Re: (313) dbx - giving it to ya raw
I can verify that Cyborg K can bang pretty good with that setup too!!! A big thumbs up for his keyboarding skills, that's to say the least! :) Matt E-mail: [EMAIL PROTECTED] Homepage: http://magicmattkelly.tripod.com - Original Message - From: "Cyborg K" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, April 28, 2000 5:22 PM Subject: Re: (313) dbx - giving it to ya raw > When you don't have much money, you make do with what you have. Techno is > empowering because it allows individuals who have less money still be able > to afford the means of production, so they can realize their creative > spirit. My setup is pretty ghetto, but it's funny how much I end up getting > out of it in the end. The Alesis HR16 is one of my weapons of choice for my > live PA though. And although I'm biased, I think that being able to bang a > ghetto set up is a real art that deserves respect.
Re: (313) dbx - giving it to ya raw
When you don't have much money, you make do with what you have. Techno is empowering because it allows individuals who have less money still be able to afford the means of production, so they can realize their creative spirit. My setup is pretty ghetto, but it's funny how much I end up getting out of it in the end. The Alesis HR16 is one of my weapons of choice for my live PA though. And although I'm biased, I think that being able to bang a ghetto set up is a real art that deserves respect. Original Message Follows From: Danny Wolfers <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Re: (313) dbx - giving it to ya raw Date: Fri, 28 Apr 2000 21:51:33 +0200 > > > Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can > get WORD! > > 808/909 sounds from everywhere, but it's the "unique" sounds in those > > machines that make them interesting. It's great to see producers > makin' > > tracks, whole records even, just with a simple drummachine. I know > there are > > lot of people who say "you must search for the most extreme and unique > > sounds as possible, synth your own sounds etc.", but I think using > what's> available at the time is most important. You can make any old shit > > sound> cool if you just analyze what's good about it and what's not, then > you > use> it for it's GOOD features, be it sounds, sequncer, filters etc. > > > Perhaps it's showing us something when most drumpatterns in modern > techno > > -and housemusic are basic, average shit. 4/4 kick, a snare, handclaps > and > > hi-hats, that's all about there is. There's lots of cheap and useful > gear,> why not use them and make things a little funkier? Funny, I was just thinking about this drummachine-thing and realised that 909s and 808s don't do it for me as much as indeed cheap drummachines such as a Tr505 or Alesis HR16 nowadays which are lot more exotic to hear. I just bought a Roland R5 (a sort of R8 for people withouth money back then) for almost nothing and I am happier with it then I possibly could be with a dozen 909's or MC303 grooveboxes. Its so dirty! the groove is completely deranged and sounds like an old italo disco drummer on some wrong dope. (Know I've heard a lot of people complaining about Rolands lack of tight MIDI triggering on some of their older instruments, but this simply adds realism!) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) DEMF tip
Where can I get info about the press conference. I am a reporter for a local media source, and would like to register. I didn't see anything on the website. How redundant can I get? I meant "and will be attending the press conference" Too many webpages, not enough sunshine I guess... At 08:58 PM 4/27/00 -0400, you wrote: > >Well... those that would be updating the >website also happen to be on the 313 list >and will be attending the website, so I'm >sure the website will be updated as fast >as someone can post a report here anyway. ;P > >nyah. > >Dale > > >At 05:44 PM 4/27/00 PDT, you wrote: >>The press conference for the festival is May 1st. Though it set to be up on >>the web a couple hours after, would anyone here in the detroit area who is >>attending want to volunteer as (313) liason? Perhaps take notes at the press >>junkit to relay to (313)? >> >>diana > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) Help!
