(313) Fwd: propz to the peepz
>--- >DETROIT & MANCHESTER: >A HEARTFELT THANK YOU TO ALL OF OUR FANS + SUPPORTERS > >All of us at Planet E wanted to express our heartfelt thanks for the >support that everyone who came down to our Label Showcase >in Detroit at Motor Lounge and at Carl Craig's DJ gig in the UK >at Manchesters Electric Chair the past two weekends. >Your enthusiasm reinforces our faith in the underground and our fans! > >--- > >The label showcase, February 19th in Detroit, was incredible! >A diverse mix of people were in the house and they were ALL >gettin' down! >With the stage in the middle of the main room, like a boxing ring, >the three contenders controlling the crowd from different sides, >letting the audience really see what each artist was up to. > >- The debut of Reclooses truly inspiring live show did not >fail to impress the curious fans. Head-nodding soon turned into >rump-shakin'. >- Carls new Paperclip People show: Detroiters have >waited long enough for this, and they showed much love. >- Mike Clarks DJ set opened and closed the main room with his usual >finesse, a journey through beat-down house Agent X style. >- Hannah's back room, was an orgy of soul, all night from 9 till 2. >An electric atmosphere, and an Innerzone Orchestra live footage film >show. > >--- > >Carls DJ set at the Electric Chair in Manchester (UK) this last >Saturday, was also brilliant and the crowds reaction to some >of the upcoming Planet E releases was out cold! >Thank you! > >--- > >--- >PLANET E CONTEST: >GET ON THE GUEST LIST FOR CARL CRAIG >AT FABRIC IN LONDON THIS WEEKEND! > >For those of you in London or the surrounding area, wed >like to offer you the chance to be on the guest list to go >hear Carl play at the new London superclub >FABRIC this Friday night, March 3rd. > >All you have to do is be the FIRST person to correctly >answer the following question: > >WHICH ONE OF CARL CRAIGS PSEUDONYMS >IS BASED ON THE YEAR OF HIS BIRTH? >Be the first person toreply to this e-mail with the correct >answer, your first and last name, and where you are from >and youre on the guest list to hear Carl rock Fabric this >Friday night. >This is for a guest list spot for the winner and a guest >only, no transportation or accommodations, sorry. > >--- > >--- >PLANET E AT MIAMI WINTER MUSIC CONFERENCE >MARCH 25-29, 2000 > >YES! YES! YES! To answer your questions, yes, >Planet E WILL be having another party at the >Miami Winter Music Conference this year. > >Last year's party at Tantra was off the hook with industry, fans, and >celebrities alike grooving to Paperclip People live, Kevin >Saunderson, Gilles Peterson, Dego of 4 Hero, >Glenn Underground, Recloose, and more; people >were buzzing about this night for months afterward! > >This years Planet E event will certainly top 1999s! Look for a >special bulletin imminently announcing all the details on this >not-to-be missed throwdown! > >--- > >--- >UPCOMING RELEASES >-May 2, 2000 Recloose . "Cant Take It"/"Absence of One" 12" >-May 9, 2000 Innerzone Orchestra ? "People Make The World Go Round" >(JD of Slum Village & Lacksidaisical Remixes) >-May 16, 2000 Common Factor (featuring John Redmond) ? >"World Is Mine"/"Fascination" 12" >-May 23, 2000 Carl Craig . Designer Music sampler 12" >-May 30, 2000 Mike "Agent X" Clark ? New 12" >-TBC/June 2000 Carl Craig - Designer Music. The Remixes, Vol. 1 CD > >--- > >--- >UPCOMING PLANET E ARTIST DATES: >(All dates subject to change. Check local listings) ># = CONFIRMED > >CARL CRAIG (DJ set): >MARCH >3-3 Brighton, UK/Downloaded @ The Concorde >(Loaded Records night) (early)# >3-3 London, UK/Fabric (late)# >3-4 Nottingham, UK/The Bomb# >3-5 Detroit, MI/I-O Coffeehouse# >3-17 Austin, TX/SxSW >3-25 ? 3-29 Miami, FL/Winter Music Conference >APRIL >4-1 Omaha, NE > >COMMON FACTOR (LIVE) >3-25 ? 3-29 Miami, FL/Winter Music Conference > >RECLOOSE (LIVE) >3-25 ? 3-29 Miami, FL/Winter Music Conference > >- also check out our 'lady of soul' HANNAH, > all night this Saturday 4th in the back room at Motor, Detroit. > "Playing all tings good!" Nuff said. > _
Re: (313) kano for president
dont forget cyberaktif's "tenebre vision" released on wax trax! back around '90 (give or take a year) brap on... >>In a message dated 28/02/00 9:53:08 [EMAIL PROTECTED] writes: >> >>> speakin' of soundtrack stuff...anyone know where to find the soundtrack to >>> Tenebre (weird old Dario Argento horror flick) on vinyl? That movie has >>> some sick music on it...by Claudio Simonetti (Goblin) >> >>I was watching Suspiria by Dario Argento and immediately made the connection >>to Carl Craig's track of the same title. I am quite sure there is a >>connection as the dramatic soundtracks incorporated in some of Dario's films >>often remind me of a strong influence on Carl's music, especially with his 69 >>projects. > >It sure did inspire that track ... I believe one pressing on Retroactive >even had the subtitle "Susie Bannion Mix" (the lead character). The end of >the track has a sample of the recurring eerie chord as well. > >-d > > >-- >Dan Sicko >[EMAIL PROTECTED] >http://www.reverbmag.com >http://www.techno-rebels.com
