RETHINKING DIGITAL CULTURAL HERITAGE Time: Wednesday 13 November 2019, kl. 13.00-17.00 Place: Auditoriet, Frescativägen 24 https://www.su.se/ike/om-oss/evenemang/%C3%B6ppet-seminarium-om-digitalisering-och-kulturarvssamlingar-1.437602
13.00 Welcome and introduction Anna Dahlgren & Pelle Snickars 13.15-14.00 Losing Born-Digital Heritage: Living Archive and Bridging Thesaurus. For a Concerted Museum-Network Oliver Grau, Professor of Image Science, Danube University Krems 14.00-14.45 Museums and Machines: Digital Cultural Heritage Horizons Kathryn Eccles, Research Fellow at the Oxford Internet Institute and Pembroke College, University of Oxford. 14.45-15.15 Coffee 15.15-16.00 Digital Heritage as 'Big Historical Data' in Humanities Scholarship: Digital Methods, Research Infrastructure and Collaboration Julia Noordegraaf, Professor of Digital Heritage, University of Amsterdam. 16.00-16.30 Concluding panel and discussion The event is free of charge. However registration is required filip.nyst...@su.se Oliver Grau, Professor of Image Science at Danube University Krems LOSING BORN-DIGITAL HERITAGE: Living Archive and Bridging Thesaurus For a Concerted Museum-Network Oliver GRAU was appointed first Chair Professor for Image Science in the German speaking countries at Danube University in 2005. More than 350 lectures and keynotes at conferences worldwide. Grau's “Virtual Art”, MIT Press 2003 is with approx. 1500 citations internationally the most quoted art history monograph since 2000. His main research is in histories of media art, immersive images, emotion, the history of telepresence, artificial life and digital humanities. Grau conceived new scientific tools for image science developing the first international archive for digital art (ADA, since 1999). Since 2005 Grau is also head of the database of Goettweig’s Graphic Print Collection, Austria's largest private collection with 30.000 works, from Duerer to Klimt. Grau developed new international curricula: MediaArtHistories MA, Image Science, Digital Collection Management, the EU supports the MediaArtsCultures Program with 5.5 Mio. Euro. Grau was founding director and is chair of the MediaArtHistories Conference Series. 2005 he was elected member of the Young Academy of the BBAW & Leopoldina, 2014 he received a doctor h.c., 2015 he was elected into the Academia Europaea. Kathryn Eccles, Research Fellow at the Oxford Internet Institute and Pembroke College, University of Oxford. Museums and Machines: Digital Cultural Heritage Horizons Dr Kathryn ECCLES is a Research Fellow at the Oxford Internet Institute and Pembroke College, University of Oxford. A historian by training, her research interests lie primarily in the Digital Humanities, ranging from the re-organisation of cultural heritage and higher education in the digital world, to broader debates surrounding the human and social aspects of innovation. Appointed as the University of Oxford’s first Digital Humanities Champion (2014-6), Kathryn’s current work focuses on the ways in which museums and cultural heritage organisations can implement new tools and technologies to enhance visitor engagement, and to understand how visitors engage with collections. Julia Noordegraaf, professor of Digital Heritage in the department of Media Studies at the University of Amsterdam. Digital Heritage as 'Big Historical Data' in Humanities Scholarship: Digital Methods, Research Infrastructure and Collaboration Julia NOORDEGRAAF is professor of Digital Heritage in the department of Media Studies at the University of Amsterdam. She is director of the Amsterdam Centre for Cultural Heritage and Identity (ACHI<http://achi.uva.nl/>), one of the university’s research priority areas, where she leads the digital humanities research program Creative Amsterdam (CREATE) that studies the history of urban creativity using digital data and methods. She also participates as Steering Committee member in the newly established RPA Human(e) AI<https://humane-ai.nl/>, which studies the societal implications of AI technology. Noordegraaf’s research focuses on the preservation and reuse of audiovisual and digital heritage. She has published, amongst others, the monograph Strategies of Display (2004/2012) and, as principal editor, Preserving and Exhibiting Media Art (2013) and acts as principal editor of the Cinema Context database on Dutch film culture. She currently leads research projects on the conservation of digital art (in the Horizon 2020 Marie Curie ITN project NACCA<http://nacca.eu/>) and on the reuse of digital heritage in data-driven historical research (besides CREATE in the NWO funded project Virtual Interiors as Interfaces for Big Historical Data Research. She is a former fellow of the Netherlands Institute for Advanced Study in the Humanities and Social Sciences and acts as board member for Media Studies in CLARIAH<http://www.clariah.nl/>, the national infrastructure for digital humanities research, funded by the Netherlands Organization for Scientific Research, NWO. Noordegraaf currently coordinates the realization of the Amsterdam Time Machine<https://amsterdamtimemachine.nl/> and participates as Steering Committee member in the European Time Machine project<http://timemachineproject.eu/> that aims to build a simulator for 5.000 years of European history and that recently received Horizon 2020 funding for a Preparatory Action for a Large Scale Research Initiative. Anna DAHLGREN is professor of Art History at Stockholm University. During 2019-2021 she is coordinator for the Swedish Research Council’s funding programme DIGARV. She has written extensively on different aspects of photography and visual culture including fashion and advertising photography, print culture, historiography, the digital turn, archives and museum practices. Recent publications include Travelling Images. Looking Across the Borderlands of Art, Media and Visual Culture (Manchester University Press, 2018) and Representational Machines. Photography and the Production of Space (Aarhus University Press, 2013, co-edited). She is currently running the project Metadata Culture (Swedish Research Council, 2019-2023), focusing different aspects of cultural heritage institutions image collections online. Pelle SNICKARS is professor of media and communication studies—a chair directed towards the digital humanities—at Umeå University, Sweden, where he is also affiliated with the digital humanities hub, Humlab. His research is situated at the intersection between media studies, media history and the digital humanities. Snickars is currently (2019) in charge of two major research projects: Welfare State Analytics. Text Mining and Modeling Swedish Politics, Media & Culture, 1945-1989<https://www.westac.se/en/> (Swedish Research Council) and Digital Models. Techno-historical collections, digital humanities & narratives of industrialisation<http://digitalamodeller.se/in-english/> (Royal Swedish Academy of Letters, History and Antiquities). Snickars is also the co-ordinator of the national research program, DIGARV—Digitisation and accessibility of cultural heritage<https://www.digarv.se/en/> (Swedish Research Council), and involved as PI in the EU-funded research project, European History Reloaded: Curation and Appropriation of Digital Audiovisual Heritage<https://www.cadeah.eu/> (EU JPI Cultural Heritage). DIGARV https://www.digarv.se/ Also see: https://www.su.se/ike/om-oss/evenemang/öppet-seminarium-om-digitalisering-och-kulturarvssamlingar-1.437602 Öppet seminarium om digitalisering och kulturarvssamlingar - Institutionen för kultur och estetik<https://www.su.se/ike/om-oss/evenemang/%C3%B6ppet-seminarium-om-digitalisering-och-kulturarvssamlingar-1.437602> www.su.se Tre internationella forskare ger sin syn på fältet och delar med sig av erfarenheter från genomförda forskningsprojekt. Vid Stockholms universitet den 13 november, 2019. -- rohrpost - deutschsprachige Liste zur Kultur digitaler Medien und Netze Archiv: http://www.nettime.org/rohrpost http://post.in-mind.de/pipermail/rohrpost/ Ent/Subskribieren: http://post.in-mind.de/cgi-bin/mailman/listinfo/rohrpost/