the new abuser is user. im not a fan of all of the user stuff. but this is one of the best (ab)users out. i also got the new dan bell rmx on LADOMAT... basicly it sounds like a big web pussy played over techno. if you like bell you would like this track From: "Myke Mitchell" <[EMAIL PROTECTED]> Quick question, that new Abuser record that came out this week, is that done by User?? Cuz if it's not it's a blatant rip-off, not only musically but in artistic terms as well (the label on there is the same one that User uses!). Thanks in advance for the info! Pieces... 'Michigan' Myke [1 TRAK Resident] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
show602:Andrew Duke's In The Mix now online on Cognition http://techno.ca/cognition
now online on Cognition: http://techno.ca/cognition Andrew Duke's In The Mix show 602 here's the tracklisting show 602 part one: Technasia's Charles Siegling (FR/HK Technasia/Sino) exclusive guest DJ mix; there's 29 tracks in this mix; full tracklisting available on Cognition for this mix show 602 part two: 1. Plasm Nesonic--Internal Facade from Automated Choice Response EP (NL Delsin test) 2. Universal Principles--Latin Stroll from Inspiration & Light (UK Soma) 3. Peter Kruder--Root Down (DM Compost test) 4. Isolee--Music... from Rest (DM Playhouse) 5. Audio Totem Pole--Damascus from ATP2 12" (US Audio Totem Pole) 6. Hollis P. Monroe--You Belong With Me from Every Night EP (US Fiji test) 7. Da Kine--Downstream from Drift002 EP (US Driftwood test) 8. D. Diggler (Andreas Mugge)--B1 from Feel My Heat (DM Raum...Musik test) 9. G. Pal--The Passion For The Phuture from The Passion EP (US Plastic City USA test) 10. John Tejada--String Theory from Significant Numbers EP (US Seventh City test) 11. Technasia--Force from Force EP (FR/HK Technasia) 12. Brinton McKay (John Selway)--Real Cool (Abe Duque remix) from RAP002 12" (US Rapture test) 13. Le Car--Audiofile 10 (Ectomorph version) from Le Car Remixed EP (US Ersatz Audio test) 14. Redshift--Intro from Fear/Decay EP (UK Surface Effect CDR) 15. Redshift--Fear from Fear/Decay EP (UK Surface Effect CDR) 16. Shawn Rudiman--Blue Empire from Blue Empire EP (US Hypervinyl test) 17. Solenoid--Elsemoon from Alt. Frequencies (4th Installment) compilation (UK Worm Interface) -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Question
Hey all! Just a quick question, anyone hear of the following record: james lLennet vs plastikman - jazz fanatics (minus) I haven't seen/heard this before, any comments, reviews?? Thanks. MM Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (techno) Verdict
"A spectre is haunting [the record industry]... it is the spectre of..." On Fri, 28 Apr 2000, Myke Mitchell wrote: > Hey all, just curious to know if anyone has any comments on the ruling that > came out today that said MP3.COM has infringed copyright laws of the > recording industry. See it here: > > http://webcrawler-news.excite.com/news/ap/000428/12/mp3-lawsuit > > Crazy shit! Pieces > > MM > > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > --- For the greater the pleasure whereby we are affected, | [EMAIL PROTECTED] the greater is the perfection whereto we pass - Spinoza | Ryan Daum
Re: (313) dbx - giving it to ya raw
> > > Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can > get WORD! > > 808/909 sounds from everywhere, but it's the "unique" sounds in those > > machines that make them interesting. It's great to see producers > makin' > > tracks, whole records even, just with a simple drummachine. I know > there are > > lot of people who say "you must search for the most extreme and unique > > sounds as possible, synth your own sounds etc.", but I think using > what's> available at the time is most important. You can make any old shit > > sound> cool if you just analyze what's good about it and what's not, then > you > use> it for it's GOOD features, be it sounds, sequncer, filters etc. > > > Perhaps it's showing us something when most drumpatterns in modern > techno > > -and housemusic are basic, average shit. 4/4 kick, a snare, handclaps > and > > hi-hats, that's all about there is. There's lots of cheap and useful > gear,> why not use them and make things a little funkier? Funny, I was just thinking about this drummachine-thing and realised that 909s and 808s don't do it for me as much as indeed cheap drummachines such as a Tr505 or Alesis HR16 nowadays which are lot more exotic to hear. I just bought a Roland R5 (a sort of R8 for people withouth money back then) for almost nothing and I am happier with it then I possibly could be with a dozen 909's or MC303 grooveboxes. Its so dirty! the groove is completely deranged and sounds like an old italo disco drummer on some wrong dope. (Know I've heard a lot of people complaining about Rolands lack of tight MIDI triggering on some of their older instruments, but this simply adds realism!)
vocals and whatnot
Hello All, Thanks to those who posted info on the RZ-1. FWIW, there is one on ebay at the moment for around USD100. It still has five days left though On a completely different trip, I was wondering if anyone out there could recommend some good techno with *tastefull* vocal samples. I really like the mills' style of vocal use in 'if'- the vocals are there, but are treated like any other instrument. They don't overpower the song. Once again, thanks for all your assistance (collectively!) out jim
Re: (313) Help!
the sonic groove web site stated that it was from the same producer. kuri > Quick question, that new Abuser record that came out this week, is that done > by User?? Cuz if it's not it's a blatant rip-off, not only musically but in > artistic terms as well (the label on there is the same one that User uses!). > Thanks in advance for the info! Pieces... > > 'Michigan' Myke [1 TRAK Resident] > > > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > -- Kuri Kondrak Resonance Magazine
Verdict
Hey all, just curious to know if anyone has any comments on the ruling that came out today that said MP3.COM has infringed copyright laws of the recording industry. See it here: http://webcrawler-news.excite.com/news/ap/000428/12/mp3-lawsuit Crazy shit! Pieces MM Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Help!