(313) Detroit/Chicago record stores
hi guys i publish a free quarterly magazine [ 10,000 copy print run ] about raver culture and i need a few stores to distribute the thing in both Detroit and Chicago. can any of you give me a few store names and addresses? thanx in advance! deryck =) --- tha HUGE! corporation _http://i.am/HUGEzine _212 330 8146 _ICQ :: 18789678 On Tue, 29 Feb 2000 16:35:40 johno wrote: >In reaction to Silfert, > > >All I know is that it should take place at the end of May (27;28;29, I can't >be 100% sure, I don't have the info here at work). Carl claims he has been >planning this for about two years. The festival hopes to program about 50 >dj's and lives from Detroit and from all over the world. I'm hoping to find >out more about this as well because I was planning to visit Detroit anyway >and this only makes me wanna go even more. If anybody has info, please send >it through. I think there will be a lot of interest from Europe as well. I'm >sure of at least one person... > > >John Osselaer > > HotBot - Search smarter. http://www.hotbot.com
Re: (313) kano for president
On Tue, 29 Feb 2000 [EMAIL PROTECTED] wrote: > In a message dated 28/02/00 9:53:08 [EMAIL PROTECTED] writes: > > > speakin' of soundtrack stuff...anyone know where to find the soundtrack to > > Tenebre (weird old Dario Argento horror flick) on vinyl? That movie has > > some sick music on it...by Claudio Simonetti (Goblin) Cool, I was wondering when some of that old 70s/80s giallos soundtracks would be mentioned on here...I don't know where one could obtain a vinyl copy, but there are mp3s and links to vendors selling CDs at the following: Try the best Goblin site on the net, 'La Fantastica Homepage Dei Goblin': http://goblinhome.simplenet.com/ Also worth checking out is Claudio Smonetti's homepage: http://www.simonetti.org m.t.
(313) New Records
Thought I would just preview a couple of records that may be (indirectly) of interest to 313-ers. Speedy J: A Shocking Hobby (Novamute) Just got this today. I am not overly familiar with Speedy's previous work but he seems to be one of those folks newly enamoured with 'The Breakbeat''. This album has a mix of experimental and dancefloor tracks and is, I suspect, a grower. I think I preferred Luke Slater's Wireless, an album that I felt was underrated, and even misconstrued, within 'techno' circles. DJ Q: TwentyFour7even (Filter) This is a quality 'tech-house' album that features the single Optimum Thinking. DJ Q has won respect from the likes of Carl Craig and Derrick Carter and that's understandable. One of the tracks is actually a dedication to Carter. There's a classic Detroit influence on a handful of tracks, Way Back Then and The End Of The Beginning. I would say that this is a worthwhile record but not outstanding in the way that Laurent's is. But then, to be fair, Laurent has been at it a whole lot longer. In other news: I'm told that Planet E's catalogue is now getting distribution through Siren in Australia and that the People Make The World Go 'Round single should be out about now. So, um, that's fabulous. Also there's a Giorgio Moroder 'tribute' coming out with remixes. On the good side Felix The Housekat, Roger Sanchez and Danny Tenaglia contribute, on the bad there's Paul Oakenfold and a bunch of wack German trance producers (ie. no one good like DJ Hell or Ian Pooley). The track list is at least novel; I wish I had a copy, someone read it out to me on the phone. I just think it's a shame (obviously) that there aren't any 313 cats on there. C
(313) Detroit Hip-Hop
Remember we were discussing Slum Village a few months back? Carl Craig brought Slum Village in to remix People Make The World Go 'Round - hopefully that will see light of day soon on Planet E. Slum Village are a great new hip-hop outfit from Detroit. Think Native Tongues style hip-hop for the 2K. One of the members is JayDee who also forms part of The Ummah, A Tribe Called Quest's production arm, along with Q-Tip and Ali Shaheed Muhammad. (I am not exactly sure of the status of this triumvirate since Tribe's demise?) Slum Village's album, Fantastic Vol 2, has been widely bootlegged in the underground but has never seen the light of day due to some bad decision-making at Interscope. Anyway, news is that the group have now left the label and the album will now come out in the US via on Baraka/Goodvibe/Atomic Pop in May. The album features input from Q-Tip, D'Angelo, Pete Rock, Busta Rhymes and Kurupt. Also I just got a promo copy of another hip-hop CD from a West Coast outfit called The People Under The Stairs. The title is The Next Step and it's out via Om Records. It's kinda on the ol' skool, 'conscious' hip-hop tip, very funky and upbeat. But to bring it back to 313, there are three tracks with input from one DJ Assault. Would this be the same DJ Assault?
