force’s
prestigious paratrooper division. See the
<http://en.wikipedia.org/wiki/Juliano_Mer-Khamis> Wikipedia entry. 

 

He, however, remained highly identified with the Palestinian culture of his
Arab Christian father. In an interview aired on Israeli television on April
7th in 2008 Mer predicted his own death, saying that he would be shot to
death by a deranged Palestinian Muslim. His words were clairvoyant. Mer was
52 at the time of his death, leaving behind his blond Finnish wife who is
pregnant with twins and a small son. Their union was like that of his
parents -- unusual and infused with the creative spirit of theater. Their
marriage flew in the face of Palestinian Arab Muslim culture. Mer's wife
commented on the double occupation -- the Israeli geo-political one and the
socially oppressive occupation of Islamism within Palestinian society. We
contend, however, that the geo-political one arises out of the internal
Palestinian occupation of its own people through the oppression of the
female, honor killing and the ideologies of Islam which gets played out at
the geo-political level. Muslims learn only revenge, envy, attacking and
bloodshed instead of fostering creativity in the arts. Mer received death
threats after staging Animal Farm because of its imagery concerning the pig.
At the time of his murder the play Alice in Wonderland was running. It is a
play, which speaks to tyranny and mind control. The Islamists did not like
the fact that the theater was dependent upon male and female actors mixing.

 

The Arab world does not seek individuality. The goal since Nasser was
President was for Arab Nationalism conformity, harmony, homogeneity,
“together we are one.” In the Arab world, one can only maintain honor or
“specialness” as a terrorist, a suicide bomber though maybe some of this is
changing with the Arab uprisings that we have been witnessing. The first
author has written extensively on female suicide bombers addressing the very
issue of honor and the only way to maintain any respect or honor is to
detonate herself for the cause. The cause is what brings honor, not one's
musical, artistic, or creative endeavors.

 

An example of this kind of cultural or governmental oppression has been
expressed by the second author in her writings. She offers a glaring example
of last dynasty to rule in China -- the Qing/Ch'ing dynasty how they shut
down all their artistic outlets, literature, music, dance, and outlawed any
writing against the government and allowed the government to decide at
random what was acceptable and what was not.  

 

The horror of these artistic deprivations was depicted in the 1999 movie The
Red Violin, directed by Francois Girard.  It relates a history of a famous
violin's journey, moving from the hands of a common seventeenth-century
fiddle-maker in Cremona, Italy, to a young orphan with a prodigious musical
talent in eighteenth-century Vienna, to a famous British lord performing
during the reign of King George III, to a lover of Western music, and ending
up with the struggles during the Chinese Cultural Revolution, where all
musical instruments were banned and all artistic expression severely
censored.  In this film, the violin comes into the possession of Xiang Pei
(Sylvia Chang) in Shanghai, but she is forced to hide it or from a
government that condemns all Western instruments to be a corrupting
influence.

 (
<http://www.amazon.com/V-Spot-Healing-Vulnerable-Emotional-Abuse/dp/07657039
20> The V-Spot: Healing the "V"ulnerable Spot From Emotional Abuse, 2008)

 

Yet there is creativity in pockets of the Arab world and even the
Palestinian Authority. One only has to glance at the survey of Palestinian
Art by Gannit Ankori. Surely Mer embodied creativity. Both mother and son
had understood only too well the importance of nonverbal communication
expressed through the arts to help children who have been traumatized. We
even speculate that his Jewish mother helped him to develop a fantasy life
that embraced the arts. But what they may not have realized is that even
with nonverbal therapies such as dance, drama, art etc. it can be too late
for those who have been traumatized so early in life. 

 

In our analysis the reasons that we address this tragedy are threefold.
First, creativity sparks individuality, uniqueness and a person’s sense of
specialness. As we described in our
<http://www.familysecuritymatters.org/publications/id.9168/pub_detail.asp>
last article about Al Qaeda’s Inspire magazine our
<http://www.familysecuritymatters.org/publications/id.8480/pub_detail.asp>
reference was to a "copy cat society," "'Look Mom -- we can do it too!"
Secondly, it evokes envy, the evil eye, a very powerful and strong dynamic
that makes the focal point the person and not God or dictator to be revered,
and thirdly, it evokes a semblance to the free world’s freedom of expression
– democracy the forbidden fruit. Without creativity, there can never be any
freedom. 

 

 <http://www.familysecuritymatters.org/> FamilySecurityMatters.org
Contributor
<http://www.familysecuritymatters.org/authors/id.182/author_detail.asp> Dr.
Nancy Kobrin, a psychoanalyst with a Ph.D. in romance and semitic languages,
specializes in Aljamía and Old Spanish in Arabic script. She is an expert on
the Minnesota Somali diaspora and a graduate of the Human Terrain System
program at Leavenworth Kansas. Her new book is
<http://www.amazon.com/Banality-Suicide-Terrorism-Psychology-Islamic/dp/1597
975044> The Banality of Suicide Terrorism: The Naked Truth About the
Psychology of Islamic Suicide Bombing. 

 

 <http://www.familysecuritymatters.org/> FamilySecurityMatters.org
Contributor
<http://www.familysecuritymatters.org/authors/id.183/author_detail.asp> Dr.
Joanie Jutta Lachkar is a licensed Marriage and Family therapist in private
practice in Brentwood and Tarzana, California, who teaches psychoanalysis
and is the author of The Narcissistic/Borderline Couple: A Psychoanalytic
Perspective on Marital Treatment (1992, The Many Faces of Abuse: Treating
the Emotional Abuse of High -Functioning Women (1998), The V-Spot, How to
Talk to a Narcissist, How to Talk to a Borderline and a recent  paper, “The
Psychopathology of Terrorism”  presented at the Rand Corporation and  the
International Psychohistorical Association. She is also an affiliate member
for the New Center for Psychoanalysis.

 



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