Quick question, that new Abuser record that came out this week, is that done by User?? Cuz if it's not it's a blatant rip-off, not only musically but in artistic terms as well (the label on there is the same one that User uses!). Thanks in advance for the info! Pieces... 'Michigan' Myke [1 TRAK Resident] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) dbx - giving it to ya raw
While speaking of drum sounds. Does anyone know where did Todd Terry get those tribalish drum sounds used on his old records, that everyone is sampling now (Sims, User, Recycled Loops...). > Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can get > 808/909 sounds from everywhere, but it's the "unique" sounds in those > machines that make them interesting. It's great to see producers makin' > tracks, whole records even, just with a simple drummachine. I know there are > lot of people who say "you must search for the most extreme and unique > sounds as possible, synth your own sounds etc.", but I think using what's > available at the time is most important. You can make any old shit sound > cool if you just analyze what's good about it and what's not, then you use > it for it's GOOD features, be it sounds, sequncer, filters etc. > > Perhaps it's showing us something when most drumpatterns in modern techno > -and housemusic are basic, average shit. 4/4 kick, a snare, handclaps and > hi-hats, that's all about there is. There's lots of cheap and useful gear, > why not use them and make things a little funkier? Jernej -- http://megaklik.si/sol/ the sound of ljubljana
Re: (313) Fwd: Derrick May in NY?
prett sure it's confirmed. hasn't been much talk about it because it sounds like such a horrible club. as much as i like derrick may, i'm going to bang the party instead. james "K Hawkins" <[EMAIL PROTECTED]> on 04/28/2000 11:29:12 AM To: 313@hyperreal.org cc:(bcc: James Bucknell/Magazines/Hearst) Subject: (313) Fwd: Derrick May in NY? Somehow hadn't heard this being promoted, but someone just forwarded this to me; anyone know whether this has been confirmed? -- Forwarded message -- Date: Fri, 28 Apr 2000 00:43:51 -0400 From: MailingLiz <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: Imagine Fridays Tom Mello invites you to: Imagine Fridays @ Exit 610 W 56th Street NYC This Friday: DJ's Derrick May and O'Sheen call 212-330-9018 Every Sunday Bill Spector invites you to Enjoy @ Chaos 225 E Houston St (NYC) still going strong! with DJ Mark Ronson call 212-629-2098 Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
rave and 313
313ers... I was going through my housemates records the other day and found an old rave classic called "Can You feel It" by Terrorize on Hamster Records (1992) ... now i know Kevin Saunderson did a few remixes of rave tunes in the early 90s and this is one of them.. but what i found surprising was the additional production credit going to Stacey Pullen. are there any other "rave" tunes that 313 musicians remixed??? tan... -- Graham [tan] Wilson: 618th Sonic Warfare Division guppy.cs.adelaide.edu.au/tan [EMAIL PROTECTED] [EMAIL PROTECTED] Chicago House is about pickled vegetables.
Re: (313) Fwd: Derrick May in NY?