Re: (313) KMS and Kevin Saunderson
>And BTW, what´s Kevin been up to lately ? Any projects ? Releases ? He has been working on a new Inner City album. This comes from an article I wrote late Decemeber: A new Inner City album is nearly complete. "The Inner City album is shaping up fine. I'm close to 10 tracks. I'm trying to get it all finished before I get to Australia, but I think I'm going to come back and finish a track or two... It's probably a little different - actually, it's not 'probably', it's a lot different than people would anticipate. It's gone away from dance music in a certain capacity. You know, we've changed our styles." Saunderson reveals that the Y2K incarnation of Inner City sounds more downtempo, experimental and accommodates both live instruments and electronics. The finished set should come out next year via PIAS (Play It Again Sam). Peace Cyclone
RE: (313) Carl Craig on Saturday
> Does anyone know the name of that wicked > house track that he played, which had a > really uplifting vocal which went "I feel alright, > the world is good!" (or something similar)? Could be a few different ones, but it sounds like "It's Alright, I Feel It" from NuYorican Soul (aka Masters at Work). - Nah, not that one, but cheers for the info. Nick __ Get Your Private, Free Email at http://www.hotmail.com
RE: (313) Carl Craig on Saturday
> Does anyone know the name of that wicked > house track that he played, which had a > really uplifting vocal which went "I feel alright, > the world is good!" (or something similar)? Could be a few different ones, but it sounds like "It's Alright, I Feel It" from NuYorican Soul (aka Masters at Work). More info at http://allmusic.com/... .John.
(313) Carl Craig on Saturday
Yeah, I know this thread's finished, but I've got new info / questions - My mate, who stayed longer than me said that 'No Way Back' was either Carl's last track, or even the first track of the guy after him. - Does anyone know the name of that wicked house track that he played, which had a really uplifting vocal which went "I feel alright, the world is good!" (or something similar)? - In response to the query about the Richie Hawtin Mary Anne Hobbs mix. Richie did an hour mix on her show (she's a late night BBC Radio jock) in December last year. It was all quite downtempo stuff. - Was someone talking about a new Mills 12" the other day or did I dream it? Peace, Nick __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) KMS and Kevin Saunderson
sean deason has a release soon on kms. Silfert Van Oudheusden wrote: > Does anyone know who´s behind the offical KMS website ? > http://www.kmsproductions.com/ > > It hasen´t been working for months now > > And BTW, what´s Kevin been up to lately ? Any projects ? Releases ? > > __ > Get Your Private, Free Email at http://www.hotmail.com -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: (313)shawn rudiman
yep, he's done the first two releases on the hypervinyl imprint and done quite a bit of industrial stuff in the late 80s/early 90s. doing techno since the 90s though. i had an emailed bio here but the computer ate it :( andrew duke np tyler t.bone stadius-- absorb mix cd (masterful, simply masterful) Tom Churchill wrote: > Jwan Allen: > > shameless plug: > > > > Shawn Rudiman "blue empire" EP Hypervinyl 003 (coming soon) > > Cool, I'm still digging his EP on 7th City - who is this guy? Has he > released anything else? > > :::: tom churchill : > : headspace recordings : > : http://www.headspacerecordings.co.uk : > ::: e: [EMAIL PROTECTED] ::: > ::: t: 07976 898514 -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: (313) trax records piece on website
yes, that piece does look *very* familiar. to post it on a site without credit is breaking copyright. and the webmaster even admits this by his/her "Will the author of this article please drop me a note?" line at the top of the piece on the website. it's a great article, but that's a lame lame lame and disrespectful (to the writer and the magazine) way to spread it around. andrew duke e&a rinon wrote: > -Original Message- > From: stephen <[EMAIL PROTECTED]> > To: 313@hyperreal.org <313@hyperreal.org> > Date: Monday, 28 February 2000 18:45 > Subject: Re: (313) house music (the real story) > > >Found this obscure article on Trax on a search engine (sherlock), very > >entertaining, does a nice job going over the origins of chicago house. > >http://www.geocities.com/HotSprings/1392/Trax.html > > > > this is coppied(word4word) from a Magic feet thing,that was done(i think) by > Cal(essence) who is on this list > > e,r -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: (313)Rock to the Beat / Triangle of Love
Saunderson remixed NO's "Round & Round" to great effect. "Batory, Jason" wrote: > I've always wondered if the vocal "Rock to the Beat" is a sample or not. > I've always thought it sounds like Kim Gordon (!) > > I'll also throw in some praise for Triangle of Love, that vocal is so raw > its beautiful. Someone mentioned New Order and that's what I thought the > first time I heard Triangle. So I doubt this is just a coincidence, how much > influence did New Order have in the D? Technique remains as one of my > favourite albums of all time. Is this a "go read Techno Rebels" question? > > Respect > JasonB > > > -- > > From: James Bucknell[SMTP:[EMAIL PROTECTED] > > Sent: Tuesday, February 29, 2000 1:49 AM > > To: 313@hyperreal.org > > Subject: (313)Rock to the Beat mix? > > > > > > > > I have a weird mix of Rock to the Beat--it has a tweaked out 303 riff, > > samples > > of someone saying 'acd' and 'ecstasy.' > > on the flip is 'saigon nightmare'. there is no artist info crediting > > kevin > > saunderson, which makes me suspect it's a bootleg. > > is this a bootleg, any one know who did it, and when? > > it say it's made in belgium.' > > james > > > > -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
(313) RE: Live on the Decks 3 w/ Ritchie Hawtin
I just got back from Chicago late last night and was all excited to fill everyone in on this party, but it looks like Steve beat me to it (see below). I'll just go ahead and fill in the blanks. I, too, got there around midnight and found the huge mass of several hundred kids standing out in the cold wind, freezing their asses off. For the hour I stood there, the line didn't move. My friends and I tried to position ourselves at different spots in the masses, but no matter where we stood, the line wasn't moving. Then, eventually, people got sick of standing in the cold and just bum rushed the tent. It was a site. Like 400 kids just going for it, riot style. It was fucked up that things had to happen like that, but the disorganization of the promoters was SO frustrating and uncalled for. There's no excuse for leaving close to a thousand people outside in the cold in t-shirts. The promoters knew they had 6000 kids coming. Why hadn't they made the necessary arrangements? So the riot took place and rightly so. Within 3 minutes though, the police started appearing and all hell broke loose. Kids got beat down and the police just went psycho with thier nightsticks, flashlights and dogs. It was terrifying to see people getting trampled and assaulted. I had my camera and tried to get a few pictures, but in all the chaos, I was only able to get a few good shots of the people swarming the tent. So the swarm of police officers eventually forced everyone out of the tent through force and threat. I wanted to get inside, but I didn't want to get beat down with a nightstick Rodney King-style like some of the other unfortunate kids. About an hour later, this huge line of like 2,000 people formed on the side of the building, leading towards a rear exit the size of my bedroom door: the largest bottleneck in the world. Upon seeing this, I was furious. All I wanted to do was get inside and see Ritchie. I had wasted two hours waiting in line and now it seemed as though I was going to have to spend at least another two to three hours in another line. Luckily, just as we got in line, somebody opened up a side door -- and exit -- and about 100 of us just went for it, sprinting through this doorway before the security could stop us. I felt very very fortunate. The party was pretty cool, very big. Unlike Steve, I spent the entire evening in the laser tag room. The best way for me to describe this room is to make a comparison to the concluding finale in "The Empire Strikes Back" where Luke and Darth Vader fight in this strange black and red room with cylanders shooting up out of the ground and elevated platforms framing the main floor. People were crammed in the small room. There was a haze from all the persperation. I remember standing on a distant platform, looking down at the crowd and Ritchie and not being able to see clearly through all the moisture in the air. Sweat was just dripping off my head even when I wasn't dancing. There was so much moisture in the air that none of my pictures turned out clearly. My flash couldn't cut through the air and would bounce back, making the pictures look all hazy. In sum, this room was fucking amazing. Not only because of the textural context