Spoke to the folks at Transmat and Derrick is expected to arrive in town later this afternoon... I saw flyers on the street this week...poorly promoted, but... pw In a message dated 4/28/00 11:30:05 AM, [EMAIL PROTECTED] writes: >Somehow hadn't heard this being promoted, but someone just forwarded this >to >me; anyone know whether this has been confirmed? > >-- Forwarded message -- >Date: Fri, 28 Apr 2000 00:43:51 -0400 >From: MailingLiz <[EMAIL PROTECTED]> >To: [EMAIL PROTECTED] >Subject: Imagine Fridays > >Tom Mello invites you to: >Imagine Fridays @ Exit >610 W 56th Street NYC >This Friday: >DJ's Derrick May and O'Sheen >call 212-330-9018 > >Every Sunday >Bill Spector invites you to >Enjoy @ Chaos >225 E Houston St (NYC) >still going strong! with DJ Mark Ronson >call 212-629-2098 >
Re: (313) Track ID
Yeah. It isn't that one. :> I think that was one of the first "techno" songs I ever heard though. Different vocal sample, but the same words. Tristan == PHONOPSIA<[EMAIL PROTECTED]> http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm "FrogboyMCI" on AOL Instant Messenger New mix, "Propper Techno" and new Album, "Québécois", online now. -Original Message- From: Dan Sicko <[EMAIL PROTECTED]> To: Phonopsia <[EMAIL PROTECTED]> Cc: 313 <313@hyperreal.org> Date: Thursday, April 27, 2000 11:02 PM Subject: Re: (313) Track ID sounds like it could be an old N-Joi track, but I suppose I should listen to the set first, eh? :) -d On Thu, 27 Apr 2000, Phonopsia wrote: > Not sure if this was asked recently or not. > > Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, > has a slammin choon. It has a sample "Let the bass kick". Any help? > > Tristan > == > PHONOPSIA<[EMAIL PROTECTED]> > http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm > "FrogboyMCI" on AOL Instant Messenger > > New mix, "Propper Techno" and new Album, "Québécois", online now. > > > __ > Do You Yahoo!? > Talk to your friends online with Yahoo! Messenger. > http://im.yahoo.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > Dan Sicko http://www.reverbmag.com http://www.techno-rebels.com __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) Track ID
>>> Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, >>> has a slammin choon. It has a sample "Let the bass kick". Any help? > >>sounds like it could be an old N-Joi track, but I suppose I should listen >>to the set first, eh? :) > >>or it could be enigma.. a dutch pregabber thing >>but i suppose i should listen to the set first as well :) > > >haven't listened to this set either [naturally!] - but there's a track >that sample 'let the bass kick' by the hacker out on goodlife records >recently out of france - could be that.? > >cheers! > >simon That's probably it then. Sounds pretty new. Tristan == PHONOPSIA<[EMAIL PROTECTED]> http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm "FrogboyMCI" on AOL Instant Messenger New mix, "Propper Techno" and new Album, "Québécois", online now. __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Fwd: Derrick May in NY?
Somehow hadn't heard this being promoted, but someone just forwarded this to me; anyone know whether this has been confirmed? -- Forwarded message -- Date: Fri, 28 Apr 2000 00:43:51 -0400 From: MailingLiz <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: Imagine Fridays Tom Mello invites you to: Imagine Fridays @ Exit 610 W 56th Street NYC This Friday: DJ's Derrick May and O'Sheen call 212-330-9018 Every Sunday Bill Spector invites you to Enjoy @ Chaos 225 E Houston St (NYC) still going strong! with DJ Mark Ronson call 212-629-2098 Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
this SUNDAY...SWANK! 4/30
Come check out SWANK this Sunday, 4/30, at the Token Lounge in the oh-so-beautiful Westland, MI. To kick off the first week, Michael Geiger will be in the main room with Kruse Kontrol and JB in the other room. ladies get in for free and dudes, you pay $7. if you are a dude over 21 you get a free drink ticket worth $4. Anyway, see you guys there. Token Lounge 28949 joy road 2 blocks east of middlebelt. Directions: basically get to 96. If you are coming form the East: take 96 west to middlebelt rd. go left onto middlebelt. take that 2 miles until you hit Joy road. take left on Joy. It will be 2 blocks up on your left hand side. >From the West. 96 west to middlebelt. take right on middlebelt, go 2 miles down, take left at Joy Rd. 2 blocks up on your right hand side.
Re: (313) Track ID
marsel wrote: > > or it could be enigma.. a dutch pregabber thing That'd be Egma, not Enigma :) Released in 1991 on Midtown (!) I think, right around that early Praga Khan-style era. I'm pretty sure they sampled the "Let the bass kick" and speeded it up a little, but for the life of me I couldn't remember where from. The track in Stacey Pullen's set is different though, although the sample sounds similar, only slightly slower. Otto
Re: (313) Track ID
>> Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, >> has a slammin choon. It has a sample "Let the bass kick". Any help? >sounds like it could be an old N-Joi track, but I suppose I should listen >to the set first, eh? :) >or it could be enigma.. a dutch pregabber thing >but i suppose i should listen to the set first as well :) haven't listened to this set either [naturally!] - but there's a track that sample 'let the bass kick' by the hacker out on goodlife records recently out of france - could be that.? cheers! simon