but also because of all the people just out of their minds in the heat. Even if you weren't tripping or rolling or smoked out, you felt disorientated from the temperature. Acquaviva was good, but Ritchie was so amazing that I seldom left the room for the whole 5 hours he spun. I could sit here and explain exactly how amazing he is, but I feel like I don't have the time. The bottom line: you couldn't even tell when he would bring in a new track. Completely seamless. It seemed as though he used his machines more than his records. Or his records only functioned to bridge his spontaneous creations. Due to the heavy 909 use, it was a very percussive set with tons and tons of explosive bass kicks and dense layers of symetric percussion loops. He would slow things down and send the crowd into a frenzied state by going into a "Spastik"-like percussive build-up topped off with the hammering entry of the 909 kicks. Things concluded with him going through his montage of the three versions of "Orange" with the Nitzer Ebb vocals. After this, he put the records away and spend a good 15 minutes just working his 909. In the end, everyone was screaming, hollering and giving him a standing applause. One last note: About Chicago, this was my first party there. Though the whole riot and the disorganization made me extremely frustrated and thinking that I'm just too old for these kiddy raves anymore, my attitude changed inside. It was great to see 6,000 kids partying. I literally felt like the oldest one there, besides the DJs. This made me realize that there are a lot of kids into this music in Chicago and the surrounding area. Thier future looks bright. After the party I spent some time talking to some of the kids, and they
(313) Fwd: < new release update > / [ leaf ]
I think someone (possibly me) brought this release to our attention before. Well here's the press-details from DEI. >SUSUMU YOKOTA >Magic Thread >BAY11CD / BAY11V (limited double LP) >UPC: 1753-32679-2 > >"This is the sort of music you put on while you're doing the washing up >only to find it has taken control of your very soul" Ben Thompson, Mojo, on >'Image 1983-1998' > >Though probably better known for his funked-up techno and house (and jazz, >disco, drum & bass, etc), Susumu Yokota received fulsome praise for the >Image 1983-1998 album released by The Leaf Label in September 1999. March >2000 sees the first release outside Japan of the now ridiculously scarce >Magic Thread album. The album was actually released in Japan before Image, >in a limited edition of just 500 copies on CD - the very first release on >Yokota's own Skintone label. > >Magic Thread has a more electronic feel to it than Image, but is still >possessed of the plaintive melodies and haunting minimalist dynamics that >made Image such an unexpected treat. > >After Ken Ishii, Yokota was the first techno artist to release music in >Europe (1992's Frankfurt-Tokyo Connection on Harthouse). Since then he has >enjoyed a prolific career as both a DJ and recording artist, working under >a host of pseudonyms, including 246, Ringo, Prism and Stevia. With his star >currently very much in the ascendant in his native Japan and continental >Europe, Yokota has begun to make an impression in the UK with his two most >recent albums on Sublime, 1998 and 1999. He has sold in excess of 90,000 >records worldwide. > >Due to popular demand, we are pleased to announce that the release of this >album will be complemented by the belated release of his last Skintone >album, Image 1983-1998, on limited edition 180g vinyl (BAY 9V). > >Yokota's next release on Leaf will be a 4-track EP of deep house remixes >(more in keeping with his more familiar work on Sublime) of tracks taken >from Image, Magic Thread, and the third album in the Skintone series, >Sakura, which will also be released through Leaf later this year. He will >also contribute to the forthcoming Invisible Soundtracks : Macro 3, and is >to release his first ever mix album on Skintone, using only music from The >Leaf Label. We wait with baited breath... > >CD: LP: > >1. A1. Weave >2. A2. Reflux >3. A3. Unravel >4. B1. Circular >5. B2. Spool >6. C1. Potential >7. B3. Fiber >8. C2. Metabolic >9. D1. Stitch >10. D2. Blend >11. D3. Melt > > >Reviews of Image 1983-1998: > >"sexy and funny...Image's micro mood engineering is pure phantasmal pop, a >compelling tour of musical dustworlds. It makes you itch to hear whatever >ivory dice Yokota rolls out next" Ian Penman, The Wire > >"the Japanese dream forger has proved that minimalism in all spheres has a >transfixing