RE: (313) Track ID
while we're at it - does anyone know the track that comes on at about fifty minutes? Rich > -Original Message- > From: Phonopsia [mailto:[EMAIL PROTECTED] > Sent: 27 April 2000 19:15 > To: 313 > Subject: (313) Track ID > > > Not sure if this was asked recently or not. > > Stacey Pullen's betalounge set from the Transmat tour in SF, 46 > minutes in, > has a slammin choon. It has a sample "Let the bass kick". Any help? > > Tristan > == > PHONOPSIA<[EMAIL PROTECTED]> > http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm > "FrogboyMCI" on AOL Instant Messenger > > New mix, "Propper Techno" and new Album, "Québécois", online now. > > > > __ > > Do You Yahoo!? > > Talk to your friends online with Yahoo! Messenger. > http://im.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Discographies
Thanks for the correction, Peter. It's Michigan Breaks, and 'Ewen is the Teacher'isn't it? ;=) Managed to grab a copy of the book. The Detroit-or 'Techno' part-is a short but provocative critique. I've taken the liberty of quoting some of it for the benefit of all: "Sonically the music played on the received distinction between 'technology' and 'humanity', choosing to forego the disco-derived voluptuousness of house music in favour of a certain coolness, a refusal to force machine-music into shapes and textures which would conform to traditional, humanist notions of 'musicality'. At times its preoccupation with discourses of the future-in-the-present, a modernist politics of the 'underground', and the implicit avant-gardism pursued by some of its protagonists, has seemed to carry techno almost towards an accommodation with those puritan discourses to which dance culture is normally so hostile. May's reputed revulsion at the Dionysian idiocy of the UK rave scene is ironic when one considers how much it owed to records such as his own 'Strings of Life'. An unfortunate desire to uphold a Detroit 'aesthetic', when techno continued to mutate, alter and influence in Europe, feeding into rave, trance and ultimately such forms as gabber, has sometimes been manifested in a fondness for 'purism' and geographical authenticity (not of course exclusive to techno by any means) in some of the cultures and discourses around it, often by white musicians and journalists on behalf of black or diasporic musical forms. These forget that techno at its most exciting collided American and European traditions, rather than merely retracing narratives of appropriation." Wes On Thu, 27 Apr 2000 [EMAIL PROTECTED] wrote: > In a message dated 4/27/00 5:25:01 PM, [EMAIL PROTECTED] writes: > > >np. Detroit Breaks - Maas > > Actually, it's called Michigan Breaks... > > pw >
Re: (313) Books (was rough guide to techno)
Would that be the Ewan Pearson who records as Maas for Soma? I remember picking up a record of his that had on it a Zoyd and Prairie mix: a reference to characters in a Thomas Pynchon novel. Pynchon's a pretty weird and difficult postmodern author, and the reference made me think Ewan Pearson must be a well-read kind of a guy. If the Discographies book's by him, would suggest he's quite the renaissance man. Cheers Rol Original Message Follows From: "Dissonance Electronic" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Re: (313) Books (was rough guide to techno) Date: Fri, 28 Apr 2000 03:25:21 WST While books are in issue i'd like to recommend a book i picked up from the music library at uni. It's a brand new book but from a major publisher so it shouldnt be to hard to track down. Its called "Discographies : dance music, culture and the politics of sound" By Jeremy Gilbert and Ewan Pearson.(Published: London ; New York : Routledge, 1999.) And I cant do it justice in a short description but its a critical / theoretical / cultural approach to many of the issues involved in dance music (which in their definition includes house, techno, soul,disco hip hop etc). Their analysis draws on contemporary critical theory using the work of Barthes, Kristeva, Derrida, Foucault et al. (while it utilizes these thinkers the book is always careful to explain the ideas that they are drawing on - you dont have to go and read the thinkers to understand the book) Its not a history but a very sophisticated analysis of the the role of music and dance music in particular in western culture. Of particular interest was a section where they looked at some of the reasons why western culture is so resistant to dance music. Its quite academic but very rewarding - i dont find it arrogant or pretensious either but i have some experience with this sort of writing. I'd recommend it to any one who is interested in 'dance music' in the broadest sense of the word. Its also very applicable to experimental electronic music. Any one who wants some more info feel free to email me. Peace Josh Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) rz-1 was DBX
Kent williams wrote: Legend has it that the first version of "work this motherf*cker" was made by sampling "work" "this" "mother" and "f*cker" into the RZ-1. I always wondered if that track was made like that, since RZ has about 0,8 seconds sampling time in total, and you can divide it to four 0,2 sec pieces. OR (so I'm sold), you can assign the whole (luxurious) 0,8 secs to one pad. That way it could be possible to sample that legendary sentence: "Work that motherfucka" in one pad and trigger it how you want to...? Another track if I remember correctly that used RZ's sampling capapility was Yellow House's "Jack my body" (Dance Mania). That infamous melody was made with it. (And that melody, apparently was stolen from Jamie Principle's "Bad boy", or other way 'round) -Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) Track ID
or it could be enigma.. a dutch pregabber thing but i suppose i should listen to the set first as well :) At 27-4-00 -0700 21:02, you wrote: sounds like it could be an old N-Joi track, but I suppose I should listen to the set first, eh? :) -d On Thu, 27 Apr 2000, Phonopsia wrote: > Not sure if this was asked recently or not. > > Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, > has a slammin choon. It has a sample "Let the bass kick". Any help? > ___ forcefield | mindless entertainment http://www.forcefield.org _ __ ___
Re: (313) dbx - giving it to ya raw
> -Now we're waitin for the BOSS 550mkII/660 drummachine mania to sweep over > the whole civilized world. Now the only people who actually use (and abuse) > the machine are Dance Mania producers and "rock"musicians... Hint hint ;) > > Proffit > This was the first instrument I picked up, and I got it solely based on the fact it was Squarepusher's only piece of kit for drums..the 550 is pretty lame but the 660 is a great machine, tho basically you're buying a bunch of samples of roland's earlier accomplishments...it's sitting in the corner looking sad these days. I lend it to a friend sometimes who plays only acoustic guitar to use as a glorified click track, it sounds so crap in this setting it's scary. Jason Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can get 808/909 sounds from everywhere, but it's the "unique" sounds in those machines that make them interesting. It's great to see producers makin' tracks, whole records even, just with a simple drummachine. I know there are lot of people who say "you must search for the most extreme and unique sounds as possible, synth your own sounds etc.", but I think using what's available at the time is most important. You can make any old shit sound cool if you just analyze what's good about it and what's not, then you use it for it's GOOD features, be it sounds, sequncer, filters etc. Perhaps it's showing us something when most drumpatterns in modern techno -and housemusic are basic, average shit. 4/4 kick, a snare, handclaps and hi-hats, that's all about there is. There's lots of cheap and useful gear, why not use them and make things a little funkier? -Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
detronik transmit:: cleveland
::.::.:.::..::.:.:.:::.:..:.:::.:. transmission from detronik space lab :.::.::.::.:: :synthetic detroit and multi-disk records presents: an evening of synthetic communication via multi-dimensional media date: 05.20.00 time: 22:00 hr location: speak in tongues map quad: 4311 Lorain Ave. West 43rd + Lorain - Cleveland, Ohio contact: 216.631.8790 featured live sets: detronik : mars transmission, detroit naheed kaleida choudhre : pc manipulation, detroit overtone : additive d n b, cleveland kendal : audible trip, cleveland ::.:::..::.::..:::.:..::.::.:..:.:::.::.:: audio @:: www.mp3.com/detronik Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
inspirations
this was written by my 17 year old sister vanessa after reading a portion of TECHNO REBELS... brain food manifests itself as brain music formulated to stimulate the brainwaves connected to our sensory outlets that allow us to hear each intricate sound layed down subtly for us who listen for it. we can see such talent presented in front of our eyes to feel the music touch in unison the beat of the song with the beat of our hearts. hearts that pound harder and stronger as the music affects our profound side so deeply that we are no longer conscious enough and we get sucked into the hole of the sounds that bounce from wall to wall and place us in between it all. we have become one with the intruiging sounds that have been transmitted in us to make us feel exactly the way they were intended to understand why such a soul would be so ingenious to organize each sound in that order to make a specific sound for a specific crowd that appreciates it for its true worth. which is based on the person's preference daring to listen to something so technologically orientated. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
RE: (313) Books (was rough guide to techno)
I went to Borders tonight to get a copy of "rough guide to techno" and was sad to find out that it isn't due to be published here in the US until June. I did stumble onto some interesting info about another book written by Tim Barr called "Brighter Daze" that is also due to be published in June. Looks to be another techno rebels/gen ecstacy-style book on the history of dance music. I don't know what the emphasis is though. I'm trying to contact the publisher and get a press copy. Anyone hear anything about this book? ...Jason -Original Message- From: Dissonance Electronic [mailto:[EMAIL PROTECTED] Sent: Thursday, April 27, 2000 11:25 PM To: 313@hyperreal.org Subject: Re: (313) Books (was rough guide to techno) While books are in issue i'd like to recommend a book i picked up from the music library at uni. It's a brand new book but from a major publisher so it shouldnt be to hard to track down. Its called "Discographies : dance music, culture and the politics of sound" By Jeremy Gilbert and Ewan Pearson.