meeting point. Captivating" Kevin Martin, Top > >"sublime" The Times > >"evocative and beguiling" Alternative Press > >"spine-tinglingly beautiful moments" Wax > >"wonderfully imaginative" Sleazenation > >"beauty incarnate" 7 > >== > > >SUSUMU YOKOTA >Image 1983 - 1998 >BAY9V (limited edition 180g LP vinyl) > >Susumu Yokota has been earning heaps of praise for his super-funky blend of >house, techno, disco, jazz and breaks, with releases on Japan's Sublime >Records, among others. "[He] has more ideas in the space of one album than >most house producers have in their entire careers" said Mixmag of 1999, his >most recent album on Sublime. > >The Leaf Label has licensed Image 1983-1998, a collection of mainly >acoustic and oddly moving instrumental and vocal pieces from Yokota's own >Skintone label, a very personal project, representing a very different side >to his musical persona to the one you may already be aware of. There are >already another two Skintone albums ready to go, both in very different >styles. Yokota is proving increasingly difficult to pin down, which can >only be a good thing as far as we're concerned. > >Already synonymous with dance music in Japan, Yokota first attracted >worldwide attention back in '92 with 'Frankfurt-Tokyo Connection' on >Harthouse. Since then he has enjoyed a prolific career as both a DJ and >recording artist, working under a host of pseudonyms, including 246, Ringo >and Prism (for Sublime and Reel Musiq) and Stevia (for NSCom). He has sold >in excess of 90,000 albums worldwide. > >Yokota will be making DJ appearances in the UK in late October, in whatever >guise he sees fit. Keep your eyes peeled... > >track listing: > >1. Kaiten Mokuba >2. Tayutafu >3. Fukoro No Yume >4. Wani Natte >5. Sakashima >6. Morino Gakudan >7. Nisemono No Uta >8. Daremoshiranai Chiisanakuni >9. Kawano Hotorino Kinoshitade >10. Yumekui Kobito >11. Amai Niyoi >12. Enogu >13. Amanogawa > > >"An astounding record that works it's way in through your lungs as much as >your ears. Instrumentals of the best kind with changing sounds (although >clouded keyboards and stri
(313) Techno Festival Detroit
In reaction to Silfert, All I know is that it should take place at the end of May (27;28;29, I can't be 100% sure, I don't have the info here at work). Carl claims he has been planning this for about two years. The festival hopes to program about 50 dj's and lives from Detroit and from all over the world. I'm hoping to find out more about this as well because I was planning to visit Detroit anyway and this only makes me wanna go even more. If anybody has info, please send it through. I think there will be a lot of interest from Europe as well. I'm sure of at least one person... John Osselaer
(313) Mary Ann Hobbs mix
Date: Mon, 28 Feb 2000 14:51:34 -0800 (PST) From: glyn <[EMAIL PROTECTED]> Subject: Re: (313) Re: 313-Digest V1 #1310 > >I don't know if I caught the start of his set or not, as he was already on > >when I got into the main room at maybe just before 1am. He was playing an > >amazing CR sounding track that's on the Richie Hawtin Mary Anne Hobbs mix - > >crunchy as hell (I'd kill for a track ID). mary anne hobbs mix? glyn Its a live studio mix Richie did a couple of months ago on Radio one, its rather good, I just did a copy of it for a friend. Has anyone got a tracklisting for this set? Stu __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) Carl Craig to organise an "Electronic Music Fest" ?
yeah its gonna be in Detroit Memorial Day weekend in Hart Plaza (a venue by the Detroit River that has a really great view of the Windsor Casinos).No sure details have been released yet except for that. there's gonna be a website too, just give it time. Its gonna be like a big Detroit Techno family reuninion type thingy. diana From: "Silfert Van Oudheusden" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) Carl Craig to organise an "Electronic Music Fest" ? Date: Tue, 29 Feb 2000 07:05:15 PST I´ve read somewhere that Carl Craig is supposed to organise an "Electronic Music Fest" somewhere sometime... Anyone heard about this ? More details ? __ Get Your Private, Free Email at http://www.hotmail.com __ Get Your Private, Free Email at http://www.hotmail.com
(313) KMS and Kevin Saunderson
Does anyone know who´s behind the offical KMS website ? http://www.kmsproductions.com/ It hasen´t been working for months now And BTW, what´s Kevin been up to lately ? Any projects ? Releases ? __ Get Your Private, Free Email at http://www.hotmail.com
(313) Carl Craig to organise an "Electronic Music Fest" ?