(Published: London ; New York : Routledge, 1999.) And I cant do it justice in a short description but its a critical / theoretical / cultural approach to many of the issues involved in dance music (which in their definition includes house, techno, soul,disco hip hop etc). Their analysis draws on contemporary critical theory using the work of Barthes, Kristeva, Derrida, Foucault et al. (while it utilizes these thinkers the book is always careful to explain the ideas that they are drawing on - you dont have to go and read the thinkers to understand the book) Its not a history but a very sophisticated analysis of the the role of music and dance music in particular in western culture. Of particular interest was a section where they looked at some of the reasons why western culture is so resistant to dance music. Its quite academic but very rewarding - i dont find it arrogant or pretensious either but i have some experience with this sort of writing. I'd recommend it to any one who is interested in 'dance music' in the broadest sense of the word. Its also very applicable to experimental electronic music. Any one who wants some more info feel free to email me. Peace Josh Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) Track ID
sounds like it could be an old N-Joi track, but I suppose I should listen to the set first, eh? :) -d On Thu, 27 Apr 2000, Phonopsia wrote: > Not sure if this was asked recently or not. > > Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, > has a slammin choon. It has a sample "Let the bass kick". Any help? > > Tristan > == > PHONOPSIA<[EMAIL PROTECTED]> > http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm > "FrogboyMCI" on AOL Instant Messenger > > New mix, "Propper Techno" and new Album, "Québécois", online now. > > > __ > Do You Yahoo!? > Talk to your friends online with Yahoo! Messenger. > http://im.yahoo.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > Dan Sicko http://www.reverbmag.com http://www.techno-rebels.com
Re: (313) Detroit Gran Pubas live
> Can someone repost the URL for that Heckle & Jeckle/DGP set in RealVideo? You mean this one? http://player.pseudo.com/real_clip.asp?id_arc=5268 Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://www.TV-99-AD.com/hans/ http://www.mp3.com/TV99AD
Fwd: Fw: [digitalnoise] the final email....
for those thinking u have forever to listen to the Paris live PA in Miami, please read on.Basically u have till the end of May to listen to it. this was forwarded to me by mark f. of 313 RIP frustrated. diana - Original Message - From: jon mclaughlin <[EMAIL PROTECTED]> To: digitalnoise.com NEWS <[EMAIL PROTECTED]> Sent: Thursday, April 27, 2000 4:05 PM Subject: [digitalnoise] the final email > > ... digitalnoise ... >... update ... > > .. > > >1> THU APR 27 - digitalnoise closes up the shop > > Okay, so by now you all pretty much know that last night's webcast with DJ Suv was our last one. (It was a wicked way to go out too.. look for the archive soon). I've been getting a lot of emails asking what the deal is, so I figured since I've hit up your email boxes with at least 200 emails over the past year and a half, I might as well send out one more and explain the situation. > > Some of you on this email list have been on here since the begining, but some of you may not know that digitalnoise has actually been around since September 1998. We started out broadcasting two nights a week from my loft in Brooklyn with DJs like Christian Bruna, Holmar Filipsson, A.Gram, Justin Johnson, Ulysses, Dharma, the Satellite Records crew, the Funky Soul Rebels and more. The DJs provided the beats for 2 hours each and we provided an endless supply of Brooklyn Lager (a fine micro brew). The first show was done by Holmar Filipsson and both he, the digi.crew and the 12 or so people hanging out that night had no idea what to expect. I think we had 5 listeners that first broadcast. There were more people in my loft than there were online :) > > Well, Holmar's set was unebelievably good and completely inspired me and the rest of the digi.crew to press on. It wasn't too long after our first Brooklyn Studio show that we made the switch to live webcasts from clubs. Jungle Nation and Konkrete Jungle were our first two regular events. We eventually added N'Ice, Sticky, Physics, Direct Drive and took on special one-off events. You rag-tagged digi.crew managed to broadcast 3 events from the Winter Music Conference 1999 with only 2 weeks of planning. We got to carry more CMJ events in 1999 than anyone else and we must've set records for remote webcasting with our 48 hour Baktun marathon and two simultaneous streams of audio and video for 12 hours straight from Engage down in Washington, DC. All in all, its been a fantastic year and a half. > > So what's the problem? Well, the entire digitalnoise.com site is > basically cared for by 4 people. Expenses were covered out of our own pockets (do you know how much Ethernet cable is needed to wire a network in the Washington DC Armory??) and we all had other jobs - thankfully with very flexible hours and understanding co-workers (thanks CTG!). > > Our goal was to make digitalnoise even more than it currently is. We had > plans for a new air studio to go back to our Brooklyn Studio roots and > even more live club broadcasts. We wanted to add quality video, better > audio, and more features to the site. All of this takes even more time > and much more money. Being