I´ve read somewhere that Carl Craig is supposed to organise an "Electronic Music Fest" somewhere sometime... Anyone heard about this ? More details ? __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) kano for president
>In a message dated 28/02/00 9:53:08 [EMAIL PROTECTED] writes: > >> speakin' of soundtrack stuff...anyone know where to find the soundtrack to >> Tenebre (weird old Dario Argento horror flick) on vinyl? That movie has >> some sick music on it...by Claudio Simonetti (Goblin) > >I was watching Suspiria by Dario Argento and immediately made the connection >to Carl Craig's track of the same title. I am quite sure there is a >connection as the dramatic soundtracks incorporated in some of Dario's films >often remind me of a strong influence on Carl's music, especially with his 69 >projects. It sure did inspire that track ... I believe one pressing on Retroactive even had the subtitle "Susie Bannion Mix" (the lead character). The end of the track has a sample of the recurring eerie chord as well. -d -- Dan Sicko [EMAIL PROTECTED] http://www.reverbmag.com http://www.techno-rebels.com
Re: (313) G-Man Beutiful
Jwan Allen: > shameless plug: > > Shawn Rudiman "blue empire" EP Hypervinyl 003 (coming soon) Cool, I'm still digging his EP on 7th City - who is this guy? Has he released anything else? :::: tom churchill : : headspace recordings : : http://www.headspacerecordings.co.uk : ::: e: [EMAIL PROTECTED] ::: ::: t: 07976 898514
Re: (313) kano/italo/LD/danc/rttb
this is the third time i'm tryin to send this! From: In Vitro <[EMAIL PROTECTED]> >came across a (italo, I think )project called Charlie >that was featured with the track "Spacer Woman". I >love this track! Anybody have any info on Charlie? >Discography? Label? where can I find this song (on 12" >or on which LP)? it's on : mr disc good luck! i've been looking for one for 5 yrs now,don't be surprise if you get asked for $50 ,and more -Original Message- From: Matt MacQueen <[EMAIL PROTECTED]> >called Dancia and has rights to repress the My Mine stuff I believe, so >those are easy to get and it's a labor of love that they're still >available. His name is Walter I think and he does come into dancia have their place in history mainly for the "Nightwriters" rlses esp the 1987 knuckles dubmix of"Let the music use you" From: [EMAIL PROTECTED] To: In Vitro <[EMAIL PROTECTED]> Cc: 313@hyperreal.org Subject: Re: (313) What is Italo-Disco? >Italo (or Italian) disco was big during the late seventies, >early eighties. Fired up by full discobands like Macho and later >Peter Jacques Band, both Macho & Peter Jacques band are the same guy(Jacques Fred Petrus) he actualy did realy well on the funkier front with "Change"(who still had one more electronic track on their "Glow of Love" album) i agree about him starting the electronic Italian disco movement (Fire Night Dance on Goody music is a timeless example) but you had italian disco as early as 77 (DD Sound,La Bionda etc) more on the popy side tho -Original Message- From: James Bucknell <[EMAIL PROTECTED]> Subject: (313)Rock to the Beat mix? >I have a weird mix of Rock to the Beat--it has a tweaked out 303 riff, samples >of someone saying 'acd' and 'ecstasy.' >on the flip is 'saigon nightmare'. there is no artist info crediting kevin >saunderson, which makes me suspect it's a bootleg. >is this a bootleg, any one know who did it, and when? >it say it's made in belgium.' what you have is something that has never been discusd here b4 and should have,it's the ppl that actualy made the money of RTTB this was 101 - rock to the beat on Kaos. a newbeat remake that came out in 88 and was HUGE in all the early acid partys ,in fact i know ppl that still think KS got it of them and not the other way round. 101 are the same ppl that are Lords Of Acid(major problem,moments in xtc etc) in other words Praga Khan & Jade 4U while everybody always picks on Tod Terry for stealing of KS ,these were the real culprits,this record was also released in the us (can't rmmbr the label),youd be surprised but this usualy gets about $30 in e-bay auctions,since the "Lords" seems to have a cult folowers (similer to the case of "O FUrtuna"(lough) mainly ppl that were into EBM/industrial pop sort of thing go for that is off course the original picture cover version on Kaos with Jade in one of her sexy pose's to the cam.not the us one (btw most ppl i know that bought "No Ufo's" originaly were from EBM background too btw) Saigon Nightmare were also Jade4u&Praga under a diffrent allias cant rmmbr at the moment,it was on Kaos too,but not on the same record ,so what version you have exactly i'm not sure about ;) but from your description this is the RTTB you have >Does anyone have any info on the liaisons dangereuse track that Carl Craig >sampled for "galaxy". Is it still available??? >"Peu Etre Pais", from the Liaisons Dangereuses LP on Roadrunner (1981?). Long out of print. yes its both on the 12" roadrunner rr125537 (holland) and the lp teldec import service tis 66.22433 as (france) same pic cover the lp is white background the 12" is black e,r
Re: (313) house music (the real story)
-Original Message- From: stephen <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: Monday, 28 February 2000 18:45 Subject: Re: (313) house music (the real story) >Found this obscure article on Trax on a search engine (sherlock), very >entertaining, does a nice job going over the origins of chicago house. >http://www.geocities.com/HotSprings/1392/Trax.html > this is coppied(word4word) from a Magic feet thing,that was done(i think) by Cal(essence) who is on this list e,r
Re: (313) kano for president
In a message dated 28/02/00 9:53:08 [EMAIL PROTECTED] writes: > speakin' of soundtrack stuff...anyone know where to find the soundtrack to > Tenebre (weird old Dario Argento horror flick) on vinyl? That movie has > some sick music on it...by Claudio Simonetti (Goblin) I was watching Suspiria by Dario Argento and immediately made the connection to Carl Craig's track of the same title. I am quite sure there is a connection as the dramatic soundtracks incorporated in some of Dario's films often remind me of a strong influence on Carl's music, especially with his 69 projects. A_Zed _ Program Co-ordinator, Ambient Zone RTRFM 92.1 Sunday Electronic Listening [http://rtrfm.ii.net] Perth, W.Aust (WST) 23.00-01.00 Detroit (EST) 10.00-12.00 Frankfurt (CET) 16.00-18.00 London(GMT) 15.00-17.00
(313) anyone checked out Transmat lately?
I was on the site the other night and saw a video for John Beltran's Indio project, "Armenian Eyes" and another one for Hakan Lidbo...which was the strangest of the 2... had some home video footage from some "Ladies Aid Society" meeting in Detroit... it was suppose to be the video for Hakan's "first stop" but it was this smooth jazz type thing with home video footage...anyone at transmat care to enlighten us? I did like Kenny Larkin's dj mix on there...and the beltran video is cool...everyone has to check that out...the beginning is funny...what was that from? or is that kenny hammin' it up? minto
Re: (313)Rock to the Beat / Triangle of Love
In a message dated 2/28/2000 9:14:38 PM Eastern Standard Time, [EMAIL PROTECTED] writes: << I believe triangle of love is actually a techno cover of New order's Bizzarre love triangle. >> NO - not even close.
RE: (313)Rock to the Beat / Triangle of Love
Responding To:"Batory, Jason" <[EMAIL PROTECTED]> Original Date:Tue, 29 Feb 2000 09:25:29 +0800 > I'll also throw in some praise for Triangle of Love, that vocal is so raw > its beautiful. Someone mentioned New Order and that's what I thought the > first time I heard Triangle. So I doubt this is just a coincidence, how > much > influence did New Order have in the D? I believe triangle of love is actually a techno cover of New order's Bizzarre love triangle. And yes it's damn fine. Funny this would come up today because I had it in my head when I left home this morning. Can't wait to get back and submit to it's insidious charms. peace, _joe
(313) New Roland x0x mailing list!!!!!
Hey, I recently set up a list devoted to the glorious little Roland x0x machines!!! There you will not only be free, but you will be encouraged to talk about those wonderful Roland beasts!!! Just think about it no more annoying "x0x" questions for people that dont want to hear them on AH If you're really into the essence of these babies you should definately join!!! To subscribe do one of the following: 1. send email to: [EMAIL PROTECTED] -OR- 2. visit http://www.onelist.com/subscribe/x0x Thanks, 1nFØrm3r
RE: (313)Rock to the Beat / Triangle of Love
I've always wondered if the vocal "Rock to the Beat" is a sample or not. I've always thought it sounds like Kim Gordon (!) I'll also throw in some praise for Triangle of Love, that vocal is so raw its beautiful. Someone mentioned New Order and that's what I thought the first time I heard Triangle. So I doubt this is just a coincidence, how much influence did New Order have in the D? Technique remains as one of my favourite albums of all time. Is this a "go read Techno Rebels" question? Respect JasonB > -- > From: James Bucknell[SMTP:[EMAIL PROTECTED] > Sent: Tuesday, February 29, 2000 1:49 AM > To: 313@hyperreal.org > Subject: (313)Rock to the Beat mix? > > > > I have a weird mix of Rock to the Beat--it has a tweaked out 303 riff, > samples > of someone saying 'acd' and 'ecstasy.' > on the flip is 'saigon nightmare'. there is no artist info crediting > kevin > saunderson, which makes me suspect it's a bootleg. > is this a bootleg, any one know who did it, and when? > it say it's made in belgium.' > james > >
Re: (313) liaisons dangereuse
but this track is widely bootlegged, check out the boot on DEMAND records, has Depeche Mode "strangelove" on the other side (ha). peace, Matt MacQueen >"Peu Etre Pais", from the Liaisons Dangereuses LP on Roadrunner (1981?). >Long out of print. > >.06 > >>Does anyone have any info on the liaisons dangereuse track that Carl Craig >>sampled for "galaxy". Is it still available???