that we're a "dot com" and a fairly > successfull one, we figured it shouldn't be too hard to get some > investors to help us out and kick start digitalnoise to the next level. > Unfortunately, we couldn't do that. > > We've spend the last 6 months or so looking for serious startup capital. > Either from a lack of experience in raising the money, or from the > investors' general impression that 'electronica' isn't popular enough, we > just couldn't pull it off. We're positive that digitalnoise would have > become one of the most extensive content and community sites centered > around DJ-orientated music. There's no doubt in my mind. We just couldn't > convince the people with money that this was the case. > > So now we've put ourselves into debt, wrecked relationships, quit jobs > and generally over extended ourselves to pull this off. Was it worth it? > Hells yes!! I wouldn't trade in the time I spent on digitalnoise for > anything. Looking back over the 200+ webcasts we've carried (more remote > webcasts than anyone ever has before - well over 1000 hours of music) I'm > proud to say we probably had the best and most consitent webcast schedule > on the Internet - especially for drum'n'bass. > > The only problem is that we stopped getting better. We have this grand > vision of what digitalnoise should be and without the startup capital we > just can't pull it off. So without being able to reach that goal, we've > decided that its time to move on. > > with that said though, there actually is still a glimmer of hope. I'm > not lieing when I say we are actually still talking with people and > trying to make things happen. It's a last ditch effort, but if things do > work out, digitalnoise
Track ID
Not sure if this was asked recently or not. Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, has a slammin choon. It has a sample "Let the bass kick". Any help? Tristan == PHONOPSIA<[EMAIL PROTECTED]> http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm "FrogboyMCI" on AOL Instant Messenger New mix, "Propper Techno" and new Album, "Québécois", online now. __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) Detroit Gran Pubas live
There were Sony Japan people there who had this great digital camera, shot really well in the dark. It had me drooling. Don't know where they posted that stuff yet. We tried to shoot in the club, but our digital camera couldn't deal with the low light. I'll know better next time. Paris and Billeebob spun though, no live PA unfortunately. d From: Ian Malbon <[EMAIL PROTECTED]> Reply-To: [EMAIL PROTECTED] To: Dan Sicko <[EMAIL PROTECTED]> CC: 313@hyperreal.org Subject: Re: (313) Detroit Gran Pubas live Date: Thu, 27 Apr 2000 17:39:05 -0400 > Can someone repost the URL for that Heckle & Jeckle/DGP set in RealVideo? The Pseudo clip of the Pubahs (filmed in the courtyard of the Albion at WMC) was http://player.pseudo.com/real_clip.asp?id_arc=5268 If anyone captured Heckle & Jeckle in NYC, I'd love to see that! - There4IM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) DEMF tip
How redundant can I get? I meant "and will be attending the press conference" Too many webpages, not enough sunshine I guess... At 08:58 PM 4/27/00 -0400, you wrote: > > Well... those that would be updating the > website also happen to be on the 313 list > and will be attending the website, so I'm > sure the website will be updated as fast > as someone can post a report here anyway. ;P > > nyah. > > Dale > > >At 05:44 PM 4/27/00 PDT, you wrote: >>The press conference for the festival is May 1st. Though it set to be up on >>the web a couple hours after, would anyone here in the detroit area who is >>attending want to volunteer as (313) liason? Perhaps take notes at the press >>junkit to relay to (313)? >> >>diana > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > >
Re: (313) DEMF tip
Well... those that would be updating the website also happen to be on the 313 list and will be attending the website, so I'm sure the website will be updated as fast as someone can post a report here anyway. ;P nyah. Dale At 05:44 PM 4/27/00 PDT, you wrote: >The press conference for the festival is May 1st. Though it set to be up on >the web a couple hours after, would anyone here in the detroit area who is >attending want to volunteer as (313) liason? Perhaps take notes at the press >junkit to relay to (313)? > >diana
Re: (313) DEMF tip
The press conference for the festival is May 1st. Though it set to be up on the web a couple hours after, would anyone here in the detroit area who is attending want to volunteer as (313) liason? Perhaps take notes at the press junkit to relay to (313)? diana From: Gerald <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) DEMF tip Date: Thu, 27 Apr 2000 20:14:25 -0400 Just heard from someone that each of the 3 days will be designated to a certain musical genre. Those 3 being - House, Techno, and Hip Hop. Also, they are banking on the largest draw being the Hip Hop day. Cheers, Gerald. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) Discographies
In a message dated 4/27/00 5:25:01 PM, [EMAIL PROTECTED] writes: >np. Detroit Breaks - Maas Actually, it's called Michigan Breaks... pw
DEMF tip
Just heard from someone that each of the 3 days will be designated to a certain musical genre. Those 3 being - House, Techno, and Hip Hop. Also, they are banking on the largest draw being the Hip Hop day. Cheers, Gerald.
